SKU: 32616279157

Robert Ryman: Early and Late

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Robert Ryman: Early and LateAn extensive look at Robert Ryman's formative work from the early 1960s, as well as his last series of paintings In the 1960s, Robert Ryman began to firmly establish the broad parameters of his radical and inventive practice. While he initially gained recognition for work he made in the late 1960s and early 1970s, his earlier paintings have remained less widely seen. This publication includes representative works of all facets of Ryman's painterly

An extensive look at Robert Ryman's formative work from the early 1960s, as well as his last series of paintings

In the 1960s, Robert Ryman began to firmly establish the broad parameters of his radical and inventive practice. While he initially gained recognition for work he made in the late 1960s and early 1970s, his earlier paintings have remained less widely seen.

This publication includes representative works of all facets of Ryman's painterly practice during this time--influenced by his career as a jazz musician--including his use of thick impasto brushstrokes on both stretched and unstretched canvas; heavily or sparsely worked paintings in both small and large formats; and a group of rarely seen works on raw linen, each featuring one or several seemingly complete, independent compositions. Many of these works feature subtle suggestions of colorful underpainting that leave an outsized effect on the viewing experience, while in other works Ryman's assertive use of green, red, and blue intensifies the visual presence of the various white tones.

Revealing the breadth of Ryman's work, this catalogue also includes a selection of drawings, many of which were made concurrently with the early works, as well as his last paintings. The final canvases demonstrate the inexhaustible and probing nature of Ryman's singular approach to painting over his five-decade career. The details reveal the visual presence of various white tones, creating an interplay between color and absence and dimensionality that characterizes much of Ryman's oeuvre.

Binding Type: Hardcover
Author: Robert Ryman, Dieter Schwarz (Author), Jeffrey Kastner (Author)
Published: 12/03/2024
Publisher: David Zwirner Books
ISBN: 9781644231456
Pages: 190
Weight: 2.65lbs
Size: 11.90h x 9.10w x 0.80d

About the Author
Robert Ryman (1930-2019) was born in Nashville, Tennessee. Ryman moved to New York in 1953 to pursue a career as a professional jazz musician. That same year, he took a job as a security guard at The Museum of Modern Art, where he would work for seven years. His time working at the museum in part inspired Ryman to devote his life toward painting. His first institutional solo exhibition was at the Solomon R. Guggenheim Museum, New York, in 1972.

Dieter Schwarz is a curator and writer. He has organized numerous exhibitions and contributed to publications on artists from early modernity to the present, including Pierre Bonnard, Sol LeWitt, Agnes Martin, Robert Ryman.

Jeffrey Kastner is a New York-based writer and critic, the senior editor of Cabinet magazine, and a contributing editor at Places. His writing on contemporary art and cultural issues has appeared in publications such as Artforum, The Economist, Frieze, The New Republic, and The New York Times, and his monographic essays have been published in books and exhibition catalogues on artists including Doug Aitken, David Altmejd, Micha?l Borremans, Nina Katchadourian, Ragnar Kjartansson, Tomas Saraceno, and Sarah Sze.

Lucy R. Lippard is a contemporary writer, activist, and sometime curator best known for her study of conceptual art in Six Years: The Dematerialization of the Art Object from 1966 to 1972 and for her writing on feminist art and politically engaged art. She has published twenty-eight books, with two forthcoming, and has organized some fifty exhibitions and cofounded Ad Hoc Women Artists, Heresies: A Journal of Art and Politics, the artists' book center Printed Matter, and the activist group PAD/D (Political Art Documentation/Distribution). Her many honors include the Women's Caucus for Art Lifetime Achievement Award and nine honorary degrees.

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SKU: 32616279157

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Kimberly
West Palm Beach, US
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Beautiful and functional
This is the first espresso distribution tool I've ever used, so I wasn't sure if it would really make a difference. I haven't had a home espresso machine for 15+ years, so I figured now that I am home more, I'd get all the accessories to do it right. This is a beautiful piece that is very functional. It's simple to use to even out the grounds to provide for a more even flow of water through the coffee. Since I got this and used it from my very first espresso, I actually didn't test doing it without this tool to see if it made a noticeable difference. Because I've never used one before, I'm not sure what features to compare to others, so I don't know if the current $24.99 is good or not. It seems high for such a simple product, and I probably would never consider getting it if I hadn't been given the opportunity to get one through the Amazon Vine program. But as part of my new espresso routine, I do think it contributes to making a delicious cup of coffee. It certainly can't hurt and is part of my regular ritual now.
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San Leandro, US
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Reviewed in the United States on January 18, 2024
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Tyrone
Boise, US
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I didn’t realize how much I needed this tool until I bought it, and now I use it all the time. It’s the perfect companion to my espresso machine and really helps improve my espresso puck preparation. The quality is great, it’s easy to use, and it adds more capability and consistency to my home brewing setup. I would absolutely recommend this to anyone serious about improving their home espresso experience.
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Reviewed in the United States on May 12, 2026
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P. White
Los Angeles, US
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For those who do not know what this tool does: The Weiss Distribution Technique (WDT) is a distribution method for espresso making, by which you use the tool to stir the coffee while it sits in the portafilter. You should use a portafilter funnel of the same size to avoid spilling grinds. The stirring action breaks up clumps and evens out the density of coffee within the puck. The result is reduced channeling and more even extractions. Who needs this tool: Those without a conical burr grinder, where the oil and variety of grind sizing may cause clumping, will benefit from this tool. Those with a decent conical burr grinder will find minimal benefit from this tool. I'm using a Breville Pro and do not see a huge improvement myself, for example. Quality: The build quality of this tool is excellent. You can add from one to seven needles, with many folks saying three is the sweet spot for best distribution. I've been using it for over a month and none of the needles have bent. The stand is solid aluminum and well-made, but it doubles as a protector of the needles. I just clean with a quick rinse and a wipe before returning it to its stand. Outcome: I did not realize most of the info above until after purchase. So my puck is solid, the pull is clean, and my coffee tastes great with a Breville Pro. However, this tool has a minimal amount to do with that. It is a worthwhile tool for those with a lower-end grinder, especially non-Burr grinders, and it is aesthetically-pleasing and well-made, which is why I rate it 5 stars overall. It also is of good value compared to more expensive variants.
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Reviewed in the United States on June 12, 2023
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Matthew
Fort Morgan, US
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Color: Gray
Fantastic and easy to use. Stand sits on top of espresso machine and the WDT tool is always ready, no unscrewing. Upgraded from a screw-shut version and couldn't be happier. Comes with extra needles which I hope to never need. Easy to recommend
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Reviewed in the United States on May 24, 2026

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