SKU: 99349418453

Focusrite - Red 16line Interface

Sale price$2474.55 Regular price$2749.50
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Description

Focusrite - Red 16line Interface64x64 all in one interface, 32x32 Dante I O Red 16Line is a 64 in 64 out Pro Tools HD and dual Thunderbolt 3 audio interface with ultra low latency A D D A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra low round trip latency, and expansion over Ethernet for networked audio. Since Red 16Line provides both DigiLink connectors and Thunderbolt connections, it's now easier than ever to switch from Pro Tools HD to a second DAW,

64x64 all-in-one interface, 32x32 Dante I/O

Red 16Line is a 64-in/64-out Pro Tools | HD and dual Thunderbolt 3 audio interface with ultra-low latency A-D/D-A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio. Since Red 16Line provides both DigiLink connectors and Thunderbolt connections, it's now easier than ever to switch from Pro Tools | HD to a second DAW, without the need to reconfigure option cards in the interface. Simply change the host mode either in the remote control software, or on the device front panel and change DAWs in seconds.

High-performance audio converters with over 118dB dynamic range A/D and 121dB dynamic range D/A (A-weighted) have been expertly selected and calibrated to provide the best balance of sound quality, dynamic range and conversion latency in Focusrite's best-quality audio interface. Red's ultra-low round trip latency completely transforms your workflow. If you're used to having to build two different mixes — one using input monitoring to overdub, the other using the DAW for playback — the good news is that now, one is enough. Build your mix on the DAW and use it whether you're overdubbing, or playing back, with all your plug-ins in place, all the time.

Red 16Line features 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs. The two digitally-controlled Red Evolution mic preamps provide up to 63dB of ultra-clean gain along with stereo linking, individual phantom power, high-pass filter, phase reverse and Air mode: the name Focusrite give to the sonic signature of the classic transformer ISA preamp. With a dual-port Dante card, you will be able to expand your studio over Ethernet for more channels at higher sample rates, anywhere in your network, at lower latency and lower cost.

Key Features
  • Connect to Pro Tools | HD, Thunderbolt computers and Dante simultaneously without option cards
  • High-performance audio conversion with over 118dB dynamic range A/D and 121dB dynamic range D/A (A-weighted)
  • Ultra-low round trip latency to track through plug-ins and record virtual instruments in real time
  • 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs
  • Two digitally-controlled Red Evolution mic preamps with up to 63dB of ultra-clean gain, stereo linking, individual phantom power, high-pass filter and phase reverse
  • Air mode on the preamps, giving recordings the clarity of a transformer-based ISA
  • Two Thunderbolt 3 ports as standard to connect additional Thunderbolt products
  • Dual-port Dante card for more channels at higher sample rates
  • Three LCD displays for highly accurate level metering
  • Two discrete high-fidelity headphone outputs
  • Connect multiple digital sources using word clock I/O and loop-sync I/O
  • Two instrument inputs on the front panel
  • AAX/AU/VST-compatible Red 2 and Red 3 EQ and compression plug-ins

 

64X64 all-in-one interface, 32X32 Dante I/O

Red 16Line is a 64-in/64-out Pro Tools | HD and dual Thunderbolt 3 audio interface with ultra-low latency A-D/D-A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio. Since Red 16Line provides both DigiLink™ connectors and Thunderbolt connections, it's now easier than ever to switch from Pro Tools | HD to a second DAW, without the need to reconfigure option cards in the interface. Simply change the host mode either in the RedNet Control software, or on the device front panel and change DAWs in seconds.

 

Our best conversion

High-performance audio conversion with over 118dB dynamic range A-D and 121dB dynamic range D-A (A-weighted). These converters have been expertly selected and calibrated to provide the best balance of sound quality, dynamic range and conversion latency in our best-quality audio interface.

Revolutionise your workflow

Red's ultra-low round trip latency completely transforms your workflow. If you're used to having to build two different mixes – one using input monitoring to overdub, the other using the DAW for playback – the good news is that now, one is enough. Build your mix on the DAW and use it whether you're overdubbing (monitoring the input you're recording with the RedNet Control software mixer) or playing back, with all your plug-ins in place, all the time.

Extensive analogue I/O

Red 16Line features 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs.

Two of our best preamps

The two digitally-controlled Red Evolution mic preamps provide up to 63dB of ultra-clean gain along with stereo linking, individual phantom power, high-pass filter, phase reverse and Air mode: the name we give to the sonic signature of the classic transformer ISA preamp.

 

Networked audio-enabled out of the box

With dual-port Dante™ connectivity, you will be able to expand your studio over Ethernet for more channels at higher sample rates, anywhere in your network, at lower latency and lower cost.

Software mixer with hardware-focused workflow

RedNet Control is our software mixer designed primarily for ease of use in quickly setting up both simple and complex monitoring and routing configurations, together with the ability to control your preamps remotely.

The Focusrite Studio Console reborn in your DAW

The Focusrite Studio Console defined countless hits of the 80s and 90s, thanks in large part to its ISA 110 Equaliser and ISA 130 Dynamics Modules. Brainworx's bx_console Focusrite plug-in brings you stunningly accurate emulations of both in a single plug-in, perfectly capturing the famously warm, open sound of two of the most revered pieces of studio hardware ever made.

The sound of red across your mix

Every Red interface comes with our Red 2 and Red 3 EQ and compression plug-ins. AAX/AU/VST-compatible, these plug-ins faithfully reproduce the sonic qualities of the original hardware, allowing you to take advantage of the classic Red sound – the sound of professional recording studios all over the world – across your entire mix.

Hitmaker expansion

Improve your sound with studio-quality vocals, powerful guitars, dramatic synths and huge drums, then mix and master with iconic Focusrite studio hardware — all in the box. Every new Red interface comes with an unbeatable range of tried-and-tested studio tools from some of the biggest names in the business.

Hitmaker Expansion — available with every newly registered Red interface — is built to get you mixing and mastering release-ready music immediately. These are all the plug-ins you need to take your studio-quality tracks to the next level and achieve professional results.

Enjoy 3 years of warranty

All Focusrite products are built to the highest standards, and are designed to provide many years of reliable performance.

Specifications in detail

Simultaneous inputs & outputs
  • Channel CountUp to 64 x 64
  • Line Level Channel Count16 In and 16 Out
  • Line Level Input2 x DB-25 connectors (AES59)
  • Line Level Output2 x DB-25 connectors (AES59)
  • Thunderbolt Channel CountUp to 64 In and 64 Out
  • Thunderbolt Ports2 x Thunderbolt 3 Ports (Primary Port 1 and Primary Port 2)
  • Pro Tools Channel CountUp to 64 In and 64 Out (32 In and 32 Out per connection)
  • Primary Port2 x Mini DigiLink
  • Dante Channel CountUp to 32 In and 32 Out
  • Dante Input And Output2 x ethernet standard RJ45 connectors (Compatible with Cat 5e and above).
Microphone inputs
  • Gain Range0-8dB to 63dB in 1dB steps
  • TypeElectronically Balanced, Zin = 20kΩ
  • Max. Input Level>+19dBu, min gain
  • Frequency Response20Hz - 35kHz ±0.2dB
  • THD + N-102dB (0.0008%) @ -1dBFS
  • EIN<-129dBu 'A'-Weighted (typical)
  • Signal-To-Noise Ratio119dB 'A'-Weighted (typical)
  • Common-Mode Rejection Ratio50/60Hz CMRR: -70dB
  • Phantom Power+48V, independently switchable per channel.
  • HPFHigh-Pass Filter (HPF): -3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel
  • Air Mode2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz). Input impedance drop to 2.2kO
  • Mic Inputs Channel Count2 In
  • Mic Input2 x Female XLR
Line inputs 1-16
  • 0 DBFS Reference Level+18 or +24dBu (switchable)
  • Line Inputs 1-16 0 DBFS Reference Level+18 or +24dBu (switchable)
  • Line Inputs 1-16 TypeElectronically Balanced, Zin = 20kO
  • Line Inputs 1-16 Frequency Response20Hz - 35kHz ±0.2dB
  • Line Inputs 1-16 THD + N-102dB (0.0008%) @ -1dBFS
  • Line Inputs Signal-To-Noise Ratio119dB 'A'-Weighted (typical)
  • Line Inputs 1-16 Common-Mode Rejection Ratio50/60Hz CMRR: -70dB
  • Line Level Input2 x DB-25 connectors (AES59)
Instrument inputs
  • Instrument Inputs Gain Range0-8dB to 63dB in 1dB steps
  • Instrument Inputs TypeZin = 2.3MO
  • Instrument Inputs Max. Input Level>+15dBu, min gain
  • Instrument Inputs Frequency Response20Hz - 35kHz ±0.2dB, min gain
  • Instrument Inputs THD + N-100dB (0.001%) @ -1dBFS (@ 11dB Gain)
  • Instrument Inputs Signal-To-Noise Ratio117dB 'A'-Weighted (typical), min gain
  • Instrument Inputs HPF-3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel
  • Instrument Inputs Air Mode2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz)
  • Instrument Inputs Channel Count2 Channels In
  • Instrument Inputs Instrument Inputs2 x 1/4" TS stereo jack
Line outputs 1-16
  • Line Outputs 1-16 0 DBFS Reference Levels+18 or +24dBu (switchable)
  • Line Outputs 1-16 Frequency Response20Hz - 35kHz ±0.2dB
  • Line Outputs 1-16 THD + N<-104dB (0.0006%) unweighted, 20Hz - 20kHz; -1dBFS input
  • Line Outputs 1-16 Dynamic Range121dB 'A'-weighted (typical), 20Hz - 20kHz
  • Line Outputs 1-16 Output ImpedanceNominal output impedance = 136O balanced (68O each phase)
  • Line Level Output2 x DB-25 connectors (AES59)
Monitor outputs
  • Monitor Outputs 0 DBFS Reference Levels+18dBu
  • Monitor Outputs Frequency Response20Hz - 35kHz ±0.2dB
  • Monitor Outputs THD+N-80dB (0.01%) unweighted, 20Hz - 20kHz; -1dBFS input
  • Monitor Outputs Dynamic Range120dB (A-Weighted)
  • Monitor Outputs Output ImpedanceNominal output impedance = 136O balanced (68O each phase)
  • Monitor Outputs Channel Count2 Out
  • Monitor Outputs2 x 1/4" TRS stereo jack
Headphone outputs
  • Headphone Outputs 0 DBFS Reference Levels+16dBm ± 0.5dB
  • Headphone Outputs Frequency Response20Hz - 20kHz ±0.2dB
  • Headphone Outputs THD + N<-75dB (0.018%) unweighted, 20Hz - 20kHz
  • Headphone Outputs Dynamic Range114dB 'A'-weighted (typical), 20Hz - 20kHz
  • Headphone Outputs Output Impedance10O
  • Headphone Outputs Headphone Impedance32O - 600O
  • Headphone Outputs Channel Count2 Stereo Channels Out
  • Headphone Outputs Headphone Outputs2 x 1/4" TRS stereo jack
Digital performance
  • Supported Sample Rates44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz (-4% / -0.1% / +0.1% / +4.167%) at 24 bit
  • Clock SourcesInternal, ADAT 1, ADAT 2, S/PDIF, Word Clock, Loop Sync or from Dante Network Master
ADAT
  • ADAT Channel CountUp to 16 In and 16 Out
  • ADAT Input2 x TOSLINK connector
  • ADAT Output2 x TOSLINK connector
  • ADAT Channel Assignments @ 44.1 KHz, 48 KHzPort 1 = Channels 1 - 8 , Port 2 = Channels 9 - 16
  • ADAT Channel Assignments @ 88.2 KHz, 96 KHzSMUXI: Port 1 = Channels 1 - 4, Port 2 = Channels 5 - 8
  • ADAT Channel Assignments @ 176.4 KHz, 192 KHzSMUXII: Port 1 = Channels 1 - 2 , Port 2 = Channels 3 - 4
S/PDIF
  • S/PDIF Channel Count2 In and 2 Out (Optical up to 96kHz)
  • S/PDIF Input1 x RCA phono socket (1 x TOSLINK up to 96kHz)
  • S/PDIF Output1 x RCA phono socket (1 x TOSLINK up to 96kHz)
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 99349418453

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4.5 ★★★★★
Based on 8 reviews
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A
Abe Froman
Grantham, US
★★★★★ 2
Soft case, not universal, not worth the price
Color: Dark Tort/Green, Polarization Type: Non-Polarized, Lens Width: 50 Millimeters, Color: Dark Tort/Green, Polarization Type: Non-Polarized, Lens Width: 50 Millimeters
I didn't pay for these, but priced at more than $70, I wanted to try them. The description is confusing if not misleading, stating "Quay merges music and fashion to create trend-forward designer eyewear for any moment or mood." Given the exorbitant price for a brand I never heard of (e.g., Raybans may be overpriced, but they come with a 24 month warranty and it's a brand that's been around a long time), I thought that these shades played music. How else are ordinary $10 sunglasses priced at nearly $100? How do they "merge music"??? Answer: they don't. They're sunglasses. They're also not "Designed for a universal fit," because they're way too big for me, and I have a normal-sized head, and I have bought many pairs of sunglasses and nearly all of them fit just fine. In fact, this is only the second time I ever tried on a pair and they were too large, but the other time, those sunglasses, which were a lot more stylish than these, cost around $20. The case is soft, which is ok, I guess. Some people prefer it but to me, if a case will not provide any protection from being crushed, e.g., sat upon, or had something heavy put on top, then it's not a very good case. They also included a nice lens cloth.
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Reviewed in the United States on August 21, 2025
R
Ryan Richard
Belleville, US
★★★★★ 5
Impressive lenses quality for polarizing that works
Color: Matte Black/Black Polarizedarized, Polarization Type: Polarized, Lens Width: 50 Millimeters, Color: Matte Black/Black Polarizedarized, Polarization Type: Polarized, Lens Width: 50 Millimeters
As much quality of polarized glasses that you can get for the value here with actively polarizing glasses that not only block bright sunlight but dramatically reduces glare and bright rays on light surfaces even compared to some "better" sunglasses that aren't polarized. You really have to test them yourself to see, and if you like the lenses, you'll like this! The lenses are dark grey, so they keep the true color of grass, trees, sky, everything, just with dimming effects which I prefer, it's not a massive change changing colors, it's more natural to me. The quality & style is high with the whole glasses feeling sturdy and smooth as you open them and put them on. It's made with some basic plastic frames, they have a nice softer texture that's almost silicone feeling, so they feel great & soft but also it helps support sitting on the nose and ears. Perfect fit (I'm a man, average head I would say lol) I haven't noticed any sliding around at all with these! Lenses are made from PC with polarizing. They feel thick, sturdy, and stay clean. I have only noticed one fingerprint so far after wearing them for 2 weeks. It definitely is a weekender look and case build. The edges sit a little further away from the skin so depending on the angle there can be a little glare and reflections of your eyes cheeks in the lenses. If I had to choose a part I don't like the most that would be it. Pretty glarey on the inside. On the outside, it's reflective to any light so lots of sunlight will reflect off and hide your eyes which I like. Aesthetics, usability, quality for the value, all make this stand out to me and I would definitely be packing this when I'll be in a lot of light, even for driving with the anti-reflection polarized lenses. Very impressed with this pair. I would like the sides to be closer but I guess I would have to get a different style, these are weekender, so all in all I'm a big fan!
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Reviewed in the United States on September 14, 2025
A
ACOOL
Waukegan, US
★★★★★ 5
Neat design with high quality lenses
Color: Matte Black/Black Polarizedarized, Polarization Type: Polarized, Lens Width: 50 Millimeters, Color: Matte Black/Black Polarizedarized, Polarization Type: Polarized, Lens Width: 50 Millimeters
These Quay sunglasses combine a unique bridge design with a sleek, modern style that stands out. At first, I wasn’t sure if I’d like the way they sat on my nose, but after wearing them, I found the look and fit to be both flattering and comfortable. The frames are lightweight yet sturdy enough for daily use, and the fit is secure without slipping during regular activity. The polarized lenses are excellent optical quality, reducing glare effectively while staying distortion-free, which makes them great for driving and outdoor wear. I’ve worn them for several hours at a time with no discomfort. For the price, these sunglasses strike a nice balance between fashion and function, offering a high-quality lens and a stylish frame at a reasonable value.
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Reviewed in the United States on October 1, 2025
R
Ricardo Rodríguez
Phoenix, US
★★★★★ 4
Bold Look with Good Sun Protection, Slightly Big Fit
Color: Matte Black/Black Polarizedarized, Polarization Type: Polarized, Lens Width: 50 Millimeters
I picked up the QUAY Weekender sunglasses in matte black mainly for everyday wear, and they definitely make a statement. The oversized rounded shape stands out and gives a modern, slightly edgy look. The lenses provide solid UV protection, and I’ve found them comfortable to wear for long stretches without eye strain. They are on the larger side, though. If you have a smaller face, they might feel a bit oversized or slide down slightly. The frames feel lightweight but still sturdy enough for regular use. Overall, they’re a stylish pair of shades that balance fashion and function well, especially if you like a bold, oversized design.
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Reviewed in the United States on February 16, 2026
P
Parks N' Tech
Lowell, US
★★★★★ 5
Well Made, Fits Well, Comfortable to Wear, Stylish, Good Value
Color: Matte Black/Black Polarizedarized, Polarization Type: Polarized, Lens Width: 50 Millimeters, Color: Matte Black/Black Polarizedarized, Polarization Type: Polarized, Lens Width: 50 Millimeters
These sunglasses are a masterclass in understated elegance, proving that superior quality and timeless design can come in a perfectly proportioned package. They are an exceptional choice for those who value both form and function in their eyewear. The round "Weekender" style is a timeless classic that exudes a sense of both vintage cool and modern sophistication. Unlike the current trend of oversized frames, these sunglasses are a refreshing alternative, with a size that provides a perfect, unobtrusive fit. The frame feels sturdy and well-balanced, a testament to the excellent quality of the materials and craftsmanship. Their sleek appearance is versatile enough to be worn with a casual outfit or to an upscale event. The optical performance is truly outstanding. The polarized lenses are a key feature, as they dramatically reduce glare from reflective surfaces like water, pavement, and car windows, which improves visual clarity and significantly reduces eye strain. Coupled with comprehensive UV protection, the lenses offer crucial eye health benefits without compromising on style. The sunglasses are also incredibly comfortable to wear, with a lightweight feel and a great fit that allows for hours of wear without any discomfort. At a price point of $75, these sunglasses offer an unbeatable value. The combination of high-end optical features, classic style, and premium build quality is typically found in products at a much higher price. The thoughtful inclusion of a soft squeeze pouch case—which is both sleek and highly practical—and a cleansing cloth further enhances the overall value. For their superior optical performance, sophisticated design, and exceptional value, these sunglasses are a highly recommended accessory. They are a functional and fashionable piece that you'll be happy to wear on any occasion, and they stand as a testament to the fact that you don't need to overspend to get a high-quality product.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 4, 2025

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