SKU: 55400711969

Globber Scooter | Flow 125mm | Foldable | Weiss-Schwarz

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Description

Globber Scooter | Flow 125mm | Foldable | Weiss-SchwarzGlobber Flow 125 Foldable City Scooter Weiss Schwarz Die neuste Version des Globber Flow 125 Foldable ist der perfekte Scooter fr Einsteiger. Kleine Rder machen ihn fr Anfnger besonders leicht zu kontrollieren und sorgen fr eine schnelle Beschleunigung, ohne dabei zu hohe Geschwindigkeiten zu erreichen. Darber hinaus ist der Scooter ausgesprochen robust und dank seines einfachen Klappmechanismus besonders kompakt und gut zu verstauen. Das macht den

Globber Flow 125 Foldable | City Scooter | Weiss-Schwarz

Die neuste Version des Globber Flow 125 Foldable ist der perfekte Scooter für Einsteiger. Kleine Räder machen ihn für Anfänger besonders leicht zu kontrollieren und sorgen für eine schnelle Beschleunigung, ohne dabei zu hohe Geschwindigkeiten zu erreichen. Darüber hinaus ist der Scooter ausgesprochen robust und dank seines einfachen Klappmechanismus besonders kompakt und gut zu verstauen. Das macht den City Scooter mit rundlichen Formen zum perfekten Begleiter im Alltag. Dank einem Trittbrett aus Aluminium mit einem PVC Deck bist du noch leichter unterwegs, während der Scooter perfekt gegen Umwelteinflüsse wie Sonneneinstrahlung und Nässe gerüstet ist. Mach dich jetzt noch bequemer auf den Weg in die Schule, Freizeit und Sport mit dem Globber Flow 125 Foldable City Scooter! 

Facts Globber Scooter Flow 125

  • Geeignet für: Fahrer mit einer Körpergrösse von 110 bis 150 cm (Kinder ca. 6 bis 12 Jahre)
  • Einsatzgebiet: Asphalt, Schulweg, Freizeit
  • Lenkerhöhe: Variabel (4 Stufen)
  • Falt-Mechanismus: Ja
  • Radgrösse 125 mm: Kleine Rollen für beste Kontrolle und Agilität.
  • Kugellager Räder: ABEC 5
  • Bremssystem: Fussbremse
  • Material: Aluminium / PVC
  • Gewicht: 3.1 kg
  • Cooles Design: Der Globber City Scooter Flow 125 überzeugt mit edlen Farbkombinationen.

Unser Fazit

Der Globber Flow 125 City Scooter ist ein idealer City Scooter für Einsteiger und Anfänger. Er ist auf besonders einfache Fahreigenschaften ausgelegt, welche es auch unerfahrenen Fahrern ermöglicht, den Tretroller mühelos und sicher zu kontrollieren. Der Globber Flow 125 ist mir nur 3.1 Kilogramm ein echtes Leichtgewicht und lässt sich deshalb auch von Kindern gut transportieren. Dank dem in 4 Stufen verstellbaren Lenker lässt sich der City Scooter mit wenigen Handgriffen an die Körpergrösse des Fahrers anpassen. Der Scooter kann also gut mit deinem Kind “mitwachsen”. Das ausgeklügelte Faltsystem von Globber ermöglichst es, den Scooter ganz einfach auf ein kompaktes Mass zusammen zu falten. Damit lässt er sich auch problemlos im Bus, Zug oder Auto verstauen.

Über Globber Scooter

Die Firma Globber wurde im 2014 in Frankreich gegründet. Die Gründer hatten damals bereits 20 Jahre internationale Erfahrung im Rollsport Business. Nach der Gründung entwickelte sich Globber rasant und wurde bald zu einer international gefragten Scooter Marke, welche höchsten Qualitätsansprüchen gerecht wird. Heute ist das komplette Scooter Sortiment von Globber in 85 Ländern weltweit erhältlich und die Verkaufszahlen steigen von Jahr zu Jahr. Alle 30 Sekunden geht irgendwo auf der Welt ein Globber Scooter über die Verkaufstresen. Dank Produkten für jede Altersklasse bedient Globber eine breite Zielgruppe und kann von Kindern über Teenager bis zu Erwachsenen die ganze Familie mit hochwertigen Produkten versorgen.

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SKU: 55400711969

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4.5 ★★★★★
Based on 28 reviews
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Product Reviews
J
Verified Purchase
JR
Lowell, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
Whiting, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Bozeman, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Cuba, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Boise, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021

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