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Description
B877 3 Channel Personal Listener Headset Listening MixerAbout The Product 1. LINEPAUDIO B877 personal listener. Designed for players who want to listen to their voices via headphones or earphones, such as their vocal and musical instruments, mainly for drummers, who need to mix click tracks with listener signals. Church choir singing and others needs to listen to the sound of their music. All 3 stereo channels personal monitor desk headphone mixer, 2. Three input channels are outputted by 1 4 and 1 8 (6. 5
About The Product1. LINEPAUDIO B877 personal listener. Designed for players who want to listen to their voices via headphones or earphones, such as their vocal and musical instruments, mainly for drummers, who need to mix click tracks with listener signals. Church choir singing and others needs to listen to the sound of their music. All 3 stereo channels personal monitor desk headphone mixer,
2. Three input channels are outputted by 1/4 and 1/8 (6.5 and 3.5 mm) of headphone holes through various level controllers, and the microphone channel and device output are connected to ground switches. Easy to eliminate the current ground buzzing noise. This product is an ideal choice for live band and church musicians as well as studio musicians and singers. It has the ability to customize the main music and the voice and instrument input of musicians. Make the product become an effective and multifunctional listening device.
3. Line input: 1/4 TRS stereo Jack for connecting line level signal sources, such as mixer listening / auxiliary output, cassette player output, CD player output, and etc.
4. Ground connecting: Plug jumper to disconnect the chassis grounding input of microphone pin 1 and the microphone passes through.
5. The microphone: XLR Jack is in parallel with the microphone input Jack (hardwired) for delivery to the mixer or other microphone-level input device.
6. Microphone input: XLR balanced Jack for connecting capacitors or moving-coil microphones.
7. Device input: 1/4 TRS stereo Jack for connecting device or line level signals, such as guitar processors, keyboards, musical instruments, keyboards, or previous outputs of musical instruments.
8. Mono / stereo jumper: Select whether the input Jack is mono or stereo.
9. Left / right output: Transformer balanced XLR output from device input.
10. hGrounding route: A plug jumper used to disconnect the chassis from the output Jack of the 1/4 RS device.
11. Mono / stereo jumper (located below the line input): select whether the line input Jack is mono or stereo.
12. Note: The interface of the XLR Jack under MONO mode can be used for "Phantom Power" which is required to connect the mixer.
13. Headset output: 1/4 stereo Jack and 1/8 stereo Jack for connecting stereo headphones or headphones.
14. Line level: Adjust the level signal from the line input to the headphone mixing.
15. Microphone level: Adjust the level signal from microphone input to headphone mixing.
16. Inst. level: Adjust the level signal from inst. input to headphone mixing.
17. The line input is connected to a 1/4 "stereo or mono plug." If the plug is 6.35mm stereo, select the mono / stereo jumper set by stereo. The plug is a single-ended mono channel. Select mono / stereo jumper settings.
18. Microphone input is connected to a dynamic microphone or capacitive microphone via a standard XLR cable. If you are using a capacitive microphone, you need to charge it with power from the mixer connected to the microphone Jack. This Jack transmits the phantom power from the mixer to the microphone. Connect the microphone through the Jack to the mixer as needed.
19. Instrument input is connected to the guitar preamplifier output, keyboard or any stereo or monophonic instrument signal. Select stereo or mono.
Features
1. Max input level: -20 dB XLR, +40dB line, +15dB instrument.
2. Input impedance: 50K ohms
3. Output frequency response: 10-30kHz +/-3dB
4. Output impedance HDPHN: 10ohms
5. Output impedance: 2 ea; 100ohms balanced
6. Gain: 20 dB 1/4 inch, 50dB XLR
7. HDPHN frequency response: 20Hz-20kHz
8. S/N ratio: 90dB
9. Power: DC 9-16V
10. 1/4 TRS stereo / mono listening input.
11. The XLR microphone enters w/ pass-through.
12. 1/4 TRS stereo instrument input, 6.35mm / 3.5mm stereo / mono output.
Specification:
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Shipping Notes
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Exchange/Return Notes
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4.1 ★★★★★
Based on 17 reviews
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Product Reviews
★★★★★ 5
A well composed memoir
Format: Paperback
Full review on nguyentoread.com
The Best We Could Do is Thi Bui's graphic memoir. Thi was born in Vietnam three months before the Vietnam War reached what we consider to be the end of the war. She came to America with her family in 1978. Bui's memoir spans multiple generations. In learning of her mother's and father's pasts, we learn the history of their parents. We see the struggles and pains of two people from very different walks of life trying to live during a time of war and chaos. We see glimpses of the agony everyone in the middle of the Vietnam War faced. Those who were not directly involved on either side but were caught in the middle of larger powers at war. This memoir more closely details the lives of her parents leading up to them arriving in America and making their life there. I was unsure if this memoir would focus largely on the experience of being a Vietnamese immigrant in America. There were parts that showed how it was for Bui's parents in a country where tensions were still high after the Vietnam War, where discrimination largely due to that was overt, and where degrees were not recognized and people who had spent their lives working and creating careers for themselves were not qualified for most work and had to hurdle multiple challenges to learn a language and complete education all over again if they wanted to provide a better life for their children. What Bui so beautifully captures in this memoir is the why behind how her parents were in raising her. Although Bui was born in Vietnam she was young when her family arrived in America. So I think her experience is one that many first generation Vietnamese-American people of my generation can understand and sympathize with. The wanting to know why their parents are the way they are but unable to ask because many have parents, like Bui's mother, who reluctantly share their stories and don't allow their children that glimpse that could help them better understand. In the panel which was most poignant to me, Bui draws her father as he looks over her work that would become The Best We Could Do. He says "You know how it was for me. And why later I wouldn't be... normal."
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 20, 2019
★★★★★ 5
This book made me love my parents more
Format: Kindle
I loved the raw depictions of vietnamese history and human emotions. I recommend this book to anyone experiencing intergenerational trauma. 5 stars, this book helped me understand my father and mother just a little more, and that is priceless
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 25, 2025
★★★★★ 5
Excellent customer service
Format: Paperback
Totally recommendable.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 26, 2019
★★★★★ 5
Five Stars
Format: Paperback
This helped a lot for us to prepare for the SLATE exam.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 23, 2016
★★★★★ 5
Good
Format: Paperback
This is great! I like this one.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 22, 2016
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