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Ned Collette - Our Other History LP [Sophomore Lounge]"'Our Other History' is a wonderful new LP by this wandering Berlin based Melbourne expat. Ned's last album, 'AfternoonDusk' was an avant instrumental trio outing with James Rushford and Joe Talia, but 'Our Other History' is a return to delicate, sophisticated song craft of his 2018 masterpiece, 'Old Chestnut.' Ned's approach to lyrics, vocals and music shares a melancholic beauty that is both haunted and haunting. His words are often more
"'Our Other History' is a wonderful new LP by this wandering Berlin-based Melbourne expat. Ned's last album, 'Afternoon—Dusk' was an avant instrumental trio outing with James Rushford and Joe Talia, but 'Our Other History' is a return to delicate, sophisticated song craft of his 2018 masterpiece, 'Old Chestnut.'
Ned's approach to lyrics, vocals and music shares a melancholic beauty that is both haunted and haunting. His words are often more impressionistic than overt in their storytelling, but his vocals carry hints that recall those of the legendary Roy Harper. But where Harper's attack was often Dionysian, Collette's approach is Apollonian, and the tracks often have a compositional feel with a distinct taste of Canterbury.
The players this time include old hands, like drummer Steve Heather and pianist Chris Abrahams (of The Necks), but there are a bunch of new players on hand, including Melbourne mates, Jim White and Mick Turner (of Dirty 3 fame) and the folksinger, Leah Senior.
Ned's approach to lyrics, vocals and music shares a melancholic beauty that is both haunted and haunting. His words are often more impressionistic than overt in their storytelling, but his vocals carry hints that recall those of the legendary Roy Harper. But where Harper's attack was often Dionysian, Collette's approach is Apollonian, and the tracks often have a compositional feel with a distinct taste of Canterbury.
The players this time include old hands, like drummer Steve Heather and pianist Chris Abrahams (of The Necks), but there are a bunch of new players on hand, including Melbourne mates, Jim White and Mick Turner (of Dirty 3 fame) and the folksinger, Leah Senior.
All these elements (and more) are fitted together with elegance and allowed space to breathe.
Collette's music is hard to classify. It exists inside a dynamic flux made up of equal parts post-rock, folk, jazz and avant prog, but it manages to remain plain-spoken and uncluttered regardless of how complex its structure can be when you start parsing it. But why bother? With a record as throughly lovely as 'Our Other History', the best idea is to just relax and let the music flow. Beautifully."
– Byron Coley 2024
* * * * * * * * * * * * * * *
"I don’t really know Ned Collette. That’s about to change, and I am energized with anticipation. Last summer, I saw Ned in performance here in my hometown of Louisville, KY, accompanied by Elisabeth Fuchsia who had recently become a hero-friend. And it was ‘magical’, ‘alchemical’, engaging and illuminating and inspiring; I witnessed Ned’s and Fuchsia’s almost overpowering fluency with music and with music’s ability to act simultaneously as the medium for communication between performers and with audience.
I’m bouncing back and forth with how I refer to Ned Collette in this writing. If I always called him “Collette” it might disguise the fact that, should I wish to, I could reach him now, easily, on the telephone or over email, and that our acquaintance continues to grow and just about resembles something I’ve learned can be called friendship. If I only referred to him as “Ned”, though, it would belie the fact that I am humbled by his ability.
These are songs. They are also sound-pieces, artful constructions of dynamic arrangement. 'Our Other History' is a dreamworld unto itself and, where each song stands on its own, this is one of those increasingly rare beasts: a full-length record to to experience and behold and live in for a while as a whole thing. The contributors’ voices (including the human voice in the cases of Leah Senior and Judith Hamann) bring such significant impact that it is beyond what we think of as musical parameters, getting deeper into the drama and tone of each piece. I would call it “Lyric Music” because the lyric carries much of the weight (not to say burden) of what is communicated. The word dominates, and here the word rewards. When Mick Turner’s guitar enters the scene, I am overwhelmed with joy; and Jim White’s drum playing has never felt more natural and powerful and appropriately modifying than it does here. And then I begin to notice Steve Heather’s drumming everywhere else and am floored by its dusty elegance. But isn’t fair to single out players; I’m being fully subjective, and my perspective changes with each listen. The record as a whole is directed in ways that we understand a movie director oversees the identity of her or his film.
Ryan Davis and I were driving around the United States not long ago and he played this record in the van. I couldn’t believe that something so fine was also new. But it could only be new; it wears its modernity subtly and surely and is as rewarding a listening experience as I’ve come across in recent times."
– Will Oldham 2024
(an extended version of this text is included with the vinyl release)
Collette's music is hard to classify. It exists inside a dynamic flux made up of equal parts post-rock, folk, jazz and avant prog, but it manages to remain plain-spoken and uncluttered regardless of how complex its structure can be when you start parsing it. But why bother? With a record as throughly lovely as 'Our Other History', the best idea is to just relax and let the music flow. Beautifully."
– Byron Coley 2024
* * * * * * * * * * * * * * *
"I don’t really know Ned Collette. That’s about to change, and I am energized with anticipation. Last summer, I saw Ned in performance here in my hometown of Louisville, KY, accompanied by Elisabeth Fuchsia who had recently become a hero-friend. And it was ‘magical’, ‘alchemical’, engaging and illuminating and inspiring; I witnessed Ned’s and Fuchsia’s almost overpowering fluency with music and with music’s ability to act simultaneously as the medium for communication between performers and with audience.
I’m bouncing back and forth with how I refer to Ned Collette in this writing. If I always called him “Collette” it might disguise the fact that, should I wish to, I could reach him now, easily, on the telephone or over email, and that our acquaintance continues to grow and just about resembles something I’ve learned can be called friendship. If I only referred to him as “Ned”, though, it would belie the fact that I am humbled by his ability.
These are songs. They are also sound-pieces, artful constructions of dynamic arrangement. 'Our Other History' is a dreamworld unto itself and, where each song stands on its own, this is one of those increasingly rare beasts: a full-length record to to experience and behold and live in for a while as a whole thing. The contributors’ voices (including the human voice in the cases of Leah Senior and Judith Hamann) bring such significant impact that it is beyond what we think of as musical parameters, getting deeper into the drama and tone of each piece. I would call it “Lyric Music” because the lyric carries much of the weight (not to say burden) of what is communicated. The word dominates, and here the word rewards. When Mick Turner’s guitar enters the scene, I am overwhelmed with joy; and Jim White’s drum playing has never felt more natural and powerful and appropriately modifying than it does here. And then I begin to notice Steve Heather’s drumming everywhere else and am floored by its dusty elegance. But isn’t fair to single out players; I’m being fully subjective, and my perspective changes with each listen. The record as a whole is directed in ways that we understand a movie director oversees the identity of her or his film.
Ryan Davis and I were driving around the United States not long ago and he played this record in the van. I couldn’t believe that something so fine was also new. But it could only be new; it wears its modernity subtly and surely and is as rewarding a listening experience as I’ve come across in recent times."
– Will Oldham 2024
(an extended version of this text is included with the vinyl release)
released September 6, 2024
NED COLLETTE – guitar, voice, bass, drums, piano, electric guitar, synth, organ, percussion
LEAH SENIOR – voice
STEVE HEATHER – drums/percussion
ELISABETH FUCHSIA – viola
MICK TURNER – electric guitar
MIKE MAJKOWSKI – double bass
JOE TALIA – drums
EAMON MCNELIS – trumpet
JUDITH HAMANN – voice
JIM WHITE – drums
CHRIS ABRAHAMS – piano/organ
FREDRIK KINBOM – electric bass
Recorded by Ned Collette in Berlin
Additional recording on Blue Rooms by Robert Pachaly & Maximilian R. Schneider
Mixed by Ned Collette & Joe Talia
Heeded advice from Jim Marlowe
Mastered by Rashad Becker
Art and design by Dan Davis
NED COLLETTE – guitar, voice, bass, drums, piano, electric guitar, synth, organ, percussion
LEAH SENIOR – voice
STEVE HEATHER – drums/percussion
ELISABETH FUCHSIA – viola
MICK TURNER – electric guitar
MIKE MAJKOWSKI – double bass
JOE TALIA – drums
EAMON MCNELIS – trumpet
JUDITH HAMANN – voice
JIM WHITE – drums
CHRIS ABRAHAMS – piano/organ
FREDRIK KINBOM – electric bass
Recorded by Ned Collette in Berlin
Additional recording on Blue Rooms by Robert Pachaly & Maximilian R. Schneider
Mixed by Ned Collette & Joe Talia
Heeded advice from Jim Marlowe
Mastered by Rashad Becker
Art and design by Dan Davis
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4.8 ★★★★★
Based on 28 reviews
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Product Reviews
★★★★★ 5
Great socks!
Size: Large, Color: (001) Black / Black / White
These fit true to size. Good socks.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 23, 2026
★★★★★ 5
Great for walking all day at work as well
Size: X-Large, Color: (001) Black / Black / White
I walk approximately 10 miles a day at work, in a manufacturing setting. On concrete with steel toe shoes. My feet have been begging me to change from the socks that I have worn for years. I have worn these other name brand socks for probably 10 years. So, change was obviously something I had to be pushed into. I got on Amazon and searched for training socks. I read the description. Glanced at the reviews. I decided to move forward with purchasing these. I could not have been happier. My feet began feeling better immediately. And the priced was very reasonible.
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Reviewed in the United States on April 12, 2026
★★★★★ 5
You have one pair of feet. Treat them kindly with a pair of UA socks
Size: Large, Color: (100) White / White / Black
Soft and tough. Easy on the feet. Nice fit prevents sore spots and blisters.
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Reviewed in the United States on December 3, 2025
★★★★★ 5
Excellent all-poly athletic socks for general lifting and HIIT.
Size: Medium, Color: Black/White/Grey
***These are NOT “low” -cut socks as the description in the title states. These are actually “quarter”-cut socks as clearly visible in the picture of the sock itself. “Low” -cut socks are shorter than this height but still visible with a shoe. Also, on the actual UA package of these socks, it clearly states these are QUARTER cut socks.
My review: Gave these UA Performance Tech socks (UAPT) 5 stars since they’re very good but in all reality not the best socks I’ve ever had for lifting and HIIT workouts. That title goes to Nike Dri-Fit MAX socks (DFM)….but these socks are really good. Like Nike’s DFM’s, these UAPT socks come in sizes, halleluah (M, L, and XL). The idea that most athletic sock are sized 6-12 and should therefore fit everyone perfectly is absolutely ridiculous. Your shoes come in whole and half sizes…so socks should at the very least be sized like these UAPT’s and Nike DFM’s…in S/M/L or in this case, M/L/XL. I wear a men’s size 8 shoe and the M (medium) size in these socks was a perfect fit; true to size.
Also, UAPT socks are ALL polyester with Spandex which is ideal and 100% that which you want for athletic socks: wicking with stretch. Cotton socks are the absolute worst thing you could wear to the gym since they’re sponges for sweat and therefore get wet and heavy, cause blisters, tend to stink, stick to skin, etc… IF you prefer cotton socks for athletics, then you don’t understand how performance fabrics work in athletics and training. You do NOT want cotton in your athletic apparel. You want your fabrics that wick sweat away; NOT soak up sweat and hold onto it. Also, the flexibility and stretch of the foot and ankle parts of the sock were both just right. Snug but not too tight. Wicking is perfect, too. Already worn during two 3 1/2 hour workouts and my feet stayed as dry as a desert.
When looking for UA athletic socks on Amazon, I surprisingly continued to find UA “athletic” socks made with mostly cotton which completely surprised me because a serious athletic company should produce an abundance of performance-level socks… i.e. all-poly socks. Thank goodness I finally came across these UA all-poly Performance Techs. The only drawback to these UAPT’s…and it’s a minor drawback…is that unlike Nike DFM’s, these do not come in L & R (left and rights) to specifically match the individual foot shape. Nike DFM socks come in L and R which sets them apart from all other athletic socks…and yet I don’t like supporting a massive monopolistic athletic apparel company like Nike, but they’re the only one that makes THE best athletic sock.
Nonetheless, these UAPT’s are perfect workout/HIIT/lifting socks for the bundle value price of six pair and three colors. If you’re looking to match your new UA or Rock shoes with the appropriate UA athletic sock, then here you go. I chose the black/white/gray mix bundle since I have new pairs of a black and a white version of the same UA-Rock shoe. These UAPT socks are medium thickness so they didn’t take up an exorbitant amount of room in my shoes but they’re thick enough to prevent blisters and provide cushion. Overall they’re very comfortable, hold a good stretch, hold their shape, and seem to be durable but only time will tell.
And since we’re on the black and white sock subject, I couldn’t resist: I read a shoe review about someone angered that his new UA/Rock black shoes (obviously bought for casual wear in lieu of gym use) staining his white cotton socks. First of all, never ever wear white socks (much less cotton white socks) with black athletic shoes! The possibility of staining is always there and the appearance just doesn’t work. However, you can get away with black socks with white shoes in some cases…but never white socks with black shoes. Why? Who knows? It’s just one of those unwritten rules of the gym. And no, I didn’t make the rules…so don’t blame the messenger. LOL!
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Reviewed in the United States on July 28, 2025
★★★★★ 5
Very soft and wears well
Size: Medium, Color: Black/White/Grey
Very nice quality and soft
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Reviewed in the United States on April 18, 2026