SKU: 73926569224

Rode NTG4+ Shotgun Microphone HDSLR Kit

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Description

Rode NTG4+ Shotgun Microphone HDSLR KitNTG+ Shotgun Microphone with Battery 2x Angled XLR 3 Microphone Cables Universal Shockmount Deluxe Windshield for Microphone Boompole Boompole Bag Impedance Matching Microphone Cable Universal Pistol Grip for Microphone For Video and Film Sound Recording This NTG4+ Shotgun Microphone HDSLR Kit from B&H provides a sound recording solution for film making and video applications. The kit consists of a Rode NTG4+ Shotgun Microphone with Digital Switches

  • NTG+ Shotgun Microphone with Battery
  • 2x Angled XLR-3 Microphone Cables
  • Universal Shockmount
  • Deluxe Windshield for Microphone
  • Boompole
  • Boompole Bag
  • Impedance Matching Microphone Cable
  • Universal Pistol Grip for Microphone
  • For Video and Film Sound Recording

This NTG4+ Shotgun Microphone HDSLR Kit from B&H provides a sound recording solution for film making and video applications. The kit consists of a Rode NTG4+ Shotgun Microphone with Digital Switches and Built-In Rechargeable Battery, a universal shockmount, a windshield for the microphone, a boompole with integrated XLR microphone cable, two angled XLR microphone cables, a low to high impedance matching transformer microphone cable, a neoprene boompole bag for transporting the boompole, and a universal microphone pistol grip. These components enable a wide variety of configurations including run and gun style filming with the microphone mounted on the camera or for use by a dedicated sound operator with either the boompole or handheld with the pistol grip.

  • Rode NTG4+ Shotgun Microphone with Digital Switches and Built-In Rechargeable Battery

    The Rode NTG4+ Shotgun Microphone with Digital Switches and Built-In Rechargeable Battery is designed for ENG, filmmaking, field recording, sound design, and broadcast applications. The microphone builds upon the success of the company's NTG1 and NTG2 microphones with an updated capsule to deliver broadcast quality sound and digital switching options for versatile field operation.

    Designed to be mounted on a boom, a handheld pistol grip, or atop a compact camera for run and gun style filmmaking, the microphone features a super-cardioid directional pickup pattern, a frequency range of 20 to 20,000 Hz, a sensitivity of -32 dB re 1 V/Pa, a dynamic range of 119 dB, a signal to noise-ratio of 78 dB SPL, and a maximum SPL of 135 dB from 48V phantom power (4.8 mA current draw) or the internal rechargeable lithium battery.

    Along the body of the microphone is a power button with LED indicator as well as three digital switching buttons with LED indicators.

    The first button provides a -10 dB pad on the input of the microphone to allow the recording of loud sounds without clipping.

    The middle button turns on a 75 Hz high pass filter which is useful for reducing low frequency and infrasonic rumble from HVAC systems indoors or street traffic outdoors from over-powering the recording.

    The third button is a high frequency boost. The value of the high frequency boost is in restoring some of the high frequency content that is often lost when a blimp or furry windshield is placed over the microphone. An added benefit is that the high frequency boost switch can help improve the intelligibility of recorded speech, especially useful for filmmaking and broadcast applications.

    The NTG4+ includes a built-in rechargeable lithium-ion battery. The battery supplies the microphone with 150 hours of phantom power, which makes the NTG4+ especially desirable for run and gun mounting atop a DSLR or mirrorless camera system that would otherwise be unable to directly provide phantom power to the microphone. It takes approximately two hours to recharge the battery to full capacity using a standard Micro USB cable connected to a portable USB power pack or a USB wall adapter that are commonly used for charging most smartphones.

    The microphone comes with an RM5 microphone clip, a foam windshield and a carrying pouch. The microphone also comes with a Micro USB cable.

    -10 dB Pad
    Attenuates the microphone input to allow for the recording of loud sounds without clipping
    75 Hz High Pass Filter
    Reduces low frequency and infrasonic rumble from HVAC systems indoors or street traffic outdoors from over-powering the recording
    High Frequency Boost
    Restores some of the high frequency content that is often lost when a blimp or furry windshield is placed over the microphone and improves the intelligibility of recorded speech
    Setting Memory
    Recalls the digital switch settings when the microphone is powered on and off
    UPC: 698813004164
  • Auray DUSM-1 Universal Shock Mount for Camera Shoes and Boompoles

    The Auray DUSM-1 Universal Shockmount features a four-point suspension to accommodate shotgun and other cylindrical microphones measuring 0.74-0.98" (19-25mm) in diameter. The shockmount is easily angled with its rubberized adjustment knob. There is a built-in shoe for camera mounting, and a 3/8"-16 thread connection at the base mounts the shockmount to boompoles and universal hand-grips.

    UPC: 847628562776
  • Rode WS6 Deluxe Windshield for the NTG2, NTG1, NTG4, and NTG4+ Microphones

    The Rode WS6 Deluxe Windshield provides excellent noise protection against high wind and adverse weather conditions. The slip-on design of the WS6 features dimensions that accommodate the Rode NTG4, NTG4+, NTG2 and NTG1 microphones; as well as any shotgun or stereo mic with a length of 6.25" (160.5mm) and diameter of 0.88" (22.5mm).

    UPC: 698813001286
  • K-Tek KE-89CC Avalon Series Aluminum Boompole with Internal XLR Cable

    The K-Tek KE-89CC Avalon Series Aluminum Boompole provides a moderately priced, lightweight boompole solution for ENG, EFP, and other field recording applications. Its sturdy aluminum design is tough enough to endure the rigors of road use, while remaining lightweight and travel-worthy. This pole features an internal coiled cable and an XLR connection at the base of the pole. A total of four aluminum sections telescope between 2' 5" to 7' 6" and will easily store in any standard equipment case. The captive-collet coupling system locks each section in place for even further reliability.

    Internal coiled XLR cable and connection at the base
    The KE-89CC features a bottom-mounted three-pin XLR connection
    Designed to fit in any standard equipment case, for ENG, EFP, and DV location production work
    Jam-resistant collar coupling
    Unique pole-top design with cable retention slots and replaceable stainless steel mounting stud
    UPC: 791090332033
  • Kopul Premium Performance 3000 Series XLR M to Angled XLR F Microphone Cable - 20' (6.1 m), Black

    The black Kopul Premium Performance 3000 Series XLR M to Angled XLR F Microphone Cable (20') is designed to be an extremely quiet and flexible cable that is ideal for the most demanding live sound and performance applications. The cable is engineered to be durable and to provide protection against EMI, RFI, and static noise.

    Premium Performance 3000 Series cables are made from 24 AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. 95% dual-spiral shielding makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.

    95% dual-spiral shielding offers protection from EMI and RFI noise.
    Twin-conductive PVC inner shielding provides 100% coverage of the core conductor. It helps keep the cable's signal from radiating and affecting nearby cables, and also helps prevent external EMI from penetrating to the cable's core.
    24 AWG oxygen-free stranded copper inner core provides the best possible conductivity.
    Cotton yarn reduces electrostatic and microphonic noise.
    All solder points shrink-wrapped for protection.
    Neutrik XX silver connectors offer high conductivity.
    Caged type contact and improved ground contact.
    UPC: 847628558298
  • Kopul LMT100 - Low to High Impedance Matching Transformer (1.5')

    The Kopul LMT100 cable simply enables a microphone or mic-level device to be input into a high-impedance 3.5mm mini input found on DSLRs, camcorders, and other devices. It is 1.5' long and has a 3-pin XLR female connector on one end and a standard 3.5mm mini plug on the other. It is designed for use with mono microphones.

    Matches low-impedance XLR output to high-impedance 1/8" (3.5mm) audio input
    Ideal for plugging professional XLR microphones into DSLRs, camcorders, and other devices with a 1/8? microphone input
    For use with battery-powered and dynamic microphones
    Designed for a mono source, but will split the signal to both channels of a stereo device
    UPC: 847628562615
  • Auray Neoprene Boompole Bag for 34" Closed Boompole with Shotgun Mic and Softie

    The Auray Neoprene Boompole Bag for 34" Closed Boompole with Shotgun Mic and Softie is a case designed to hold up to a 34" closed boompole with shotgun microphone, softie, and shock mount. Its interior end cap is strengthened to protect the bag from punctures. It features a zipper closure with protective interior lining to prevent snags and scratches. The bag is built with an interior pocket for accessories that opens or closes with hook and loop fasteners. An adjustable shoulder strap is included with a nametag holder.

    UPC: 847628562790
  • Auray Universal Microphone Pistol Grip

    The Auray Universal Microphone Pistol Grip is a handheld grip that features an ergonomic cushioned handle. This grip is great in "run & gun" situations in which a boom pole would be cumbersome, and in video scenarios in which the cameraman is also responsible for audio recording. The grip can be held with one hand, as opposed to a boom pole which requires two. It also provides the option of being able to record audio from a different direction than the camera is pointing, an advantage over camera mounting the mic. Furthermore, having the mic mounted off the camera prevents it from picking up motor noise from the lens focusing.

    In addition, the grip features standard 3/8" threads on both ends. This allows you to attach your shotgun mic (with shockmount) to one end of the grip and mount the other end to a boom pole. This gives you the flexibility of being able to quickly detach the pistol grip and the attached shotgun mic from the boom, an option that can come in handy for entering areas that are too small for a boom pole.

    UPC: 847628562738
  • Kopul Premium Performance 3000 Series XLR M to Angled XLR F Microphone Cable - 1.5' (0.45 m), Black

    The black Kopul Premium Performance 3000 Series XLR M to Angled XLR F Microphone Cable (1.5') is designed to be an extremely quiet and flexible cable that is ideal for the most demanding live sound and performance applications. The cable is engineered to be durable and to provide protection against EMI, RFI, and static noise.

    Premium Performance 3000 Series cables are made from 24 AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. 95% dual-spiral shielding makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.

    95% dual-spiral shielding offers protection from EMI and RFI noise.
    Twin-conductive PVC inner shielding provides 100% coverage of the core conductor. It helps keep the cable's signal from radiating and affecting nearby cables, and also helps prevent external EMI from penetrating to the cable's core.
    24 AWG oxygen-free stranded copper inner core provides the best possible conductivity.
    Cotton yarn reduces electrostatic and microphonic noise.
    All solder points shrink-wrapped for protection.
    Neutrik XX silver connectors offer high conductivity.
    Caged type contact and improved ground contact.
    UPC: 847628558229
In the Box
  • Rode NTG4+ Shotgun Microphone with Digital Switches and Built-In Rechargeable Battery
    Acoustic Principle Line gradient
    Directional Pattern Super-cardioid
    Frequency Range 20 to 20,000 Hz (selectable HPF at 75 Hz)
    Sensitivity -32 dB re 1V/Pa (25 mV at 94 dB SPL) ± 2 dB at 1,000 Hz.
    Output Impedance 200 ohm
    Equivalent Noise 16 dBA SPL (per IEC651)
    Maximum Output 7 dBu (at 1 kHz, 1% THD into 1 kOhm)
    Dynamic Range 119 dB (per IEC651)
    Maximum SPL 135 dB
    Signal to Noise Ratio 78 dB SPL (per IEC651)
    Battery 150 hours of phantom power on a 2-hour charge
    Output Connection 3-pin XLR, balanced output between Pin 2 (+), Pin 3 (-) and Pin 1 (ground)
    Dimensions 0.87 x 10.94" (22.00 x 278.00 mm)
    Weight 6.21 oz (176.00 g)
    Packaging Info
    Box Dimensions (LxWxH) 13.2 x 5.2 x 2.7"
  • Auray DUSM-1 Universal Shock Mount for Camera Shoes and Boompoles
    Packaging Info
    Box Dimensions (LxWxH) 4.7 x 3.2 x 2.6"
  • Rode WS6 Deluxe Windshield for the NTG2, NTG1, NTG4, and NTG4+ Microphones
    Dimensions Maximum Microphone Length: 6.25" (160.5mm)
    Maximum Microphone Diameter: 0.82 to 0.88" (21 to 22.5mm)
    Weight 50g (1.76 oz)
    Packaging Info
    Box Dimensions (LxWxH) 11.7 x 5.6 x 3.2"
  • K-Tek KE-89CC Avalon Series Aluminum Boompole with Internal XLR Cable
    Material Aluminum
    Sections 4
    Load Capacity Not specified by manufacturer
    Length 2' 5" to 7' 6" (0.7 to 2.3 m)
    Weight 1.1 lb (0.5 kg)
    Packaging Info
    Box Dimensions (LxWxH) 33.0 x 3.0 x 2.8"
  • Kopul Premium Performance 3000 Series XLR M to Angled XLR F Microphone Cable - 20' (6.1 m), Black
    Cable Type 3-Pin XLR balanced microphone cable
    Length 20' (6.1 m)
    Shielding 95% Dual-Spiral Shielding
    Gauge 24 AWG
    Contacts Silver
    Connector 1 XLR Male
    Connector 2 XLR Angled Female
    Packaging Info
    Box Dimensions (LxWxH) 7.0 x 3.2 x 2.6"
  • Kopul LMT100 - Low to High Impedance Matching Transformer (1.5')
    Connectors XLR to 1/8" (3.5 mm)
    Packaging Info
    Box Dimensions (LxWxH) 4.1 x 0.6 x 0.1"
  • Auray Neoprene Boompole Bag for 34" Closed Boompole with Shotgun Mic and Softie
    Material Neoprene
    Type of Closure Zipper with protective lining
    Dimensions (LxWxD) 39.0 x 6.0 x 2.0" (100.0 x 15.5 x 5.5 cm)
    Weight 15 oz (454 g)
    Packaging Info
    Box Dimensions (LxWxH) 39.0 x 7.8 x 1.0"
  • Auray Universal Microphone Pistol Grip
    Packaging Info
    Box Dimensions (LxWxH) 6.1 x 2.8 x 1.7"
  • Kopul Premium Performance 3000 Series XLR M to Angled XLR F Microphone Cable - 1.5' (0.45 m), Black
    Cable Type 3-Pin XLR balanced microphone cable
    Length 1.5' (0.45 m)
    Shielding 95% Dual-Spiral Shielding
    Gauge 24 AWG
    Contacts Silver
    Connector 1 XLR Male
    Connector 2 XLR Angled Female
    Packaging Info
    Box Dimensions (LxWxH) 4.8 x 3.1 x 0.9"
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SKU: 73926569224

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4.1 ★★★★★
Based on 14 reviews
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ohtiki
Charlottesville, US
★★★★★ 5
Definitely a page turner!
Format: Kindle
I really enjoyed this book! I was looking for a good, spooky book and this delivered. I went through all the emotions with this book; frustrated, sad, scared, confused...there was so much happening!! It was easy to get through this book because I wanted to know what was going to happen next. Although I loved this book, I had a lot of questions at the end, but the author could definitely write a couple more books getting deeper into the different stories introduced. I don't want to say TOO much because I don't want to give anything away, but after I finished I was like, "Nooooo!!!" LOL So, give it a read.
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Reviewed in the United States on May 7, 2026
B
Verified Purchase
Bob Lewis
New York, US
★★★★★ 3
A great read that leaves some loose threads
Format: Hardcover
I knew next to nothing about this book going into it other than that it was a horror novel and that my book club selected it. That’s neither a point in favor of or against the book itself, but it does become relevant in a moment because my lack of background shaped how I approached it to a certain extent. But before we get to that, the basic premise here is that this young couple has moved into a new house. One day while only one of them is home, there’s a knock at the door. This family is there and they say they used to live in the house and want to look around. In the real world, most of us would find that a slightly awkward situation but not an entirely unheard of one. In a horror novel, you know it’s going to set things in motion that probably won’t end well for at least someone involved, and that is indeed the case. But, contrary to immediate expectations, this doesn’t shift into a home invasion story. Instead, it treats us to a bit of slow burn horror as this visiting family seem slightly “wrong” for reasons neither the reader nor characters can put their fingers on, and things ultimately lead in rather unexpected directions, though I won’t spoil too much there. One of the interesting things I noticed quickly is that little interlude chapters throughout the book were punctuated with bits of Morse Code, which I dutifully translated as I read and which slowly began to hint at more of what was going on behind the scenes. That was a nice touch, I thought, but the novel eventually ran even further with that idea, treating us to more substantial codes and ciphers that became increasingly difficult to decrypt or translate. Some eventually became so frustrating that I took to the Internet for aid, whereupon I discovered that to solve some of them, you actually need clues from an alternate reality game which coincided with the book’s publication, but which the novel itself never directly alluded to, so that felt like a bit of a cheat to me, though I was eventually able to gather the information needed to solve the puzzles. Ultimately, I did not find those solutions necessary to understanding or enjoying the book, so it’s not too big a deal. The book itself was engrossing and exciting throughout but left the reader feeling like we’d only just gotten the tiniest taste of a much larger mythology, and I found myself wanting quite a bit more by the end of it, and I mean that in both a good way and a bad way. It’s good because it means I found the book so good I wanted more, but it’s bad because I found the ending left far too many loose threads for my own taste. But if you like a book ambitious enough to risk feeling a bit convoluted and yet with a clear sense that the author always knew exactly what he was doing, I think you’ll like this one. Though it’s far from AS complex, I think it will appeal strongly to fans of House of Leaves. Both thematically and in terms of structure, I noticed certain parallels between those works.
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Reviewed in the United States on November 7, 2025
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Tami B
Chelsea, US
★★★★★ 4
Give it a Go
Format: Hardcover
I was captivated by the storyline from the very beginning. I had read numerous glowing reviews about this book, so I eagerly delved into it, eager to be swept away by the thrilling mystery that lay ahead. While there were a few instances where the chapters felt unnecessarily lengthy, the book was generally exhilarating and suspenseful. Of course, there were some predictable elements, but where's the fun in predicting everything? Overall, I enjoyed the twists and turns of this novel. However, the ending fell short of my expectations (which is a "me" problem). There were a few unanswered questions (perhaps by design), and the ending—well, let's say I wasn't a fan. Nevertheless, the Moris code and the puzzle within one of the DOCs were delightful touches that added depth to the novel.
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Reviewed in the United States on October 5, 2025
M
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Megan McKernan
Houston, US
★★★★★ 5
Confusing in the Best Way—A Chilling, Unforgettable Read
Format: Hardcover
This book completely pulled me in. It’s suspenseful, surreal, and genuinely unsettling in a way that lingers long after you put it down. The story keeps you slightly off-balance the entire time—you’re not quite sure what’s real, what’s not, or where it’s all going… but that’s what makes it so gripping. There were moments where I felt confused, but not in a bad way—it adds to the eerie atmosphere and makes the payoff even more impactful. It’s one of those books that keeps you thinking, piecing things together, and feeling just a little disturbed the whole way through. If you like psychological thrillers that are tense, strange, and a little terrifying, this one absolutely delivers. 5/5—haunting, gripping, and worth the ride.
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Reviewed in the United States on April 14, 2026
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Shannon S.
Houston, US
★★★★★ 3
Be ready to question everything and everyone…
Format: Kindle
We Used to Live Here definitely nails the creeping sense of dread and paranoia throughout the story. I constantly questioned whether Eve was truly unraveling or if she was the only person actually sensing danger, and the added news articles, interviews, and scientific discussions throughout the book made the atmosphere even more unsettling. I also connected with Eve’s struggles surrounding anxiety, people-pleasing, and past religious experiences, which added an emotional layer to the horror for me. That said, the pacing felt super uneven. Most of the story takes place over only a couple of days, but it dragged at times and honestly felt like it would work better as a movie than a book. Things finally picked up around the 70% mark, but the ending left me wanting much more explanation and payoff than we as the readers received. Overall, this was an eerie, anxiety-inducing read with a fantastic atmosphere, even if the execution didn’t fully land for me.
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Reviewed in the United States on May 19, 2026

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