SKU: 11648601150

faltzelt flextents pro peak pagoda 3x6m schwarz

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Description

faltzelt flextents pro peak pagoda 3x6m schwarzProfessionelle Qualitt Funktionales Design Verstellbare Hhe Leicht aufzubewahren Leicht zu transportieren Fachliche Beratung und Service Inkl. praktischer Tragetasche mit Rdern. FleXtents Peak Pagoda, das originale und ultimative Faltzelt mit einer majesttischen Firsthhe. FleXtents PRO Peak Pagoda ist ein fantastisches Faltzelt und aufgrund seiner auergewhnlichen Firsthhe verleiht es jeder Veranstaltung einen exklusiven Stil. Der Pagodenstil macht

  • Professionelle Qualität
  • Funktionales Design
  • Verstellbare Höhe
  • Leicht aufzubewahren
  • Leicht zu transportieren
  • Fachliche Beratung und Service
  • Inkl. praktischer Tragetasche mit Rädern.

FleXtents Peak Pagoda, das originale und ultimative Faltzelt mit einer majestätischen Firsthöhe.
FleXtents PRO Peak Pagoda ist ein fantastisches Faltzelt und aufgrund seiner außergewöhnlichen Firsthöhe verleiht es jeder Veranstaltung einen exklusiven Stil. Der Pagodenstil macht dieses Faltzelt zur perfekten Kulisse für exklusive Gartenpartys, Hochzeitsempfänge, Märkte, Buffets oder ähnliche Veranstaltungen.

FleXtents ist das ultimative Faltzelt und die Marke Nr. 1 in Europa. Es ist das Ergebnis aus vielen Jahren innovativer Produktentwicklung mit dem Fokus auf leichten und transportierbaren Zeltlösungen in hoher professioneller Qualität. Das FleXtents setzt den Standard für funktionales Design und schafft die perfekte Kulisse für jede Veranstaltung oder Feier. Mit mehr als 10 Jahren Erfahrung am Markt und einer außergewöhnlichen Qualität hat sich das FleXtents die führende Position am Markt gesichert und in ganz Europa Tausende von glücklichen und zufriedenen Kunden hervorgebracht. Unsere professionelle fachliche Beratung und unser Service sind wichtige Bestandteile des Konzepts.

Das Faltzelt FleXtents PRO ist ein qualitativ hochwertiges Faltzelt. Es kombiniert funktionales, elegantes Design mit professioneller Qualität. Das FleXtents PRO kann äußerst einfach aufgebaut, transportiert und in der beigefügten Tasche mit Rädern aufbewahrt werden.

Konstruktion

Der robuste Aluminiumrahmen ist aus hochleistungsfähigen, sechskantigen Rohren hergestellt und bietet maximale Stabilität und Haltbarkeit. Die großen Fußplatten sorgen beim Aufbau für eine stabile und feste Verankerung. Die Höhe des FleXtents kann in 3 verschiedenen Positionen verstellt werden, auf diese Weise ist eine exakte Anpassung an Ihre Bedürfnisse möglich.

Plane

Die Plane ist aus einem qualitativ hochwertigen und robusten Material aus Polyester mit schwerer PVC-Beschichtung hergestellt. Sie ist wasserfest, UV-beständig, schmutzabweisend und waschbar!

Logodruck und Markenbildung

Das FleXtents ist das Faltzelt, das Ihre Marke verdient! Erzeugen Sie die maximale Markenbildung mit Ihrem FleXtents. Wir bieten das qualitativ hochwertige Thermotransfer-Druckverfahren für Seitenwände, Volant und Dachplane Ihres FleXtents an, um eine optimale und professionelle Markenbildung zu erreichen.

Zubehörteile

Wir empfehlen Ihnen zusätzlich den Kauf von Gewichtsscheiben, einer Bodenleiste sowie unseres Sicherheitspaketes, das Sturm-Gurte und Sturmverankerungen enthält, um die Stabilität bei windigen Wetterbedingungen zu erhöhen. Wählen Sie Seitenwände in verschiedenen Farben, halbseitige Paneele oder Seitenwände mit Panoramafenstern, um Ihr FleXtents individuell besser anzupassen und ihm ein anderes, interessantes Aussehen zu verleihen.

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SKU: 11648601150

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4.4 ★★★★★
Based on 991 reviews
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Kenny of LA
Charlottesville, US
★★★★★ 4
Make Sure You Read the Vintage Edition with the Afterword
I initially purchased this book to read for two reasons: First, it was written by William Styron, who wrote the great "Sophie's Choice;" and second, it won a Pulitzer Prize. It was only after I was into the book that I learned that this vintage sixties' book was the subject of a major controversy over the depiction of the title character, Nat Turner. I learned that Styron openly acknowledged fictionalizing large portions of Turner's life, including his motivations for leading the slave revolt. I also learned that Styron's largely fictionalized portrait of Turner outraged many black leaders of the time. Rather than painting Turner (entirely) as a hero, called to action by the injustices of slavery, Styron created a darker picture of a man fixated on religion, a vision of himself as a prophet, and frustrated by lust and desire (particularly, for a young, blond haired white girl). As I read the book, I search my own feelings, and felt that if I were black, I would certainly have objected similarly. We all need our heroes, who become much larger as symbols than they could ever be as people. For the sake of those that come after, such icons are perhaps entitled to be treated with a greater level of sensitivity and care--even at the cost of literary restraint. It is here that the story gets fascinating. After I finished the novel, I read Styron's Afterword. Styron was truly stung by the criticism and in the Afterword, provided an elegant and persuasive defense of his writings. While I will not say that Styron entirely changed my position, he definitely made me see the other side of the argument. The dialogue between Styron and his critics not only allows the reader to consider one of the great social and political issues of our time, but permits the reader a unique insight into the thinking of a great writer--and suffices, in and of itself, as a reason for reading this novel. MAKE SURE YOUR VERSION OF THE NOVEL HAS THIS AFTERWORD. Putting the issue aside as to the real "Nat Turner," the novel itself is beautifully written. The characters are fully developed and believable. The description of the system of slavery and the relationship between whites and blacks feel very real, and very accurate. Styron shows us good and bad of each race, and how all of them are bound by the system of slavery and their actions directly the product of it.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 26, 2008
C
Verified Purchase
Cstro
Dallas, US
★★★★★ 5
I loved this book.
I read this book for my book club and I thought it was beautifully written. It has stayed with me for weeks now. I love when a book does that. I'm glad I wasn't swayed by controversy. I had no problem with the fact that the author was white and using a black voice(maybe because I'm white - but I do like when an author gets the voice right and I thought Styron did that). I didn't understand the charges of racism after reading the book. Sometimes I wonder if, what some people find uncomfortable, they label as racist or sexist or whatever. Anyway, I would encourage everyone to read this book because it gave me a fresh awareness of a huge part of U.S. history, it reminded me that there are always gray areas to consider and it was a great novel. You might think so too.
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Reviewed in the United States on February 8, 2007
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Devin T.
Grantham, US
★★★★★ 5
great read
I enjoyed this book. As a person who enjoys history this book was a great read for me and the author gives an in depth vision on the trial.
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Reviewed in the United States on September 14, 2023
J
Verified Purchase
John Tailor 2048
New York, US
★★★★★ 3
Nat Turner was NOT happy
I think Mr Styron may have took some liberties with Nat Turner's "orientation" without the research or data to support his opinion.
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Reviewed in the United States on October 20, 2016
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Verified Purchase
Patricia Posey Cox
Carnegie, US
★★★★★ 5
A book for the ages...historically concise and horrific at once
William Styron, a gifted writer outdid himself with this book. His concise detail gives us an inside view on the depth of feeling employed by the subject of this book. The book while concise and tender pulls us in as these events take place. As Mailer delves deeper into the mind of Nat Turner, we cannot help but feel a sense of the suffering this man endured and this is what gives us perspective into this tragedy as it unfolds. A compelling masterpiece of literature.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 20, 2012

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