SKU: 7940996576

Nikon Z6 Mark II + Z 24-120mm f/4 S (No FTZ Adapter)

Sale price$707.32 Regular price$785.91
Save 10%

Pay in installments of $196.48 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Aug 20 - Aug 25

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

Nikon Z6 Mark II + Z 24-120mm f/4 S (No FTZ Adapter)The Nikon Z 6 II is an updated take on the all rounder mirrorless camera designed for high end photo and video applications. Despite the wealth of upgrades, the Z 6II retains its familiar form factor and prized image quality to benefit working multimedia image makers. Video recording at UHD 4K 30p is possible, or up to FHD 120p for slow motion output, and external recording gains 10 bit out along with N Log and HLG (HDR) support. The sensor also suits

The Nikon Z 6 II is an updated take on the all-rounder mirrorless camera designed for high-end photo and video applications. Despite the wealth of upgrades, the Z 6II retains its familiar form factor and prized image quality to benefit working multimedia image-makers. Video recording at UHD 4K 30p is possible, or up to FHD 120p for slow-motion output, and external recording gains 10-bit out along with N-Log and HLG (HDR) support.

The sensor also suits working in a variety of lighting conditions, with sensitivity from ISO 100-51200, and in-body 5-axis Vibration Reduction reduces the appearance of camera shake for sharper handheld shooting. Additionally, the sensor also incorporates a 273-point phase-detection AF system, which now supports Eye-Detect AF in Wide-Area AF modes and during movie recording, and permits focusing in low light down to -4.5 EV. Both a high-res 3.6m-dot OLED EVF and rear 3.2" 2.1m-dot tilting touchscreen LCD lend versatility to image composition and playback, and SnapBridge wireless connectivity can be used for remote camera control, image sharing to a mobile device, and even over-the-air firmware updates. Dual EXPEED 6 image processors offer increased buffer performance, a faster 14 fps continuous shooting rate, and noticeably reduced blackout times in the viewfinder. Timed long-exposure shooting is now possible for up to 900 seconds (15 minutes) without the need for an external remote.USB Type-C port permits in-camera charging or continuous power for on-the-go charging or extended shooting times. Support for HDR (HLG) mode when recording externally gives instant HDR-suitable video files for immediate playback. N-Log is also available for enhanced control during post-production and grading, too.

The SnapBridge wireless connectivity can be used to update the camera's firmware, instead of relying on a memory card-based system of updating. There is also a Focus Shift mode for recording up to 300 sequential frames with the focus position shifted between exposures for focus stacking applications. Utilizing the sensor and processor attributes for more than just still imagery, the Z 6II is also a more-than-capable multimedia camera. UHD 4K video recording is possible with full pixel readout up to 30p and Full HD 1080p video recording is also supported at up to 120p for slow-motion playback. Other additions are the ability to output high-quality 10-bit data over HDMI and an Electronic VR function for smooth handheld shooting. Focus Peaking can be used to benefit manual focus control and a Zebra Stripes option is also available to help detect over-exposed areas within the frame. 

This provides fast and accurate focusing for both stills and video and with a wide coverage area, subject tracking will work out to near the edges of the frame. Hybrid AF is available for video, which will automatically switch between phase- and contrast-detect systems to provide smooth focus during shooting. Additionally, the latest NIKKOR Z lenses are optimized for silent operation. A large 3.2" 2.1m-dot LCD screen is available for bright, clear, and vivid image playback and lives view shooting. The screen has a tilting design to benefit from working from both high and low angles, and it is also a touchscreen for more intuitive operation, navigation, and settings control.

The top panel of the Z 6II is configured with a dot-matrix OLED. This low-energy display provides quick access to important camera settings. A robust magnesium alloy chassis is both specks of dust- and weather-resistant to benefit working in harsh climates and inclement conditions.BLE (Bluetooth Low Energy) and Wi-Fi enable communication between the camera and a smart device and, additionally, the mobile device can remotely trigger the shutter and display a live view image from the camera to enable working from a distance.

The NIKKOR Z 24-120mm f/4 S, from Nikon, is a wide-angle to short-telephoto zoom covering an extremely useful range of focal lengths to benefit a variety of applications from landscape to portraiture. The constant f/4 maximum aperture offers consistent performance throughout the zoom range and the lens features an advanced optical design for high sharpness and clarity. Featuring a combination of three ED elements, one aspherical ED element, and three aspherical elements, both chromatic and spherical aberrations are effectively eliminated throughout the zoom range for notable sharpness and clarity. The  Multi-focus system incorporates two separate AF drive units, which are synchronized, to deliver especially fast and accurate focusing throughout the zoom range. This system uses stepping motors, which offer impressively smooth and quiet autofocus performance that is well-suited to both stills and video applications. Dedicated manual focus ring at the rear of the lens for tactile and precise control over the focus position. The assignable L.Fn button works in conjunction with camera based Fn buttons to provide seamless points for quickly changing exposure settings and other functions.

Nikon Z6 II Specs...

Imaging
Lens Mount Nikon Z
Camera Format Full-Frame (1x Crop Factor)
Sensor Resolution Actual: 25.28 Megapixel
Effective: 24.5 Megapixel (6000 x 4000)
Aspect Ratio 1:1, 3:2
Sensor Type CMOS
Sensor Size 35.9 x 23.9 mm
Image File Format JPEG, Raw
Bit Depth 14-Bit
Image Stabilization Sensor-Shift, 5-Axis
Exposure Control
ISO Sensitivity Auto, 100 to 51200 (Extended: 50 to 204800)
Shutter Speed 1/8000 to 900 Seconds
Bulb Mode
Metering Method Center-Weighted Average, Highlight Weighted, Matrix, Spot
Exposure Modes Aperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3, 1/2 EV Steps)
Metering Range -4 to 17 EV
White Balance Auto, Cloudy, Color Temperature, Direct Sunlight, Flash, Fluorescent, Incandescent, Preset Manual, Shade
Continuous Shooting Up to 14 fps at 24.5 MP for up to 124 Frames
Interval Recording Yes
Self-Timer 2/5/10/20-Second Delay
Video
Recording Modes H.264/MOV/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p
External Recording Modes 4:2:2 10-Bit
UHD 4K (3840 x 2160)Full HD (1920 x 1080)
Recording Limit Up to 29 Minutes, 59 Seconds
Video Encoding NTSC/PAL
Audio Recording Built-In Microphone (Stereo)
External Microphone Input
Audio File Format AAC, Linear PCM (Stereo)
Focus
Focus Type Auto and Manual Focus
Focus Mode Continuous-Servo AF (C), Full-Time Servo (F), Manual Focus (M), Single-Servo AF (S)
Autofocus Points Phase Detection: 273
Autofocus Sensitivity -6 to +19 EV
Viewfinder Type Electronic
Viewfinder Size 0.5"
Viewfinder Resolution 3,690,000 Dot
Viewfinder Eye Point 21 mm
Viewfinder Coverage 100%
Viewfinder Magnification Approx. 0.8x
Diopter Adjustment -4 to +2
Size 3.2"
Resolution 2,100,000 Dot
Display Type Tilting Touchscreen LCD
Flash
Built-In Flash No
Flash Modes First-Curtain Sync, Off, Rear Curtain/Slow Sync, Rear Sync, Red-Eye Reduction, Slow Sync, Slow Sync/Red-Eye Reduction
Maximum Sync Speed 1/200 Second
Flash Compensation -3 to +1 EV (1/3, 1/2 EV Steps)
Dedicated Flash System iTTL
External Flash Connection Hot Shoe
Interface
Media/Memory Card Slot Slot 1: CFexpress Type B / XQD
Slot 2: SD/SDHC/SDXC (UHS-II)
Internal Memory None
Connectivity 3.5mm Headphone, 3.5mm Microphone, HDMI C (Mini), Nikon DC2, USB Type-C (USB 3.0)
Wireless Wi-Fi
Bluetooth
GPS No
Environmental
Operating Temperature 32 to 104°F / 0 to 40°C
Operating Humidity 0 to 85%
Physical
Battery 1 x EN-EL15c Rechargeable Lithium-Ion
Dimensions (W x H x D) 5.3 x 4 x 2.7" / 134 x 100.5 x 69.5 mm
Weight 1.4 lb / 615 g 
 

Nikon NIKKOR Z 24-120mm F/4 S  Specs

Focal Length 24 to 120mm
Maximum Aperture f/4
Minimum Aperture f/22
Lens Mount Nikon Z
Lens Format Coverage Full-Frame
Angle of View 84° to 20° 20'
Minimum Focus Distance 1.1' / 35cm
Maximum Magnification 0.39x
Optical Design 16 Elements in 13 Groups
Diaphragm Blades 9, Rounded
Focus Type Autofocus
Image Stabilization No
Filter Size 77mm (Front)
Dimensions (ø x L) 3.3 x 4.6" / 84 x 118mm
Weight 1.4lb/630g
  


    Shipping Notes
    • Free Standard Shipping on $100+ Orders to the USA.
    • Except Preorder products are shipped in 48 hours.
    • Delivery to the USA:
    1. Standard Shipping : 3-10 business days
    • If time is of the essence, please consider selecting expedited delivery for faster service.
    Exchange/Return Notes
    • We offer a 30-day return/exchange service after receiving.
    • Final sale items are not eligible for returns or exchanges.
    • To process your return/exchange, please contact us at [email protected]
    • Please click here for more details>>> Return & Exchange Policy
    SKU: 7940996576

    Discover Niche Categories That Outsell

    Top-Converting Item to Boost Your Average Order

    4.1 ★★★★★
    Based on 28 reviews
    Sort
    Highest Rating
    Newest First
    Oldest First
    Product Reviews
    E
    Verified Purchase
    Eileen O Malley Callahan
    Chelsea, US
    ★★★★★ 5
    Five Stars
    Format: Paperback
    Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on December 18, 2014
    J
    JeFF Stumpo
    New York, US
    ★★★★★ 5
    A Feminist Divine Comedy?
    Format: Paperback
    Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on October 11, 2010
    K
    Kent Shaw
    Alexandria, US
    ★★★★★ 5
    A Contemporary Epic
    Format: Paperback
    I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on August 25, 2011
    R
    Verified Purchase
    Raquel Wilbon
    Chelsea, US
    ★★★★★ 2
    Imagery and diction
    Format: Paperback
    This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on August 11, 2020
    A
    Verified Purchase
    amber a
    Dallas, US
    ★★★★★ 5
    I tend to leave most books in this genre disappointed. I miss the classics
    Format: Hardcover
    I bought this book after hearing Stacey Lee speak about narrative tension at a lecture for YA writers - the talk was specifically entitled, "How to keep them up all night." The lecture (alongside Anna Shinoda) bit off a rather large amount of material. Neither woman mentioned vampires. The methods they discussed were smart, creative, and delivered with just enough humor to leave me wondering whether I'd be able to put their debut novels down. I devoured GONE WITH THE WIND at least six times cover to cover between my sophomore and senior year. While I am more susceptible to the Historical Fiction page turner than the average girl, I tend to leave most books in this genre disappointed. I miss the classics. I opened this book determined to not judge it by its gorgeous pastel cover. I started slowly. I enjoyed the first four or five chapters - leaving each fully appreciative of Lee's craft. I particularly enjoyed her ability to pepper humor though tragedy. I often complain about writers who miss the mark here. Stacey Lee nailed that important believable balance for me. I liked her characters quickly. I left each chapter satisfied, but thoroughly able to get up and go on with my life. Like a jaded Thumper in Walt Disney's BAMBI, this book was more than nice, but I wasn't susceptible to any kind of teen-aged Twitterpation over it. After the sixth or seventh chapter - four or five days after I first picked it up, I quietly closed my copy, placed it on my nightstand, switched off my lamp, fluffed my pillow and turned over. I turned over again. I flipped on the light - OK, just one more chapter... I zombie sleepwalked to work the next day. That night I retired early, making some completely convincing excuse about being exhausted. I was certainly too tired to read. Flash forward to 6AM when I woke up with this novel on my face. I turned it's last page this afternoon, fully satisfied. I am truly sad it's over. This book transported me. It's one I'll want to have in my collection forever, alongside the beautiful books that mattered to me as a teen; JANE EYRE, TO KILL A MOCKINGBIRD, UNDER A PAINTED SKY. Classic in feel, subject matter, and voice - but modern in approach, I'd be as comfortable recommending it to my book club as I would handing it to any teen. Readers of all ages and walks of life will surely find something that resonates with their own stories too. As for me, I am sure I'll be back on the trail with these girls-- I mean boys, before long. Now I'm off to try my hand at Anna Shinoda's LEARNING NOT TO DROWN. Well, maybe tomorrow. I need a good night's sleep and it's clear these authors know how to keep those pages turning.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on August 24, 2015

    recommand products