SKU: 28428302781

Spendor Classic 100Ti Loudspeaker (Each)

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Description

Spendor Classic 100Ti Loudspeaker (Each)Spendor Classic 100Ti Standmount Loudspeaker at Vinyl Sound Toronto Canada The Classic 100Ti is a 3 way reflex standmount loudspeaker from Spendor (Sheffield, United Kingdom), available at Vinyl Sound in Toronto, Canada. A premium variant of the Classic 100, the 100Ti adds a multilayer brushed titanium front baffle to the proven engineering of one of Spendor's most distinguished Classic Series designs, whose roots trace directly to the legendary

Spendor Classic 100Ti Standmount Loudspeaker at Vinyl Sound Toronto Canada

The Classic 100Ti is a 3-way reflex standmount loudspeaker from Spendor (Sheffield, United Kingdom), available at Vinyl Sound in Toronto, Canada. A premium variant of the Classic 100, the 100Ti adds a multilayer brushed titanium front baffle to the proven engineering of one of Spendor's most distinguished Classic Series designs, whose roots trace directly to the legendary Spendor BC3 of the 1970s. The driver complement includes a 310mm (12.2") paper and Kevlar composite cone bass driver in a diecast alloy chassis, a 180mm EP77 polymer cone midrange, and a 22mm wide-surround soft-dome tweeter, with crossover points at 490Hz and 3.6kHz. With an 89dB sensitivity and an 8-ohm nominal impedance, the Classic 100Ti is equally at home with valve and solid-state amplification from 25 to 250 watts. It is sold individually and requires dedicated stands — Spendor's matching Classic Stand is available separately.

Titanium Baffle and BBC-Heritage Cabinet Design

The Classic 100Ti's most visible distinction from the standard Classic 100 is its multilayer brushed titanium front baffle, which provides an exceptionally rigid and inert mounting surface for the three drive units. Titanium's combination of high stiffness and low mass makes it one of the most effective materials available for preventing front panel resonances from colouring the sound, ensuring the drive units operate against a completely stable reference surface regardless of playback level. The walnut-veneered side panels are constructed following Spendor's Classic Series approach: relatively thin-walled, lightly braced, and treated with elastomer Dynamic Damping panels bonded to their inner surfaces. This deliberate design allows the panels to flex slightly at low frequencies in concert with the bass driver, a controlled behaviour that Spendor has refined over decades and associates with the warmth and musical charm that defines the Classic Series sound. The cabinet sits on a dynamically-damped satin black plinth with four levelling feet for stable coupling to dedicated stands.

Three-Way Driver Array — 310mm Bass, EP77 Midrange, Soft-Dome Tweeter

The Classic 100Ti's driver array is built around a 310mm bass driver using a rigid, lightweight paper and Kevlar composite cone in a diecast alloy chassis with a high-efficiency motor system, optimised electro-dynamic damping, and excellent thermal dissipation. At 490Hz this driver hands over to the 180mm midrange unit, which uses Spendor's proprietary EP77 polymer cone — the same material used across the D-Line range — for ultra-low coloration and natural tonal character in the vocal range. A 22mm wide-surround soft-dome tweeter completes the array, crossing over from the midrange at 3.6kHz. The crossover network was meticulously refined for driver coherence and phase alignment, and the rear panel features tri-wire binding posts to support bi-wire and tri-wire cable configurations. The reflex port loading of the Classic 100Ti extends bass output down to 25Hz in a typical room, providing considerably deeper low-frequency reach than its compact standmount dimensions would suggest.

Key Features

  • Multilayer Brushed Titanium Front Baffle: A rigid, inert driver mounting surface that prevents front panel resonances from colouring the sound and gives the Classic 100Ti its distinctive premium visual identity.
  • 310mm Paper and Kevlar Composite Bass Driver: A large-diameter woofer in a diecast alloy chassis with a high-efficiency motor system, delivering authoritative bass extension to 25Hz from a standmount cabinet.
  • 180mm EP77 Polymer Cone Midrange: Spendor's proprietary in-house polymer cone material, shared with the D-Line series, provides ultra-low coloration and natural, detailed midrange reproduction.
  • 22mm Wide-Surround Soft-Dome Tweeter: Smooth and even high-frequency dispersion with a crossover handover at 3.6kHz for seamless integration with the EP77 midrange driver.
  • 490Hz and 3.6kHz Three-Way Crossover: A meticulously refined crossover network with tri-wire binding post terminals, supporting bi-wire and tri-wire cable configurations.
  • Reflex Port Loading: Bass-reflex enclosure extends low-frequency response to 25Hz in a typical room, providing deep and powerful bass output from a compact cabinet footprint.
  • Elastomer Dynamic Damping Panels: Viscoelastic damping pads bonded to the inner walnut side panels control cabinet wall behaviour at low frequencies, contributing Spendor's characteristic warmth and musical charm.
  • 89dB Sensitivity, 8-Ohm Impedance: High sensitivity and a stable impedance load, compatible with valve amplifiers from 25 watts and high-powered solid-state designs up to 250 watts.
  • BC3-Lineage Engineering: The Classic 100's design heritage traces directly to the Spendor BC3 of the early 1970s, one of the original BBC-inspired studio monitors, updated with modern drive units, damping materials, and crossover components.
  • Walnut Veneer Cabinet: High-quality walnut veneer hand-applied to the side and rear panels, with crisp edges and a satin finish consistent across all Classic Series models.
  • Requires Dedicated Stands: The Classic 100Ti is a standmount loudspeaker and must be used on dedicated stands. Spendor's matching Classic Stand is available separately from Vinyl Sound Toronto.
  • Hand-Assembled in the United Kingdom: Every Classic 100Ti is hand-assembled at Spendor's Sheffield facility, with cabinets produced by Spendor's own in-house cabinetmaking operation.
  • Sold Individually: The Classic 100Ti is priced and sold as a single unit. Two units are required for a stereo pair.

Technical Specifications

Type 3-way reflex standmount loudspeaker
Drive Units LF 310mm (12.2") paper and Kevlar composite cone, MF 180mm (7.08") EP77 polymer cone, HF 22mm (0.87") soft dome
Crossover Frequencies 490Hz / 3.6kHz
Frequency Response 25Hz - 25kHz
Sensitivity 89dB / 1W / 1m
Nominal Impedance 8 ohms
Amplifier Power 25-250 watts
Input Terminals Tri-wire precision binding posts
Height 700mm / 28"
Width 370mm / 15"
Depth 433mm / 17"
Weight 36kg / 79.4 lbs (per speaker)
Cabinet Finish Walnut veneer with multilayer brushed titanium front baffle
Stands Dedicated stands required, sold separately
Origin Hand-assembled in the United Kingdom
Sold Individually (each)

Frequently Asked Questions

What is the Spendor Classic 100Ti?

The Spendor Classic 100Ti is a 3-way reflex standmount loudspeaker handbuilt in Sheffield, United Kingdom, and is a premium variant of the Classic 100 in the Spendor Classic series. It features a 310mm paper and Kevlar composite bass driver, a 180mm EP77 polymer cone midrange, and a 22mm soft-dome tweeter, in a walnut-veneered cabinet with a multilayer brushed titanium front baffle. Key specifications include an 89dB sensitivity, an 8-ohm nominal impedance, a 25Hz to 25kHz frequency response, and compatibility with amplifiers from 25 to 250 watts. Available at Vinyl Sound in Toronto, Canada, the Classic 100Ti is sold individually and requires dedicated stands. Two units are required for a stereo pair.

How does the Spendor Classic 100Ti differ from the standard Classic 100?

The Spendor Classic 100Ti adds a multilayer brushed titanium front baffle to the standard Classic 100, which is finished in walnut veneer across its entire cabinet. The titanium baffle provides a more rigid and inert driver mounting surface, preventing the front panel from contributing resonance or coloration, and gives the 100Ti its visually distinctive premium identity. The driver complement, reflex port loading, crossover frequencies, cabinet dimensions, and overall sonic character are shared between the Classic 100 and Classic 100Ti. Listeners who want the Classic 100's BBC-heritage warmth and authority with the added visual and structural benefit of the titanium baffle will find the 100Ti the natural choice.

How does the Spendor Classic 100Ti compare to the ATC SCM50 and the Harbeth Monitor 30.2 XD?

The Spendor Classic 100Ti, the ATC SCM50, and the Harbeth Monitor 30.2 XD are three of the most respected large-format BBC-heritage standmount loudspeakers available, each embodying a distinct interpretation of the monitor tradition. The Classic 100Ti uses a 310mm paper and Kevlar composite bass driver in a reflex-loaded cabinet with Spendor's EP77 polymer cone midrange and Dynamic Damping walnut panels, producing the warm, rich, and musically engaging character that defines the Classic range. The ATC SCM50 uses ATC's renowned 75mm soft dome midrange driver in a sealed enclosure, delivering a more forensically accurate and neutral presentation favoured in professional recording environments. The Harbeth Monitor 30.2 XD uses Harbeth's proprietary RADIAL cone technology and BBC-legacy thin-walled cabinet construction, with a natural and tonally balanced character that shares priorities with the Spendor but with different driver materials and voicing choices. All three speakers demand quality amplifier matching and careful stand selection.

What is the EP77 polymer cone used in the Classic 100Ti's midrange driver?

EP77 is Spendor's proprietary cone material, developed and manufactured entirely in-house using custom thermo-moulding equipment at the company's Sheffield facility. The compound is engineered for low internal coloration and high structural damping, producing a midrange driver that retrieves fine musical detail without the hardness of metal cones or the softness of standard paper alternatives. EP77 is used across Spendor's A-Line and D-Line ranges as the mid/bass cone material, and in the Classic Series specifically as the dedicated midrange driver where it handles the vocal and upper-bass frequency range between the crossover points at 490Hz and 3.6kHz.

Does the Spendor Classic 100Ti require dedicated stands?

Yes, the Spendor Classic 100Ti is a standmount loudspeaker and must be used on dedicated stands to perform correctly. Spendor's matching Classic Stand is available separately and is specifically designed to complement the Classic Series cabinet dimensions and damping philosophy. The stand positions the Classic 100Ti at the correct listening height and provides stable mechanical coupling between the heavy 36kg cabinet and the floor. Vinyl Sound in Toronto can supply and advise on the appropriate stand configuration for the Classic 100Ti.

What amplifier works best with the Spendor Classic 100Ti?

The Classic 100Ti has a sensitivity of 89dB and an 8-ohm nominal impedance, making it compatible with a wide range of amplification from 25 to 250 watts. Its high sensitivity and stable impedance load mean it performs well with quality valve amplifiers from 25 watts upward, a compatibility that is consistent across Spendor's Classic range. Higher-powered solid-state amplifiers from 100 to 250 watts allow the Classic 100Ti to reach its full dynamic capability at higher listening levels. Integrated amplifiers and separates from manufacturers including Pass Labs, Naim, Luxman, and McIntosh are frequently paired with Classic Series loudspeakers by listeners who appreciate the combination of BBC-heritage voicing with high-quality amplification.

Where can I buy the Spendor Classic 100Ti in Toronto or Canada?

The Spendor Classic 100Ti is available at Vinyl Sound, an authorised Spendor dealer located in Toronto, Canada, sold individually. Vinyl Sound can arrange in-store demonstrations of the Classic 100Ti on appropriate stands with compatible high-end amplification and source components. Purchasing from an authorised Canadian Spendor dealer ensures full manufacturer warranty coverage, access to factory-backed service support, and expert guidance on stand selection and system matching.

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SKU: 28428302781

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Robin
Phoenix, US
★★★★★ 4
Fast paced romantasy you will not want to put down!
Format: Kindle
4.25 stars! I LOVED this book with similar vibes to Hush Hush, Fourth Wing, and The Serpent and the Wings of Night! It was fast paced with easy world building and will keep you turning the pages late into the night because you will not want to put it down! Huntyr is a fierce bad@ss FMC trained to kill vampyres her entire life. She is sent on a mission to go to the academy and earn her spot into The Golden City. Upon arrival, she is forced to room with the delicious fallen angel, Wolf, who is the only one who knows about her assassin identity. The romance, the plot twists, the secrets revealed, the battles, and the tantalizing training scenes had me hooked! And that ending…. I’m holding my breath in need to know hell! Read if you love: 🪽 Fae, Vampyres, Fallen Angels 🪽 Academy setting with magical trials 🪽 Forced proximity and slow burn 🪽 Rivals to lovers 🪽 Hidden identities and secrets 🪽 Tend your wounds “𝘖𝘧 𝘤𝘰𝘶𝘳𝘴𝘦 𝘐 𝘸𝘢𝘴 𝘸𝘢𝘵𝘤𝘩𝘪𝘯𝘨 𝘺𝘰𝘶. 𝘐 𝘤𝘰𝘶𝘭𝘥𝘯’𝘵 𝘭𝘰𝘰𝘬 𝘢𝘸𝘢𝘺 𝘧𝘰𝘳 𝘢 𝘮𝘰𝘮𝘦𝘯𝘵, 𝘦𝘷𝘦𝘯 𝘪𝘧 𝘐 𝘵𝘳𝘪𝘦𝘥.” “𝘐𝘧 𝘺𝘰𝘶 𝘸𝘢𝘯𝘵 𝘮𝘦 𝘰𝘯 𝘮𝘺 𝘬𝘯𝘦𝘦𝘴, 𝘏𝘶𝘯𝘵𝘳𝘦𝘴𝘴, 𝘢𝘭𝘭 𝘺𝘰𝘶 𝘩𝘢𝘷𝘦 𝘵𝘰 𝘥𝘰 𝘪𝘴 𝘢𝘴𝘬.” “𝘠𝘰𝘶 𝘥𝘰 𝘯𝘰𝘵 𝘬𝘯𝘰𝘸 𝘵𝘩𝘦 𝘷𝘪𝘰𝘭𝘦𝘯𝘤𝘦 𝘵𝘩𝘢𝘵 𝘳𝘶𝘯𝘴 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘮𝘺 𝘷𝘦𝘪𝘯𝘴, 𝘣𝘦𝘨𝘨𝘪𝘯𝘨 𝘮𝘦 𝘵𝘰 𝘰𝘣𝘭𝘪𝘵𝘦𝘳𝘢𝘵𝘦 𝘢𝘯𝘺𝘰𝘯𝘦 𝘸𝘩𝘰 𝘭𝘢𝘺𝘴 𝘢 𝘩𝘢𝘯𝘥 𝘰𝘯 𝘺𝘰𝘶.”
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Reviewed in the United States on June 12, 2024
B
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Bernadette Smith
Lake Worth, US
★★★★★ 5
Excellent Rivals to Lovers!!
Format: Kindle
The tension and banter between Huntyr and Wold was delectable. I absolutely love the fallen angel and all of his flaws. Huntyr is amazing too being a badass FMC with some major trauma. The world building was great and I enjoyed the training aspect of the story. The writing was immersive and was in the story the whole time. The ending had quite a twist that I hadn’t anticipated and made my jaw DROP. Excellent job! I also loved the narration. Laura is one of my fave narrators!
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Reviewed in the United States on August 15, 2025
E
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❈ Elizabeth ❈ | Breakawayreads
Belleville, US
★★★★★ 5
Fallen Angels, fae, vampires, oh my!
Format: Kindle
Rating: 4.5 | Spice: 2 (but a good slow-burn) • Main Characters: Huntyr and Wolf • I couldn’t wait to read this book; there was so much hype about it! And there was no doubt why. I fell in love with the characters and the plot itself. This book is mainly plot driven more than friction driven but it’s easy to follow along with. The characters are fun, easily understood. The main setting is at an academy where both the main characters are going through trials and building strength for the final test, The Transcendent. There are fantastic side characters as well. I loved the camaraderie between Huntyr and her friends. But we don’t like Lanson. 😆 We do have some plot twists that come into play throughout the book. Secrets and betrayal to be seen. I did adore Wolf and Huntyr’s relationship. It was a classic slow burn trope. They didn’t hit it off fast, but in time their feelings grew. I loved their banter, so sexy. Wolf is your next book boyfriend; Huntyr is your next vampire assassin independent bad-a*s female. Themes include loyalty, trust, self-discovery, a true slow burn romance. Side note: book ends on a angsty cliffhanger! • Emily, thank you for writing this awesome novel and I cannot wait to devour Book 2, Blood So Brutal! 😍 • Happy reading, my lovelies! xo
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Reviewed in the United States on January 21, 2024
M
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MelsABookworm
Houston, US
★★★★★ 4
“My heart bows to you and you only, Huntress.”
Format: Kindle
3.5 🌟 This book popped up in my KU recommended reading suggestions and the synopsis sounded like what I was in the mood for. I'm so glad I took a chance on it. I went into this knowing absolutely nothing about it and ended up really liking it. I love when this happens. The main characters are likeable and I easily found myself rooting for them. There is a mystery element to each of their backstories that I enjoyed watching unfold and can't wait to get more of. Wolf, in particular, has me fixated. Love him. I found this to be an entertaining, addictive read with a plot that moves along at a good pace. It reads so easily I found myself very reluctant to put it down. Lots of twists and turns and the angst is there. A good set up for the next book to come, for sure. My issues with this book....the dialogue feels a bit juvenile at times and there is a repetitive over use of a particular word phrasing that I found myself giving the ole eye-roll to. There are, without a doubt, some pretty cliche moments that gave me a bit of the cringe. I think this could've certainly 100% benefited from more depth regarding the world building. Perhaps the world building was sacrificed to keep the pacing quick? Just a guess. Also, the lack of consistency of character for the FMC was really evident and so she feels quite illogical at times. Overall, this was a fun and enjoyable read that hit the spot well enough for me. That ending certainly has me impatiently pining for book 2!
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Reviewed in the United States on June 18, 2024
A
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Amazon Customer
Birmingham, US
★★★★★ 3
Interesting take on the genre
Format: Kindle
True rating: 3.25 ⭐️ I enjoyed the fresh take on the genre. The best way I could describe the setting and world is an apocalyptic dystopian version of Farie where vampires, fae, and angles struggle to survive in what is left of the world. It was definitely interesting throwing the academy/hunger games aspect into this world as well. Even though I guessed the final reveal early on in the book, I kept hoping I was wrong, and it would take a surprising turn. While the "plot twists" were a bit predictable to me, I still enjoyed the ride this book took me on. Another downfall for me was the plot holes in the world building... I.E. if society has fallen and the world is in the aftermath of war, how are there trains running around the world? Just to take young adults to the trials to get into the golden city? How is the train maintained, the tracks clear, etc? However, I did enjoy the FMC & MMC and thought they were fleshed out nicely. I also enjoyed the side characters but wish some were developed more like Ashalin (sp?). I do find myself rooting for the MCs to succeed and find happiness together, which is obviously an important aspect for romantasy. Overall, was this an earth-shattering, mind-bending, terrific piece of literature? No. But was it the worst thing I've read this year? Also, no. This book has, to me, the bones of a great read & just needs a bit more to push it from an alright book to a great book. Overall ratings: Plot- 3.5⭐️ World building 3⭐️ Spice 2.5 🌶🌶 Main characters 4 ⭐️ Supporting characters 3.5⭐️
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Reviewed in the United States on May 12, 2024

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