SKU: 17545755850

Comp Cams FW 291T HR-107 MT THUMPR CAMSHAFT

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Description

Comp Cams FW 291T HR-107 MT THUMPR CAMSHAFTHYDRAULIC ROLLER: High performance street strip, needs 9: 1 CR, 2500+ stall, intake, gears, and headers, rough idle Must use #8931 16 lifters with this cam Vehicle Fitments: Year Make Model Submodel 1981 1993 Ford Bronco Custom 1985 1995 Ford Bronco Eddie Bauer 1981 Ford Bronco Ranger XLT 1990 1995 Ford Bronco XL 1982 1983 Ford Bronco XLS 1984 1995 Ford Bronco XLT 1982 1993 Ford Bronco XLT Lariat 1992 Ford Bronco XLT Nite 1995 Ford Bronco XLT Sport

HYDRAULIC ROLLER: High performance street/strip, needs 9:1 CR, 2500+ stall, intake, gears, and headers, rough idle

Must use #8931-16 lifters with this cam



Vehicle Fitments:

Year Make Model Submodel
1981 - 1993 Ford Bronco Custom
1985 - 1995 Ford Bronco Eddie Bauer
1981 Ford Bronco Ranger XLT
1990 - 1995 Ford Bronco XL
1982 - 1983 Ford Bronco XLS
1984 - 1995 Ford Bronco XLT
1982 - 1993 Ford Bronco XLT Lariat
1992 Ford Bronco XLT Nite
1995 Ford Bronco XLT Sport
1969 - 1974 Ford Country Sedan Base
1969 - 1974 Ford Country Squire Base
1969 - 1972 Ford Custom Base
1969 - 1977 Ford Custom 500 Base
1976 - 1977 Ford Custom 500 Ranch Wagon
1975 - 1982 Ford E-100 Econoline Chateau, Base
1975 - 1983 Ford E-100 Econoline Custom
1975 - 1978 Ford E-100 Econoline Northland
1983 Ford E-100 Econoline XL
1975 - 1982 Ford E-100 Econoline Club Wagon Base, Chateau
1975 - 1983 Ford E-100 Econoline Club Wagon Custom
1975 - 1978 Ford E-100 Econoline Club Wagon Northland
1983 Ford E-100 Econoline Club Wagon XL
1975 - 1995 Ford E-150 Econoline Base
1975 - 1982 Ford E-150 Econoline Chateau
1975 - 1991 Ford E-150 Econoline Custom
1975 - 1978 Ford E-150 Econoline Northland
1983 - 1995 Ford E-150 Econoline XL
1975 - 1986 Ford E-150 Econoline Club Wagon Base
1975 - 1995 Ford E-150 Econoline Club Wagon Custom, Chateau
1975 - 1978 Ford E-150 Econoline Club Wagon Northland
1983 - 1991 Ford E-150 Econoline Club Wagon XL
1984 - 1995 Ford E-150 Econoline Club Wagon XLT
1975 - 1995 Ford E-250 Econoline Base
1975 - 1982 Ford E-250 Econoline Chateau
1975 - 1991 Ford E-250 Econoline Custom
1975 - 1978 Ford E-250 Econoline Northland
1983 - 1995 Ford E-250 Econoline XL
1975 - 1986 Ford E-250 Econoline Club Wagon Base
1975 - 1982 Ford E-250 Econoline Club Wagon Chateau
1975 - 1991 Ford E-250 Econoline Club Wagon Custom
1975 - 1978 Ford E-250 Econoline Club Wagon Northland
1983 - 1991 Ford E-250 Econoline Club Wagon XL
1984 - 1991 Ford E-250 Econoline Club Wagon XLT
1975 - 1995 Ford E-350 Econoline Base
1975 - 1982 Ford E-350 Econoline Chateau
1975 - 1991 Ford E-350 Econoline Custom
1975 - 1978 Ford E-350 Econoline Northland
1983 - 1995 Ford E-350 Econoline XL
1977 - 1986 Ford E-350 Econoline Club Wagon Base
1992 - 1993 Ford E-350 Econoline Club Wagon Custom HD
1977 - 1995 Ford E-350 Econoline Club Wagon Custom, Chateau
1977 - 1978 Ford E-350 Econoline Club Wagon Northland
1983 - 1991 Ford E-350 Econoline Club Wagon XL
1994 - 1995 Ford E-350 Econoline Club Wagon XL HD
1984 - 1995 Ford E-350 Econoline Club Wagon XLT
1992 - 1995 Ford E-350 Econoline Club Wagon XLT HD, Chateau HD
1975 - 1976 Ford Elite Base
1981 Ford F-100 Ranger Lariat, Custom, Ranger XLT, Ranger
1983 - 1986 Ford F-150 Base
1981 - 1992 Ford F-150 Custom
1995 Ford F-150 Eddie Bauer, Special
1993 - 1995 Ford F-150 Lightning
1981 - 1989 Ford F-150 Ranger
1981 Ford F-150 Ranger XLT, Ranger Lariat
1982 - 1995 Ford F-150 XL
1982 - 1983 Ford F-150 XLS
1983 - 1995 Ford F-150 XLT
1982 - 1992 Ford F-150 XLT Lariat
1983 - 1995 Ford F-250 Base, XLT
1995 Ford F-250 Eddie Bauer, Special
1981 Ford F-250 Ranger Lariat, Ranger XLT
1981 - 1994 Ford F-250 Ranger, Custom
1982 - 1995 Ford F-250 XL
1982 - 1983 Ford F-250 XLS
1982 - 1992 Ford F-250 XLT Lariat
1981 - 1994 Ford F-350 Base
1981 - 1992 Ford F-350 Custom
1981 Ford F-350 Ranger Lariat, Ranger XLT, Ranger
1995 Ford F-350 Special, Eddie Bauer
1982 - 1995 Ford F-350 XL
1982 - 1983 Ford F-350 XLS
1983 - 1995 Ford F-350 XLT
1982 - 1992 Ford F-350 XLT Lariat
1969 Ford Fairlane Base, 500
1969 - 1974 Ford Galaxie 500 Base
1969 - 1970 Ford Galaxie 500 XL
1973 - 1976 Ford Gran Torino Brougham
1974 - 1975 Ford Gran Torino Elite
1972 - 1975 Ford Gran Torino Sport
1972 - 1976 Ford Gran Torino Squire, Base
1975 - 1977 Ford Granada Ghia, Base
1969 - 1986 Ford LTD Base
1970 - 1986 Ford LTD Brougham
1975 - 1986 Ford LTD Country Squire
1986 Ford LTD Country Squire LX, Crown Victoria LX
1980 - 1986 Ford LTD Crown Victoria
1975 - 1979 Ford LTD Landau
1985 Ford LTD LX Brougham
1980 - 1982 Ford LTD S
1987 - 1991 Ford LTD Crown Victoria LX, S, Base
1977 - 1978 Ford LTD II Brougham
1979 Ford LTD II Landau
1977 - 1979 Ford LTD II S, Base
1977 Ford LTD II Squire
1969 - 1995 Ford Mustang Base
1969 - 1970 Ford Mustang Boss 429, Shelby GT-350, Boss 302, Shelby GT-500
1970 Ford Mustang Grande, Mach 1
1995 Ford Mustang SVT Cobra R, GT, SVT Cobra, GTS
1969 - 1974 Ford Ranch Wagon Base
1970 Ford Ranch Wagon Police Cruiser
1969 Ford Ranchero Base
1969 - 1979 Ford Ranchero GT, 500
1972 - 1979 Ford Ranchero Squire
1977 - 1979 Ford Thunderbird Base
1978 Ford Thunderbird Diamond Jubilee
1979 Ford Thunderbird Heritage
1978 - 1979 Ford Thunderbird Town Landau
1969 - 1976 Ford Torino Base
1969 Ford Torino Squire, Cobra, GT
1980 Lincoln Continental Base
1980 Lincoln Mark VI Base
1977 Lincoln Versailles Base
1971 Mercury Colony Park Base
1969 Mercury Comet Base
1969 - 1970 Mercury Cougar Boss 302, Cobra Jet, Boss 429
1977 Mercury Cougar Villager, Brougham
1969 - 1979 Mercury Cougar XR-7, Base
1969 Mercury Cyclone Base, Spoiler, CJ
1978 - 1986 Mercury Grand Marquis Base
1979 - 1986 Mercury Grand Marquis Colony Park
1986 Mercury Grand Marquis LS
1971 - 1981 Mercury Marquis Base, Brougham
1975 - 1977 Mercury Monarch Ghia, Base
1976 Mercury Monarch Grand Ghia
1975 Mercury Montego Brougham
1972 - 1973 Mercury Montego GT
1972 - 1976 Mercury Montego MX Brougham
1976 Mercury Montego MX Villager
1969 - 1976 Mercury Montego MX, Base
1972 - 1975 Mercury Montego Villager
1971 Mercury Monterey Base, Custom
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SKU: 17545755850

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4.4 ★★★★★
Based on 15 reviews
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Product Reviews
H
Verified Purchase
Harrison Nowak
Lowell, US
★★★★★ 4
Good sequel but not as good as the original.
Format: Paperback
Pretty good read only down side is it doesn’t quite live up to Long Halloween.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 18, 2026
K
Verified Purchase
Kurt
Grantham, US
★★★★★ 5
Great Sequel to Long Halloween
Format: Paperback
This takes all of the great elements of the Long Halloween and keeps it going. The two of those books together is a great story telling. Ticks all the boxes of a great Batman book. If you like this and Long Halloween check out The Penguin show on HBO Max. and if you like The Penguin but haven't read these two books you should since the show pulls a lot of influence from them.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 22, 2024
K
Verified Purchase
kindlemom1 (My Guilty Obsession Blog)
Draper, US
★★★★★ 5
Worth the price!
Format: Paperback
Great set!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 8, 2025
J
Verified Purchase
John Hall
Massapequa, US
★★★★★ 5
The Robin Origin Tale We Needed
Format: Paperback
Hot off The Long Halloween Jeph Loeb and Tim Sale return for another murder mystery. This is a direct sequel and follows the aftermath of The Long Halloween. The art is stellar and the story is deep and dark. The trinity of Batman, Dent and Gordon is gone and the isolation is real. At the heart of it, life goes on. Sofia Falcone is back and ready to get revenge. Meanwhile, Dick Grayson's about to go through the darkest chapter of his life. There's a surprise villain who makes a chilling introduction and much more. If you wanted more after Batman: Year One and The Long Halloween, this is the book for you.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 22, 2025
T
Verified Purchase
The Blue Thunder Bomb
Houston, US
★★★★★ 5
The Best BATMAN Tale since YEAR ONE.
When I first started reading Scott Snyder's run on DETECTIVE COMICS, I was unfamiliar with his work. It seemed like they had just grabbed a new name after arcs done by distinguished writers such as Grant Morrison (which I actually thought was terrible during his RIP arc), Greg Rucka (who did a brilliant job with bringing the character of Batwoman into the fold), and Paul Dini (whose work ranged from not great to just about perfect). Snyder just seemed like a Johnny-Come-Lately, and the previous arc on DETECTIVE had been particularly disappointing, but alas I had faith that another solid arc was due for the Darkknight Detective, so I kept collecting. Nothing could have made me happier, since Snyder and his partners in crime, artists Jock and Francesco Francavilla had crafted the most solid, unified and smartest Batman tale since Frank Miller and David Mazzucchelli's eponymous BATMAN: YEAR ONE. Not to get too bogged down in plot detail, but essentially, the "Black Mirror" arc begins with Dick Grayson as The Batman (since Bruce Wayne was too busy fighting his way through time... argh...) and he's closing in on a secret auction where 'collectibles' of Gotham's most notorious villains are being sold to an elite crowd of wealthy degenerates, such as Scarecrow's fear gas and the crowbar actually used to beat Jason Todd almost to death. The main villain of the piece is hardly Batman's most powerful enemy, but it does leave some psychic scars on Dick. Next Dick is forced to deal with a dead woman found in an office building. Hardly worth Batman's specific attention, but what is is that the woman's body was found inside a dead killer whale's mouth in an office building. Making matters more complicated is that the woman this murder is sending a message to is actually the daughter of Tony Zucco, the gangster responsible for the death of Dick's parents. While these stories are exciting, well-crafted and beautifully rendered by Jock, we enter a much more personal tale of Commissioner Gordon: the return of his son James Jr., who we haven't seen much of at all in his life. Apparently, James Jr. is a psychotic who is taking a new anti-psychotic medication and hopes to return back to society in some way. This becomes a very personal tale for the Gordon family, including Gordon's ex-wife Barbara and of course his daughter Barbara, formerly Batgirl and now the wheelchair-confined information gatherer Oracle. These interludes are illustrated by the brilliant Francavilla, whose every page looks like it's suitable for framing. Unfortunately for everyone involved, Jr. is not exactly what he seems to be and this leads to a small-scale but highly emotionally charged finale. Scott Snyder did several things in this book that very few before him were able to do successfully. First and foremost, he captured the essence of Dick Grayson bearing the responsibility of being Batman. It's not something he shirks from, but he does feel out of place living in Bruce's penthouse and basically taking the mantle of Batman is no small matter. He is more emotional than Bruce and has more issues with his own fears. Second is that he's one of the few writers to really get the essence of Batman being a detective. While Dick is not as brilliant as Bruce, he was trained by the best, and Batman is not just a machine of brute force dispensing justice with his fists and cool gadgets; he's also considered the world's greatest detective and it's always exciting to see an author with a good handle on that aspect of Batman. Third is Snyder's awareness of Gotham not just being a city, but as being an integral character in the adventures of Batman. There's a darkness to the city that the good people strive to rise above, which is why the partnership of Batman and Jim Gordon has been the lifeline of Gotham's survival. Also on wonderful display here is Snyder's understanding of the supporting cast. He gives all of them equal and necessary life in the story, and has a superb handle on their individual characters. In the few years since Snyder started in this business, first gaining prominence on AMERICAN VAMPIRE (which is another breath of fresh air to a dying genre) and then his work on DETECTIVE gaining him even greater accolades, he has become possibly the best writer currently at DC. Several people, including myself have heralded him as the next Alan Moore. He has an understanding of character, dialogue and structure that is unusual and continually striking. He's been the standout star of DC's "New 52", continuing his work on Batman with as well as bringing back one of DC's greatest horror titles, . He has also continued to establish himself as one of comic's premier horror writers by doing the best horror comic in years over at Image Comics called (you can find my review of that book via that link), as well as doing a mini-event that explores the beginnings of Gotham City in . THE BLACK MIRROR is a Batman classic that people will still be discussing in years to come, as well as his other work in the field. I couldn't suggest more highly picking up any of his books. It doesn't get much better.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 12, 2012

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