SKU: 99076928788

Klipsch KI-262-B II 12" Compact Commercial 2-Way Trapezoidal Loudspeaker - Black (Each)

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Description

Klipsch KI-262-B II 12" Compact Commercial 2-Way Trapezoidal Loudspeaker - Black (Each)Klipsch KI 262 BII 12" Compact Commercial Trapezoidal Loudspeaker at Vinyl Sound Toronto Canada The KI 262 BII is a high power 12" 2 way compact commercial trapezoidal loudspeaker from Klipsch (Hope, Arkansas, USA), available at Vinyl Sound in Toronto, Canada. Part of the Klipsch KI Series Professional Installation line, this black finish model features a 12" K 42 KP cast frame woofer, a 1. 5" K 52 TI titanium diaphragm compression driver on a 60x40

Klipsch KI-262-BII 12" Compact Commercial Trapezoidal Loudspeaker at Vinyl Sound Toronto Canada

The KI-262-BII is a high-power 12" 2-way compact commercial trapezoidal loudspeaker from Klipsch (Hope, Arkansas, USA), available at Vinyl Sound in Toronto, Canada. Part of the Klipsch KI Series Professional Installation line, this black-finish model features a 12" K-42-KP cast-frame woofer, a 1.5" K-52-TI titanium diaphragm compression driver on a 60°x40° Tractrix Horn, and delivers a sensitivity of 102 dB with 125 dB maximum continuous SPL. Built for permanent installation in theaters, auditoriums, clubs, churches, and AV production environments, the KI-262-BII combines compact trapezoidal geometry with high output capability, 12 built-in 3/8"-16 flypoints, and Klipsch's proprietary KLIP driver protection circuit for long-term reliability in demanding commercial settings.

Tractrix Horn Technology for Uniform Pattern Control

The KI-262-BII centres its high-frequency performance on a 60°x40° Tractrix Horn, the same proprietary Klipsch geometry that governs coverage in the larger KI-396 and KI-362 series enclosures, now implemented in a compact 22.5° symmetrical trapezoidal cabinet suited to space-constrained installations. The modified Tractrix equation allows the K-52-TI compression driver's sound wave to exit the horn mouth with minimal back-reflections into the throat, reducing distortion and maintaining a flat, predictable frequency response across the operational bandwidth. The result is a Directivity Index of 9 dB and a tightly controlled 60°x40° coverage pattern that concentrates energy on the listening audience while reducing excitation of walls, ceilings, and reflective surfaces in reverberant rooms. This makes the KI-262-BII particularly effective in acoustically challenging venues such as hard-surface houses of worship, tiled club interiors, and concrete auditoriums, where maintaining speech intelligibility and musical clarity under high output conditions is critical to system performance.

Baltic Birch Enclosure and KLIP Driver Protection

The KI-262-BII's enclosure is constructed from 18mm 13-ply void-free Baltic Birch plywood using CNC-fabricated dado lock-joint and rabbet construction techniques, with a separate 1" 11-ply birch plywood motorboard baffle. The multi-ply, void-free Baltic Birch specification provides greater panel stiffness and internal damping compared to standard MDF or lower-ply plywood, minimising cabinet-induced coloration and ensuring structural integrity over the lifetime of a permanent installation. Radiused top and bottom panels and a curved perforated metal grille protect the drivers from impact and tampering while contributing to a clean, professional appearance. The internal high-current passive crossover operates at 1400 Hz, with 12 dB/octave slopes on the low-frequency side and 18 dB/octave on the high-frequency side, and incorporates Klipsch's proprietary KLIP (Klipsch Limiting and Input Protection) circuit, which monitors continuous average power to the high-frequency driver and intervenes before thermal damage occurs. Input connections are provided via two Neutrik NL-4 Speakon connectors wired in parallel, allowing passive signal through-connection to additional speakers on the same amplifier channel without the need for additional barrier strip termination hardware.

Key Features

  • 102 dB Sensitivity: Measured at 1 metre with a 2.83V input, delivering high efficiency and strong output from professional amplifiers in constrained installation environments.
  • 125 dB Maximum Continuous SPL: Capable of sustained high-output coverage in theaters, auditoriums, clubs, and houses of worship without thermal compression or driver fatigue.
  • 250W Continuous Power Handling: AES-rated at 41.5 volts continuous with 1000W peak headroom, compatible with a broad range of professional 2-channel and 4-channel amplifiers.
  • 60°x40° Tractrix Horn: Controlled directional coverage with a 9 dB Directivity Index minimises room reflections and maintains consistent audience coverage in reverberant commercial spaces.
  • 1.5" K-52-TI Titanium Compression Driver: Titanium diaphragm construction with a 20-ounce magnet structure delivers extended high-frequency response and low distortion at sustained output levels.
  • 12" K-42-KP Cast Frame Woofer: Heavy-duty cast frame design with a 2.5" voice coil and 77-ounce magnet assembly produces controlled low-frequency output from the compact trapezoidal enclosure.
  • KLIP Overload Protection Circuit: Proprietary thermal protection monitors continuous average power to the HF driver, preventing damage from sustained overpower conditions while leaving normal programme dynamics unaffected.
  • Dual Neutrik NL-4 Speakon Inputs: Two Speakon connectors wired in parallel enable through-connection to additional loudspeakers on the same amplifier channel, simplifying distributed system wiring.
  • 18mm 13-Ply Void-Free Baltic Birch Enclosure: Higher ply count and void-free construction deliver greater panel rigidity, lower resonance, and longer-term structural reliability compared to standard plywood specifications.
  • 12 Built-In 3/8"-16 Flypoints: Twelve threaded suspension points, three per panel face, enable flexible overhead rigging and rigging bar compatibility for flown installations.
  • 22.5° Symmetrical Trapezoidal Form Factor: Compact cabinet geometry allows tight horizontal clustering and left-right mirror-image configurations for arrays without coverage gaps or geometric overlap.
  • Made in the USA: KI Series enclosures are designed and manufactured in Hope, Arkansas, continuing the tradition established by Klipsch founder Paul W. Klipsch in 1946.

Technical Specifications

Frequency Response (+/- 4 dB) 75 Hz - 12.5 kHz (-10 dB @ 64 Hz)
Sensitivity 102 dB SPL @ 2.83V / 1m
Maximum Continuous SPL 125 dB
Power Handling 250W Continuous (41.5V)
Nominal Impedance 8 ohms (minimum 6.9 ohms @ 195 Hz)
Crossover Frequency 1400 Hz (12 dB/oct LF, 18 dB/oct HF)
Coverage Pattern 60° H x 40° V
Directivity Index (DI) 9 dB
Low-Frequency Driver K-42-KP 12" cast frame woofer (2.5" voice coil, 77 oz magnet)
High-Frequency Driver K-52-TI 1.5" titanium diaphragm compression driver (20 oz magnet)
Overload Protection KLIP Overload Tweeter Protection Circuit
Input Connections Two Neutrik NL-4 Speakon connectors (wired in parallel)
Enclosure Material 18mm 13-ply void-free Baltic Birch plywood, 1" 11-ply birch plywood motorboard
Mounting Twelve 3/8"-16 flypoints (3 per panel face)
Height 23" (58.42 cm)
Width (Front) 16.813" (42.705 cm)
Width (Rear) 6.813" (17.305 cm)
Depth 13.375" (33.973 cm)
Net Weight 47 lbs (21.338 kg)
Shipping Weight 54 lbs (24.516 kg)
Enclosure Angle 22.5° symmetrical trapezoidal
Finish Black lacquer
Available Finishes Black, White, Raw Birch
Origin Designed and made in the USA (Hope, Arkansas)

Connections at a Glance

  • Two Neutrik NL-4 Speakon connectors wired in parallel for signal input and passive through-connection to additional loudspeakers
  • Twelve 3/8"-16 threaded flypoints (three per panel face) for rigging bar and overhead flown installation

Frequently Asked Questions

What is the Klipsch KI-262-BII?

The Klipsch KI-262-BII is a high-power 12" 2-way compact commercial trapezoidal loudspeaker from the Klipsch KI Series Professional Installation line, finished in black lacquer. It delivers 102 dB sensitivity and 125 dB maximum continuous SPL, with a frequency response of 75 Hz to 12.5 kHz (+/- 4 dB), and is engineered for permanent installation in space-constrained environments where a compact 22.5° symmetrical trapezoidal form factor, uniform coverage control, and straightforward rigging are primary installation requirements. Recommended applications include theaters, auditoriums, clubs, churches, and AV production environments.

How does the Klipsch KI-262-BII compare to the JBL AM5212/64?

The Klipsch KI-262-BII and the JBL AM5212/64 are both passive 2-way 12" commercial installation loudspeakers with a 60°x40° coverage pattern. The KI-262-BII offers a higher sensitivity of 102 dB versus the AM5212/64's rated sensitivity, and its Tractrix Horn delivers a fixed, optimised 60°x40° pattern with a 9 dB Directivity Index. The AM5212/64 uses JBL's PT Progressive Transition rotatable waveguide, which provides the flexibility to orient the coverage pattern for either vertical or horizontal use without rotating the entire cabinet. The KI-262-BII's 13-ply void-free Baltic Birch enclosure and Neutrik Speakon input connections reflect a permanent-installation engineering standard, while its KLIP driver protection circuit provides a hardware safety layer for the high-frequency driver that operates independently of any external DSP or amplifier limiting. System designers working with fixed single-orientation installations will find the KI-262-BII's straightforward passive architecture and high sensitivity well matched to standard professional amplifier systems.

Can the Klipsch KI-262-BII be used without a subwoofer?

Yes, the KI-262-BII operates effectively as a full-range loudspeaker without a subwoofer in many commercial installation contexts. Its frequency response extends to 75 Hz at +/- 4 dB, with usable output reaching -10 dB at 64 Hz, covering the majority of speech intelligibility, background music, and amplified instrument content in venues such as houses of worship, meeting rooms, and AV production environments. For applications requiring sustained low-frequency output below 75 Hz, such as live music clubs or cinema installations with extended bass programme material, pairing with a matched Klipsch KI-Series subwoofer is recommended to maximise system headroom and protect the woofer from thermal stress at high sustained playback levels.

What is the KLIP Overload Protection Circuit in the Klipsch KI-262-BII?

The KLIP (Klipsch Limiting and Input Protection) circuit is a proprietary thermal overload protection system built into the KI-262-BII's internal passive crossover network that monitors continuous average power delivered to the 1.5" titanium high-frequency compression driver. When sustained input power exceeds the driver's continuous thermal ratings, the KLIP circuit reduces power to the HF section before heat-related damage can occur, then automatically restores normal operation once input levels decrease. The circuit responds to average power levels rather than peak transients, leaving normal programme dynamics unaffected while protecting the compression driver in situations of sustained clipping, amplifier overdrive, or extended high-level operation. This is particularly valuable in commercial installations driven by amplifiers that significantly exceed the speaker's rated continuous power handling.

Where can I buy the Klipsch KI-262-BII in Toronto or Canada?

The Klipsch KI-262-BII is available at Vinyl Sound, an authorised Klipsch dealer located in Toronto, Canada. Vinyl Sound serves customers across the Greater Toronto Area and ships throughout Canada, providing access to the complete Klipsch KI Series professional installation loudspeaker range. Purchasing from an authorised Canadian dealer ensures full manufacturer warranty coverage and professional support for system design and installation planning.

What amplifier power does the Klipsch KI-262-BII require?

Klipsch recommends pairing the KI-262-BII with a professional amplifier providing headroom of approximately twice the speaker's continuous power rating, meaning at least 500 watts into 8 ohms for optimal dynamic performance. The nominal impedance is 8 ohms, with a minimum of 6.9 ohms at 195 Hz, making it compatible with standard 2-channel or 4-channel professional amplifiers from brands such as Crown, QSC, and Lab.gruppen. The dual Neutrik NL-4 Speakon inputs wired in parallel allow multiple KI-262-BII units to be connected in series on the same amplifier channel, enabling efficient distributed system wiring in multi-speaker installations such as under-balcony fills or distributed coverage arrays.

How does the Speakon wiring work on the Klipsch KI-262-BII?

The KI-262-BII is equipped with two Neutrik NL-4 Speakon connectors wired in parallel, which serve as both the signal input and a passive through-connection output. This parallel wiring configuration allows a single amplifier channel to drive the KI-262-BII and then continue the signal chain to one or more additional loudspeakers on the same circuit without requiring a separate signal splitter or additional amplifier outputs. The Speakon connector format provides a secure, twist-lock connection that eliminates the risk of accidental disconnection during operation, which is a significant advantage over open-barrier-strip terminations in permanent installations subject to vibration or incidental contact.

What makes the KI-262-BII enclosure different from standard commercial speaker cabinets?

The KI-262-BII enclosure is built from 18mm 13-ply void-free Baltic Birch plywood rather than the standard 3/4" 7-ply birch plywood used in many commercial installation speakers, including several other models in the Klipsch KI Series. The higher ply count eliminates internal voids that can cause localised panel flex and resonance under sustained high-power excitation, resulting in a stiffer, quieter cabinet that contributes less tonal coloration to the reproduced sound. CNC-fabricated dado lock-joint and rabbet construction techniques ensure precise panel alignment and glue-joint integrity over the life of the installation, while the separate 1" 11-ply birch plywood motorboard baffle provides additional mass and rigidity directly behind the drivers where cabinet vibration is most likely to degrade acoustic performance.

Shipping Notes
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SKU: 99076928788

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4.7 ★★★★★
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Ashlee
Charlottesville, US
★★★★★ 4
A Decent Fae Romance
Format: Kindle
** 3.5 Stars rounded up to 4 ** First off I want to say that I found the author, J. D. Linton, on TikTok right before the release of the sequel. I bought the first 2 books to support her release, so congrats to her for the release of the sequel! Overall, I liked the story & plot, I liked the characters, and I liked the spice. The downfalls: not enough development between the characters for the romance, and it leaned a little heavy into the tropes. A lot of stuff is told to you, which could have been used as devices to drive the plot and emotions of the characters. 🛑🛑 Mild Spoilers ahead, I tried to hide the obvious ones 🛑🛑 This is very obviously a fated mates, which is a trope I usually really enjoy. But I wish the relationship between Ara & Rogue had much more development before it's realized that they're mates, instead of Rogue knowing almost immediately and using it for nefarious purposes (at least in the beginning before they get to know each other). By revealing this within the first quarter of the book, I feel like it leaves less room for them to fall for each other organically (albeit with help from the mating bond) and they love each other because of the mating bond. I was disappointed as soon as Rogue know (literally only 5% in) and I literally made a note: "As much as II love a good mating trope, I wish we had to work for it a little more. Where's the fun in just telling us?" I believe that by holding out and feeding the reader snippets of a potential bond, it would've been more rewarding as a reader. I also wish there was more world building - we are told of a war between human & fae but don't get to really experience any of it. Ara is sheltered in her human home, then sheltered in Rogue's castle. There's bits and pieces about what the war has done on either side - but we're more told of the aftermath and don't really experience any of it. Ara's father is supposed to be the king's #1 general - yet he is at home with his family & with Ara for the first couple chapters. Her, her family, nor her village seem to be affected by the 10 year war going on on their borders. I wish there was a little more setup to make this conflict - an actual war - feel more than a skirmish between fighting territories. Linton could also be a little repetitive - with the biggest culprit being when Ara is upset she "brings [her] knees to [her] chest]" and either sits like that or cries. Every time she is upset this phrase is mentioned. I would get it if this was her crutch, or how she copes with grief and stress, but that should be explained why she does it so often or it becomes repetitive. I started to get annoyed with how often she would sit like this solely because it happens every couple chapters. However, I did really like the spice. I love an enemies to lovers trope, especially when it results in spicy scenes. The spicy scenes weren't anything new, but they were fun. Wish there were more but that could also just be me - there is no such thing as too much spice 😂 Would I read again? Probably not, I'm super picky with rereads. Although I did genuinely enjoy my first read through! Will I continue the series? Probably, at least for the sequel. As for #3, kind of depends on where I am with my TBR once that is released All in all an enjoyable, fast paced read
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Reviewed in the United States on March 8, 2024
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Ashton Taylor
Port Orchard, US
★★★★★ 3
I love indie authors
Format: Kindle
Let me preface this by saying—writing a book is HARD! Coming up with characters so real that they take on a life of their own, building an entire world, the political/magic system. Designing all of this is no easy feat. That being said. This book had so. Much. Potential. I was so excited to read this book, and I plan to finish it for the sake of finishing it. But. At this point, I would have set I’d aside as a DNF. The book could have benefited from some form of a developmental editor, or an in depth beta reader. I will say this. Within 5 chapters, there are so many… phrases that I’ve highlight that I’ve latched onto. Phrases about books and storms that were written BEAUTIFULLY! So, bravo Linton for hitting the nail on the head as to why readers disappear like they do! However, 5 chapters in and I can already guess where a majority of the story is going. But that’s also because I read like a mad-woman and have read this particular type of story, many different ways. Enemies to lovers where the FMC isn’t who she thinks she is. I am all about supporting indie authors. BUT. I also feel like criticism should be constructive, and not degrading. So if I could give this book a 4 1/2, strictly because I know the work the author put into this, I would. So if you’re looking for an easy read with characters that aren’t hard to follow, look no further! They are easy to love and easy to care for. One of the biggest issues they lacked, to me, was depth and plausible reactions to their situations. JD, you have done BEAUTIFULLY writing this book. I applaud and will continue to buy your books in the future. My BIGGEST recommendation is to definitely hire some form of an editor for any upcoming books. Or in turn, I will be happy to beta read for you. Should my opinion change of the book by the time I finish, I will happily get on here and say I was wrong, delete this review and post a different one. Until then…
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Reviewed in the United States on November 20, 2022
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Hannah Durham
Charlottesville, US
★★★★★ 5
this book set my soul ablaze! <3
Format: Paperback, Format: Paperback
"i had never really cared about the weather before, but now, clear skies meant everything to me, and i was grateful to see another calm morning." this book. this book! i loved the last storm so much. the writing style. the descriptions. the world-building. the characters. the plot twists. the tropes. the sexual tension. the—everything. everything was magic. the last storm follows our two main characters, ara and rogue, giving us dual POV from both characters (which i loved, btw). ara, a human girl who has been locked away in her father’s estate most of her life, just wants to see the world. all she dreams of is seeing what else is out there. but when her father announces her engagement, she knows that dream will become nothing more than just that—a dream. rogue, the fae king, is tired of the attacks being rained down on his people. in hopes of finding out the human king adon’s secrets, rogue infiltrates auryna’s borders. in his last resort to gain information, he visits the local pub. to his surprise, the general’s precious only child is sitting at the bar, drink round after round of mead. now he just needs to figure out how to take her without anyone noticing. first and foremost, let’s talk about the endless list of my favorite tropes and aspects that this book had. ›› enemies to lovers ›› fated mates ›› one bed ›› the chosen one ›› elemental magic ›› actually good and shocking plot twists!!! ›› badass female lead ›› morally-grey love interest ›› fae/human war ›› force proximity ›› touch her and die ›› who did this to you? ›› captor/captive ›› praise k!nk (panting profusely) “you are entirely the opposite of everything that i am, and i would gladly wear your shackles if it meant i could have you.” it’s been a long while since i read a book i liked this much. but i just loved this book. it set my soul ablaze. thank you to the author for writing this beautiful story and for blessing me with an eARC! i loved it so much that i immediately bought the paperback upon release! every aspect of this book was just beautiful. i was blown away by the way the world was described, the way feelings were portrayed, the way the elements were used in the fae’s magic. it just—AHHH! i just absolutely adored it all. i cannot wait for the second book to release next year! also the way he calls her “little storm” sets my heart on fire. this was a fast-paced read and if you are a lover of acotar, fbaa, deal with the elf king, or any other similar books, then please stop everything you’re doing and read this book right now. you won’t regret it. thank you again, jd linton, for giving me the privilege of reading your arc and for blessing this world with the world you created. <3 "something about him pulled me in, like a moth to a flame, and it felt as if i was just waiting for the inevitable burn that came with flying too close to the fire."
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Reviewed in the United States on November 15, 2022
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Sean
Pawtucket, US
★★★★★ 4
Fun, both heartwarming and heartbreaking
Format: Kindle
Only my second first person written selection, I am still getting used to that aspect, but unlike my first, I enjoyed that the story was told through both MCs. A great enemies to lovers, forced proximity, fated love etc, that resonated to me. There were some small twists that I could see coming, but also a few that I didn’t quite see until the characters were also seeing. Personally, I am more interested in the story than the spice, but with that said, it was well seasoned! I am kind of new to the spice world so I can’t say for sure how this would rate, but it definitely had some heat. I am very glad I happened across this author, and I do plan on also reading the next book….if nothing else, just to see for myself the “transformation” of the characters I’ve grown to love!
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Reviewed in the United States on May 23, 2024
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Havinne Akins
Massapequa, US
★★★★★ 5
😍😍 BEST DEBUT NOVEL EVER
Format: Paperback
I’m having trouble finding accurate words to describe the way this book made me feel, but I am going to do my best. To start off with basic elements, the character and world building are phenomenal. I feel a strong bond to not only the two main characters, Ara and Rogue, but to each and every character introduced throughout the book. The author did a stellar job of giving each of them unique personhood. All of the scenes are beautifully described. So much so that throughout the entirety of the book, I could see every scene: the towns, the castles, the meadows, the landscape. I have had difficulty with this and with distinguishing between outlying characters while reading in the past, but I did not have to think to remember details of world or character building because they flowed naturally within the story and were described well. I have read book series before that made me want to be a part of that world, but I actually felt like I got to step into Auryna and Ravaryn! The plot twists!! Although this is not a suspense novel, it still had me on a rollercoaster of emotions and on the edge of my seat from beginning to end. I haven’t cried actual tears over a book since I was in high school (and I’ve read a LOT). This book finally broke the floodgates in the final few chapters. Multiple times. And we love a good cliffhanger. It truly made me FEEL. THE SPICE is a solid 3.5/5. Some of the scenes had me flushed, some had me taking notes, some just had my jaw slack and my mouth hanging open. Bravo, JD Linton, bravo. The relationships: friendships, family, romantic, ALL of the relationships in this book have so much meaning. The author does a great job at making you feel the love, the anger, the peace, the frustrations, the safety, the familiarity, etc. between the characters. Ara and Rogue. I can not say enough and I also do not want to say too much. Just know that I feel like I know them both, to their core. I know what their childhood looks likes, their darkest moments, their biggest fears, their dreams and passions, what they want in life… The POV switches were seamless. I am so happy this author decided to let us see from both sets of eyes. I can not wait for book two after that cliffhanger. And there is SO much potential for at least one prequel, I can’t wait to see where this author goes! I hope this series continues and flourishes. Fingers crossed!
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Reviewed in the United States on December 5, 2022

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