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Description
Ibauhaus: The iPhone as the Embodiment of Bauhaus Ideals and DesignA rich, wide ranging meditation on the iPhone as direct descendant of the 1930s Bauhaus, one of the twentieth century's most influential schools of art and design (summed up in Mies van der Rohe's dictum, "less is more") whose principle aim was to connect art and industry. From one of the leading authorities on the Bauhaus and modernism. Nicholas Fox Weber, in this deft, entertaining, and brilliant rumination on art and technology, writes of the
A rich, wide-ranging meditation on the iPhone as direct descendant of the 1930s Bauhaus, one of the twentieth century's most influential schools of art and design (summed up in Mies van der Rohe's dictum, "less is more") whose principle aim was to connect art and industry. From one of the leading authorities on the Bauhaus and modernism. Nicholas Fox Weber, in this deft, entertaining, and brilliant rumination on art and technology, writes of the iPhone as the essence of the Bauhaus principles of form following function--of honesty of design and materials that reflect the true nature of objects and buildings, favoring linear and geometrical forms; adhering to line, shape, and colors; synthesizing art to modern times; the fusion in design of art and technology.Weber, an authority and celebrant of twentieth-century modernism, ranging from the paintings of Balthus to the architecture of Le Corbusier, was a close associate of Anni and Josef Albers, the last living giants of the Bauhaus, and absorbed firsthand its truest beliefs. The Alberses emphasized their passion for "good design over bad art." Anni, a groundbreaking textile artist and printmaker, and Josef, a painter and color theorist and influential art teacher, stuck to "what was taught at the Bauhaus: the right use of materials, good technique, a purpose that serves all." Weber writes that the Bauhaus was not a style but an attitude: clear design and visual acuity as the embodiment of morality and honesty. And in iBauhaus, Weber explores how the iPhone, with its effective design and its versatility, honors these deepest beliefs, as well as the values that the Bauhaus sought to give to the world.
Binding Type: Hardcover
Publisher: Knopf Publishing Group
Published: 02/25/2020
ISBN: 9780525657286
Pages: 272
Weight: 1.30lbs
Size: 8.10h x 5.70w x 1.20d
Review Citations: Kirkus Reviews 12/01/2019
Booklist 01/01/2020 pg. 28
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4.8 ★★★★★
Based on 26 reviews
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Product Reviews
★★★★★ 5
Quality Wallet
Color: Carhartt Brown (Bifold)
Quality material and stiching. Right numbrr of cardholders.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 19, 2026
★★★★★ 5
Good wallet
Color: Carhartt Brown (Trifold)
Great wallet so far
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Reviewed in the United States on May 8, 2026
★★★★★ 5
Can't Copy Carhartt
Color: Carhartt Brown (Bifold), Color: Carhartt Brown (Bifold)
I just received it but I like it so far. Replaced a 12-year-old Carhartt wallet that didn't have RFID protection. Mink oil turns it into a pleasing chestnut, FYSA
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Reviewed in the United States on April 17, 2026
★★★★★ 5
My two cent review
Color: Carhartt Brown (Trifold)
Great quality material and pleasing to the touch. Perfect size for front or back pocket. Nice style and neutral color makes it versatile no matter your style of choice.
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Reviewed in the United States on April 14, 2026
★★★★★ 4
Overall a nice wallet
Color: Carhartt Brown (Trifold)
The card slots are a little tight so removing cards can be a hassle. On the other hand, cards won’t fall out if you invert the wallet. I expect the card slots to loosen up with prolonged use. The wallet is great in all other respects.
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Reviewed in the United States on December 12, 2025
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