SKU: 80142511021

GUARALDI,VINCE – CHARLIE BROWN THANKSGIVING (RSD ESSENITAL YELLOW JELLY BEAN) - LP •

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GUARALDI,VINCE – CHARLIE BROWN THANKSGIVING (RSD ESSENITAL YELLOW JELLY BEAN) - LP •UPC: 760137187158 Label: LEE MENDELSON FILM PRODUCTIONS Format: LP Release Date: September 26, 2025 In stock items ship within 48 hours "Indie Exclusive Vince Guaraldis score for A Charlie Brown Thanksgiving"" came out for the first time ever for the specials 50thanniversary and charted as a top Jazz, soundtrack and childrens album upon its release, selling out all available copies. The complete soundtrack to the celebrated animated holiday television

UPC: 760137187158
Label: LEE MENDELSON FILM PRODUCTIONS
Format: LP
Release Date: September 26, 2025
In stock items ship within 48 hours

"Indie Exclusive - Vince Guaraldi’s score for “A Charlie Brown Thanksgiving"" came out for the first time ever for the special’s 50thanniversary and charted as a top Jazz, soundtrack and children’s album upon its release, selling out all available copies. The complete soundtrack to the celebrated animated holiday television special, written and created by Charles Schulz, directed by Bill Melendez and Phil Roman and produced by Melendez and Lee Mendelson, includes the long-awaited release of many of Guaraldi’s classic compositions and performances along with never-before-heard bonus material. Newly re-discovered in LMFP’s vaults, the original recording sessions for Vince Guaraldi's beloved soundtrack have been remixed and remastered for audiophiles and Peanuts® fans everywhere. The album includes many previously unreleased tracks, several never heard since the Vince Guaraldi Quintet laid them down for the recording session in 1973. All the songs were remastered from the original 2"" 16 track source tapes. This soundtrack from the 1973 holiday classic includes Guaraldi hits from the original sources like the funky brass filled ""Linus and Lucy,"" ""Thanksgiving Theme,"" and the soulful ""Little Birdie."" You will hear timbres from instruments that were previously buried in the show mix. Furthermore, there are bonus tracks for ""Thanksgiving Interlude"" demonstrating how Guaraldi crafted his score for the special; an additional keyboard on ""Linus and Lucy;"" and Guaraldi whistling the melody for ""Is It James or Charlie?"" Beyond the composer's piano playing, the quintet is made up of Mike Clark on drums; Seward McCain (longest touring bassist with Guaraldi - holding down the electric bass at Guaraldi's request); Tom Harrell on trumpet to class up the album; and Chuck Bennett on Trombone. This is some of the funkiest Guaraldi you'll hear as his quintet leaned into the East Bay Sound, a type of funk that Mike Clark helped pioneer in the early ’70s. Guaraldi even lends his bluesy voice to introduce Woodstock with ""Little Birdie."" The album was remix engineered by Terry Carleton, restored and mastered by Vinson Hudson, and produced by Sean and Jason Mendelson. All versions include liner notes by Sean Mendelson and artwork from the original special. This Indie Exclusive repressing comes in a limited and exclusive Yellow Jelly Bean variant."

TRACK LIST:

A1 Charlie Brown Blues
A2 Thanksgiving Theme
A3 Thanksgiving Theme (Reprise)
A4 Peppermint Patty
A5 Little Birdie
A6 Thanksgiving Interlude
A7 Is It James Or Charlie?
A8 Linus And Lucy
A9 Fife & Drums Theme
B1 Charlie Brown Blue (Reprise)
B2 Thanksgiving Interlude (Reprise)
B3 Thanksgiving Theme (2nd Reprise)
B4 Thanksgiving Theme (3rd Reprise)
B5 Thanksgiving Theme (Alternate)
B6 Peppermint Patty (Bonus Mix)
B7 Linus And Lucy (Bonus Mix)
B8 Thanksgiving Interlude (Alternate Take 2, 4, And 6)
B9 Thanksgiving Interlude (Alternate Take 10)
B10 Thanksgiving Interlude (Alternate Take 14)
B11 Is It James Or Charlie? (Bonus Mix With Whistling)
B12 Clark And Guaraldi
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SKU: 80142511021

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ImTooTired
San Leandro, US
★★★★★ 5
Gender Roles is a scam
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This is why most women play dumb. They play dumb to please males that it becomes who they are. It’s a waste of a lifetime to make yourself feel small just to make someone feel good about themselves.
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Reviewed in the United States on August 15, 2021
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Why read Butler when we have Wittig?
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Reviewed in the United States on November 27, 2017
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Chris Eldredge
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Reviewed in the United States on June 23, 2015
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Lee Hall
Cuba, US
★★★★★ 5
Gem from a brilliant thinker.
Format: Paperback
This book will forever redefine feminism for its readers. There are two threads: one political, the other literary commentary. Fortunately, Witting pulls the former into the latter. The astute and radical political critique in Wittig's book is uniquely powerful. Wittig addresses the question of how a movement is comprised of both group energy and individual experience. The theory, legacy, and limits of Marx and Engels are discussed. Then, drawing on de Beauvoir and other iconoclasts, Wittig addresses our dominator culture in a way that goes directly to its core. Wittig deals efficiently yet persuasively with the argument over whether nature or culture is responsible for inequality, declaring that "there is no sex." This statement becomes the book's alpha and omega, and the lens through which Wittig shows us history, literature, and the future of activism. Like whiteness, maleness is a social category that can be renounced. Man (Homo) once meant everybody in the human community -- it was indeed generic, in the unifying sense. Unfortunately, the word has so frequently been used to describe a socially constructed group that expels half of itself in order to oppress it, "man" is now identified with those identified as male. In the essay "The Category of Sex" Wittig writes: "The perenniality of the sexes and the perenniality of slaves and masters proceed from the same belief, and, as there are no slaves without masters, there are no women without men. The ideology of sexual difference functions as censorship in our culture by masking, on the grounds of nature, the social opposition between man and women. Masculine/feminine, male/female are the categories which serve to conceal the fact that social differences always belong to an economic, political, ideological order. ...The masters explain and justify the established divisions as a result of natural differences." I understand that Wittig has recently passed away. If only I had discovered this book a little earlier, so that I could have met the author. That feeling, I suppose, is the sign of a truly good read. "A text by a minority author is only successful if it succeeds in making the minority point of view unviersal" writes Wittig --and to read this book from beginning to end is to find that the author has done just that.
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Reviewed in the United States on July 11, 2004

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