SKU: 334985238

Arcam SA35 Streaming Integrated Amplifier

$2922.75 $3247.50
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Description

Arcam SA35 Streaming Integrated AmplifierArcam SA35 Streaming Integrated Amplifier The new ARCAM SA35 is an all in one streaming system designed for the discerning music lover. Crafted in Cambridge, UK, it integrates cutting edge technology to deliver music with remarkable clarity, nuance, and excitement. It features a newly engineered digital audio and streaming platform, linear toroidal power supply, user friendly interface, and a brand new app. The SA35s exquisite sound quality stems from

Arcam SA35 Streaming Integrated Amplifier 

The new ARCAM SA35 is an all-in-one streaming system designed for the discerning music lover. Crafted in Cambridge, UK, it integrates cutting-edge technology to deliver music with remarkable clarity, nuance, and excitement. It features a newly engineered digital audio and streaming platform, linear toroidal power supply, user-friendly interface, and a brand-new app.

The SA35’s exquisite sound quality stems from a 6-layer digital audio platform, which includes a ground plane to isolate noise from sensitive audio components. The platform is equipped with ESS Hyperstream iV DACs in a balanced configuration with advanced jitter elimination. A newly designed linear toroidal transformer power supply drives the system with minimal noise, while a standby-mode switching supply ensures peak efficiency.

ARCAM’s 5th generation Class G amplifier design builds on decades of innovation, delivering superior sound quality and dynamics. Every component has been meticulously selected to maintain uncompromising performance, ensuring the best sound from this efficient amplifier class.

Upfront, the SA35 boasts a 6.5" high-resolution display to showcase album artwork and metadata, easily legible from your chair. It supports a wide range of streaming services, and with Wi-Fi setup via the ARCAM Radia App, you can enjoy instant playback using Apple Airplay, Google Cast, Spotify Connect, Tidal Connect, and Roon.

The SA35 also offers flexibility with subwoofer outputs, Dirac Live Room Correction, and phono inputs for vinyl lovers. Its powerful features make it an ideal high-resolution audio solution in any room, delivering top-tier sound with your preferred speakers.

  • Ultra high-resolution streaming platform for premium sound and user experience
  • ARCAM Class G amplification with 2 x 120W of ultra-low distortion power
  • MM & MC phono inputs
  • HDMI eARC input
  • Dual subwoofer outputs with Dirac Live Room Correction
  • High-resolution display for album artwork and metadata
  • Supports Apple Airplay, Google Cast, Spotify Connect, and Tidal Connect
  • Bluetooth with Snapdragon Sound and Auracast
  • Setup via ARCAM Radia App for presets, internet radio, and podcasts
  • Supports up to 32-bit / 384 kHz hi-res audio
  • Roon Ready (after launch)
  • Plastic-free packaging

Specification : 

Continuous power output (0.5% THD), per channel
2 channels driven, 20Hz - 20kHz, 8Ω: 120W
2 channels driven, 1kHz, 4Ω: 200W
Harmonic distortion, 80% power, 8Ω at 1kHz: 0.002%

Analogue Inputs
Number of inputs: 3 (RCA pairs)
Phono Inputs: MM and MC
Frequency response: 20Hz - 20kHz ± 0.2dB
Signal/noise ratio (A-wtd, ref. 50W, 1V input): 106dB

Digital Inputs
Supported Streaming media: FLAC, WAV (LPCM), AAC, ALAC, AIFF, DSD (up to 256), MP3, MP4, OGG, WMA
Supported Streaming Bit depth: 16, 24, 32
Supported Streaming sample rates (kHz): Up to 384 kHz
Gapless Playback: Yes
Digital Audio Inputs: 1x HDMI eARC, 2x Coaxial (RCA), 2x Optical (Toslink)
Supported Digital input Bit depth: 16, 24
Supported Digital input sample rates (kHz): Up to 192 kHz
Frequency response (filter 1): 20Hz - 20kHz ± 0.2dB
Signal/noise ratio (A-wtd, ref. 50W, 0dBFS): 110dB

Wireless Specifications
Bluetooth Profile 5.4: A2DP Sink/Source, AVRCP, BLE, Snapdragon Sound, AAC, LE Audio, Auracast
Bluetooth Transmitter Frequency and Power: 2,402 MHz to 2,480 MHz: <13dBm
Wi-Fi Network: IEEE 8002.11 a/b/g/n/ac (2.4GHz/5GHz)
2.4G Wi-Fi Transmitter Frequency Range and Power: 2400-2483.5 MHz <20dBm
5G Wi-Fi Transmitter Frequency Range and Power: 5150-5250 MHz <23dBm, 5250-5350 MHz & 5470-5725 MHz <20dBm, 5725-5850 MHz <14dBm

General
Mains voltage: 100V or 110–120V or 220–240V, 50–60Hz
Power consumption (maximum): 700W
Power consumption (standby): <0.5W
Dimensions (W x D x H): 432 x 344 x 99mm
Weight (net): 12 kg
Weight (packed): 14 kg

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 334985238

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4.6 ★★★★★
Based on 20 reviews
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Basket Case
Phoenix, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
J
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johnf
Lexington, US
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things. The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring. The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world. If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
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Reviewed in the United States on January 31, 2016
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Todd7
Belleville, US
★★★★★ 5
My favorite movie musical
The Umbrellas of Cherbourg (1964, Jacques Demy, Director) is a very straightforward love story that’s fairly predictable, but that doesn’t take away from its absorbing allure. In fact, I love this film so much that I’m willing to overlook some of the minor flaws in the blu ray transfer from Criterion. This transfer is somewhat grainy/hazy in picture quality, and the sound isn’t exactly clear; in fact, it can be slightly muffled at times. However, I’m not going to dwell on these few minor imperfections. Now, for the heart of the review: The Umbrellas of Cherbourg is so unique in that all of the dialogue is sung. This is definitely an acquired taste, but about 15-20 minutes in, I was used to it and all-in. The next thing that becomes obvious is its rich color; it’s sort of pastel-like, with some backgrounds that are quite striking. Finally, the last thing that jumps out is the continuous upbeat music in the film, with the exception of the main theme, which is an emotionally-charged melancholy number by Michel Legrand that is the heartbeat of the film. This film is really a heartfelt love story where fate is the prevailing narrative and force. It’s a film about important decisions and their outcomes. Along the way, there are familial issues, death, rebuilding with emotional crutches, and some humor injected at just the right times. Some of the dialogue is cliched, but I guess that’s par for the course in a love story? Finally, while watching this film, I could definitely see where the 2016 film, La La Land took so much inspiration from, especially the ending sequence and the upbeat musical numbers. Overall, The Umbrellas of Cherbourg is a masterpiece of a film that’s essential to your blu ray collection. The Criterion Collection usually does a stellar job with resorting older films, but for some reason this isn’t their best work. I was expecting better quality. The blu ray also contains some nice special features.
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Reviewed in the United States on July 22, 2025
J
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JHB-4
Phoenix, US
★★★★★ 5
Gorgeous Legrand music in a superb film
One of the lovliest films ever made! It's a "jazz opera" with superb Michel Legrand music and more. And the finale will melt the hearts of any "family" person who experiences it.
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Reviewed in the United States on November 26, 2025
A
Verified Purchase
Anna Thalman
Battle Creek, US
★★★★★ 5
Excellent disc and movie
This is one of the great films of the last century. If you haven’t seen it, buying this expensive blu ray is still a bargain. Love Criterion’s high quality publication and bonus materials!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 10, 2025

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