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Description
Into the Bookbinding JungleThis edition translates Oppenheims recent rainbow collages into a combination of two new (to her practice) printmaking techniques. The risograph under layer is created from three hand painted images layered together to create a rainbow. The black letterpress print on top is made from an image of a collage of screenprints of marbled paper (how is that for a visual game of telephone?) that has been reworked to create areas of space where it is possible
This edition translates Oppenheim’s recent rainbow collages into a combination of two new (to her practice) printmaking techniques. The risograph under-layer is created from three hand painted images layered together to create a rainbow. The black letterpress print on top is made from an image of a collage of screenprints of marbled paper (how is that for a visual game of telephone?) that has been reworked to create areas of space where it is possible to see through to the under-layer only. The narrative of the print is of a smiling bookbinder—or aspiring bookbinder—entering the magical jungle of bookbinding. Printed by Allison Carter-Beaulé at Center for Book Arts.About the Artist
Sheryl Oppenheim was born in 1983 and raised in Orlando, Florida. She is a painter, paper marbler, and maker of illegible books, an idea she first became interested in after seeing the work of Bruno Munari, and through her proximity to books, bookbinders, and marbled paper at her first job in New York, at a bookbinding supply house. She began marbling paper in 2011 and began learning Suminagashi in 2016. Her artist books and prints are included in public collections including the Metropolitan Museum of Art’s Watson Library, the Museum of Modern Art, the Walker Art Center, the New York Public Library, the Brooklyn Museum, and the National Museum of Women in the Arts. She has participated in recent exhibitions at the Minnesota Center for Book Arts, Sadie Halie Projects, Deanna Evans Projects, International Print Center New York, Small Editions, and the Cranbrook Museum of Art. Oppenheim received her BA from Brandeis University and her MFA from Temple University’s Tyler School of Art. She lives and works in New York City.Shipping Notes
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Asurion you made the return process simple
Working with Asurion was an easy process. My previously covered milk frother stopped working, and they fully refunded it with no questions asked. All I had to do was ship the broken item back to them and they sent me a gift card. To cover the initial cost, no questions asked. The refund process was a very simple and painless.
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My Very First Juicer!
This was one of the worst buys ever! I couldn't have not bought a worse machine. The best this about it was that it has very few parts that are very easy to assemble, disassemble, and clean. Everything that could go wrong went wrong. I'm already looking for a new better one. I can't tell you how many times the top popped off well in the process of juicing or God forbid, if you just tapped it a tiny bit. Very annoying! It kept falling inside my freshly juiced juice. SMH. I'm giving it away to someone I don't like.
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