SKU: 26949142193

Mussorgsky: Boris Godunov - COMPACT DISCS

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Mussorgsky: Boris Godunov - COMPACT DISCSTitle: Boris Godunov Artist: Mussorgsky Label: Sony Masterworks Product Type: COMPACT DISCS UPC: 190758111728 Genre: Classical Release Date: 2018 03 02 Number of Discs: 3 Additional Details: 3 PACK Tracks: 1. 1 Boris Godunov: Opera in Four Acts with a Prologue Prologue, Scene 1, Introduction Claudio Abbado Berliner Philharmoniker Rundfunkchor Berlin 1. 2 Boris Godunov: Opera in Four Acts with a Prologue Prologue, Scene 1: "Well Then, What's Wrong with

Title: Boris Godunov
Artist: Mussorgsky
Label: Sony Masterworks
Product Type: COMPACT DISCS
UPC: 190758111728
Genre: Classical
Release Date: 2018-03-02
Number of Discs: 3
Additional Details: 3 PACK



Tracks:
1.1 Boris Godunov: Opera in Four Acts with a Prologue / Prologue, Scene 1, Introduction - Claudio Abbado / Berliner Philharmoniker / Rundfunkchor Berlin
1.2 Boris Godunov: Opera in Four Acts with a Prologue / Prologue, Scene 1: "Well Then, What's Wrong with You?" - Claudio Abbado / Berliner Philharmoniker / Michail Krutikov
1.3 Boris Godunov: Opera in Four Acts with a Prologue / Prologue, Scene 1: "Who Are You Adandoning Us To" - Claudio Abbado / Berliner Philharmoniker / Slovak Philharmonic Chorus Bratislava / Rundfunkchor Berlin / Tölzer Knabenchor / Wojciech Drabowicz / Mikhail Krutikov
1.4 Boris Godunov: Opera in Four Acts with a Prologue / Prologue, Scene 1: "Who Are You Adandoning Us To" - Claudio Abbado / Berliner Philharmoniker / Slovak Philharmonic Chorus Bratislava / Rundfunkchor Berlin / Tölzer Knabenchor / Mikhail Krutikov
1.5 Boris Godunov: Opera in Four Acts with a Prologue / Prologue, Scene 1: "True Believers! the Boyar Is Implacable." - Claudio Abbado / Berliner Philharmoniker / Albert Shagidullin
1.6 Boris Godunov: Opera in Four Acts with a Prologue / Prologue, Scene 1: "Glory to Thee, Creator on High" - Claudio Abbado / Berliner Philharmoniker / Slovak Philharmonic Chorus Bratislava / Rundfunkchor Berlin / Tölzer Knabenchor
1.7 Boris Godunov: Opera in Four Acts with a Prologue / Prologue, Scene 1: "Did You Hear What the Holy Pilgrims Said?" - Claudio Abbado / Berliner Philharmoniker / Slovak Philharmonic Chorus Bratislava / Rundfunkchor Berlin / Tölzer Knabenchor / Mikhail Krutikov / Wojciech Drabowicz
1.8 Boris Godunov: Opera in Four Acts with a Prologue / Prologue, Scene 2, Introduction - Claudio Abbado / Berliner Philharmoniker
1.9 Boris Godunov: Opera in Four Acts with a Prologue / Prologue, Scene 2: "Long Live Tsar Boris Fyodorovich!" - Claudio Abbado / Berliner Philharmoniker / Philip Langridge / Slovak Philharmonic Chorus Bratislava / Tölzer Knabenchor
1.10 Boris Godunov: Opera in Four Acts with a Prologue / Prologue, Scene : "My Soul Is Sad" - Claudio Abbado / Berliner Philharmoniker / Anatoly Kotcherga
1.11 Boris Godunov: Opera in Four Acts with a Prologue / Prologue, Scene 2: "Glory!" - Claudio Abbado / Berliner Philharmoniker / Slovak Philharmonic Chorus Bratislava / Rundfunkchor Berlin / Tölzer Knabenchor
1.12 Boris Godunov: Opera in Four Acts with a Prologue / Act I, Scene 1, Introduction - Claudio Abbado / Berliner Philharmoniker
1.13 Boris Godunov: Opera in Four Acts with a Prologue / Act I, Scene 1: "Just One Final Story" - Claudio Abbado / Berliner Philharmoniker / Samuel Ramey
1.14 Boris Godunov: Opera in Four Acts with a Prologue / Act I, Scene 1: "O Lord, Strong and Righteous" - Claudio Abbado / Berliner Philharmoniker / Samuel Ramey / Sergei Larin / Slovak Philharmonic Chorus Bratislava / Rundfunkchor Berlin / Tölzer Knabenchor
1.15 Boris Godunov: Opera in Four Acts with a Prologue / Act I, Scene 1: "Do Not Complain, Brother" - Claudio Abbado / Berliner Philharmoniker / Samuel Ramey
1.16 Boris Godunov: Opera in Four Acts with a Prologue / Act I, Scene 1: "For Allong Time, Honoured Father" - Claudio Abbado / Berliner Philharmoniker / Samuel Ramey / Sergei Larin
1.17 Boris Godunov: Opera in Four Acts with a Prologue / Act I, Scene 1: "I Arrived at Night" - Claudio Abbado / Berliner Philharmoniker / Samuel Ramey
1.18 Boris Godunov: Opera in Four Acts with a Prologue / Act I, Scene 1: "How Old Was the Murdered Tsarevich?" - Claudio Abbado / Berliner Philharmoniker / Samuel Ramey / Sergei Larin
1.19 Boris Godunov: Opera in Four Acts with a Prologue / Act 1, Scene 1: "They Are Ringing for Matins" - Claudio Abbado / Berliner Philharmoniker / Samuel Ramey / Sergei Larin / Slovak Philharmonic Chorus Bratislava / Rundfunkchor Berlin / Tölzer Knabenchor
1.20 Boris Godunov: Opera in Four Acts with a Prologue / Act I, Scene 2: Introduction - Claudio Abbado / Berliner Philharmoniker
1.21 Boris Godunov: Opera in Four Acts with a Prologue / Act I, Scene 2: "I Caught a Grey Drake" - Claudio Abbado / Berliner Philharmoniker / Elena Zaremba
1.22 Boris Godunov: Opera in Four Acts with a Prologue / Act I, Scene 2: "Give Me Some Fun" - Claudio Abbado / Berliner Philharmoniker / Helmut Wildhaber / Gleb Nikolsky / Elena Zaremba
1.23 Boris Godunov: Opera in Four Acts with a Prologue / Act I, Scene 2, "Why Are You So Pensive, Comrade?" - Claudio Abbado / Berliner Philharmoniker / Sergei Larin / Helmut Wildhaber / Gleb Nikolsky / Elena Zaremba
1.24 Boris Godunov: Opera in Four Acts with a Prologue / Act I, Scene 2: "Here's What Happened at the Town of Kazan" - Claudio Abbado / Berliner Philharmoniker / Gleb Nikolsky
1.25 Boris Godunov: Opera in Four Acts with a Prologue / Act I, Scene 2: "Why Don't You Sing Along?" - Claudio Abbado / Berliner Philharmoniker / Sergei Larin / Helmut Wildhaber / Gleb Nikolsky / Elena Zaremba
1.26 Boris Godunov: Opera in Four Acts with a Prologue / Act I, Scene 2: "We Are Humble Elders, Honest Monks" - Claudio Abbado / Berliner Philharmoniker / Sergei Larin / Helmut Wildhaber / Gleb Nikolsky / Elena Zaremba / Michail Krutikov
1.27 Boris Godunov: Opera in Four Acts with a Prologue / Act I, Scene 2: "What Are You Staring at Me Like That For" - Claudio Abbado / Berliner Philharmoniker / Sergei Larin / Gleb Nikolsky / Elena Zaremba / Michail Krutikov
1.28 Boris Godunov: Opera in Four Acts with a Prologue / Act I, Scene 2: "And His Age... And His Age..." - Claudio Abbado / Berliner Philharmoniker / Helmut Wildhaber / Gleb Nikolsky / Michail Krutikov
2.1 Boris Godunov: Opera in Four Acts with a Prologue / Act II: "Where Are You, My Betrothed" - Claudio Abbado / Berliner Philharmoniker / Liliana Nichiteanu / Valentina Valente
2.2 Boris Godunov: Opera in Four Acts with a Prologue / Act II: "Oh, That's Enough, Princess, My Dear!" - Claudio Abbado / Berliner Philharmoniker / Valentina Valente / Eugenia Gorochovskaya
2.3 Boris Godunov: Opera in Four Acts with a Prologue / Act II: "A Gnat Was Chopping Wood" - Claudio Abbado / Berliner Philharmoniker / Liliana Nichiteanu / Eugenia Gorochovskaya
2.4 Boris Godunov: Opera in Four Acts with a Prologue / Act II: "My Little Tale Is About This and That" - Claudio Abbado / Berliner Philharmoniker / Liliana Nichiteanu / Eugenia Gorochovskaya
2.5 Boris Godunov: Opera in Four Acts with a Prologue / Act II: "What's the Matter? Has a Wild Beast Surprised a Sitting Hen?" - Claudio Abbado / Berliner Philharmoniker / Anatoly Kotcherga / Liliana Nichiteanu / Valentina Valente / Eugenia Gorochovskaya
2.6 Boris Godunov: Opera in Four Acts with a Prologue / Act II: "I Have Achieved Absolute Power" - Claudio Abbado / Berliner Philharmoniker / Anatoly Kotcherga
2.7 Boris Godunov: Opera in Four Acts with a Prologue / Act II: "Hey, PSS!" - Claudio Abbado / Berliner Philharmoniker / Anatoly Kotcherga / Liliana Nichiteanu / Alexander Fedin
2.8 Boris Godunov: Opera in Four Acts with a Prologue / Act II: "Our Little Parrot Was with the Nannies" - Claudio Abbado / Berliner Philharmoniker / Anatoly Kotcherga / Liliana Nichiteanu / Philip Langridge
2.9 Boris Godunov: Opera in Four Acts with a Prologue / Act II: "Ah, It's You, Glorious Orator" - Claudio Abbado / Berliner Philharmoniker / Anatoly Kotcherga / Liliana Nichiteanu / Philip Langridge
2.10 Boris Godunov: Opera in Four Acts with a Prologue / Act II: "In Uglich, in the Cathedral, in Front of All the People" - Claudio Abbado / Berliner Philharmoniker / Anatoly Kotcherga / Philip Langridge
2.11 Boris Godunov: Opera in Four Acts with a Prologue / Act II: "Phew! I Feel Terrible! Let Me Catch My Breath" - Claudio Abbado / Berliner Philharmoniker / Anatoly Kotcherga
2.12 Boris Godunov: Opera in Four Acts with a Prologue / Act III, Scene 1: "By the Sky-Blue Waters of the Vistula, Under a Shady Willow" - Claudio Abbado / Berliner Philharmoniker / Marjana Lipovsek / Slovak Philharmonic Chorus Bratislava / Rundfunkchor Berlin / Tölzer Knabenchor
2.13 Boris Godunov: Opera in Four Acts with a Prologue / Act III, Sce
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Lauren
Alexandria, US
★★★★★ 3
Great book but the pages started falling out
Format: Paperback
This book is very informative and helpful while I navigate nursing school, but after only 6 weeks of use the pages started falling out. I'm careful with the book and I don't even open it everyday but it was poorly made and the pages are not very sturdy.
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Reviewed in the United States on November 28, 2021
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Clay Werner
Lowell, US
★★★★★ 5
A Deep and Rich Resource on Christian Life
Format: Paperback
I've been waiting for this book for quite some time when I heard it would be coming out as part of the Dogmatics series. I really appreciate how he structures the book as God's Trinitarian actions towards us, the law-gospel distinction, and our response to Gods' love. Rich. A real treat to read, ponder, and reflect on.
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Reviewed in the United States on January 20, 2026
J
Jimmy R. Reagan
Chelsea, US
★★★★★ 5
One of the Best!
Format: Paperback
Kelly Kapic is one of the best theological writers of our day. He gears his writings a bit toward scholars, but don’t let that stop you. Accept the challenge of this book and you won’t be sorry. The title of the series (“New Studies in Dogmatics”) might scare off some readers, but don’t allow that to camouflage a great read. Yes, scholars will likely eat it up as a book that shows an artisan at work in their trade, but I say pastors and thoughtful Bible students ought to claim this one as their own. The only part that might appeal more to scholars than the rest of us is how he loves to delve into some historical personage or creed to illustrate his point. That is only an issue because sometimes that takes more explanation than the point at large he is making. I doubt he can help it. He seems like a walking encyclopedia; a passionate one to be sure, but it is amazing the scope at which he views his subject. His clearly stated thesis is that “Christian life is a response to the love of God”. Not only does that make sense, especially as he develops it, but it also gave him free reign to write across most of the systematic theology corpus as he desired. That could easily degenerate in a muddled mess that said little, but in his skilled hands it became something really special. In fact, the first chapter on why we need a theology of Christian life shows his clear vision of the argument of this book. For the record, I was bought in part way through that first chapter. Part Two with its three chapters fills in “the love of God” part of his thesis. He approaches it as love, grace and fellowship. Those three are often thrown about with a perverse shallowness. Not here. It seems that the depths of the heinousness of sin that he so astutely explains is the key to bringing those three out in all their resplendent glory. Here they sparkle. Next, he has a section that he called an “interlude” on the Law-Gospel distinction. His Reformed orientation comes out strongest here and this section is likely to be the most controversial. In fact, even some Reformed thinkers might quibble with him. From there, he develops the “response to” part of his thesis. This last section covers Messiah, ego and ecclesia to great effect. That our Messiah is the key is painted with the right significance. The chapter on ego was profoundly done. I thought he brought in current thinking on ego and held it up to Scripture and came up with clear thinking in the process. The two chapters on ecclesia surprised me. I was sure that he was going to champion a certain strain of liturgy, but actually he explained that every worship style is a liturgy. It was convincing to me. I nominate this book as the theological title of the year. It is that good. I received this book free from the publisher. I was not required to write a positive review. The opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255.
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Reviewed in the United States on May 26, 2026
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BDH
Whiting, US
★★★★★ 5
A labor of love
Format: Paperback
Kelly Kapic provides a biblical and theological vision of Christian life—what it means to love and be loved by God—by exploring and explaining the contours of the “life” that is given to the believer as united to Christ, and united to all believers who participate in that same union. The book covers multiple topics one might find in a systematic theology, but seamlessly weaves these through considerations of Christian ethics and corporate worship with clear and accessible prose. Kapic writes charitably as someone deeply immersed in the history of Christian theology and aware of the modern Christian church as expressed through multiple, and sometimes conflicting, traditions. Kapic remains attentive to the doubts of believers and profoundly sympathetic to the reality of those who have suffered abuse under the banner of grace. A remarkable achievement of beautiful orthodox theology. Highly recommended.
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Reviewed in the United States on May 11, 2026
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Dadhich Sawant
Louisville, US
★★★★★ 5
Nice Product
Color: 2 Tier-Black, Color: 2 Tier-Black
Super Handy and So Stylish — A Must-Have for Any Kitchen! I’m really impressed with the Sinnsally Kitchen Sponge Holder! It’s simple, practical, and makes keeping my sink area neat so much easier. The 2-tier design is brilliant — the top shelf holds my sponges perfectly, while the bottom area keeps scrubbers and brushes organized and easily accessible. The stainless steel looks sleek and modern, and it has held up beautifully with daily use. Water drains well so everything dries quickly, and cleanup is a breeze. No more soggy sponges sitting around! Installation was quick and easy — it fits nicely right by the sink without taking up too much space. This little holder has made a big difference in keeping my kitchen tidy. Highly recommend for anyone who wants a clean, organized sink area with a touch of style!
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Reviewed in the United States on March 3, 2026

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