SKU: 97307882254

gaslini sinfonico 3 gaslini

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gaslini sinfonico 3 gasliniGASLINI SINFONICO 3 (CVLD197) Author: GIORGIO GASLINI Performer: GIORGIO GASLINI Available on: CD, File CD Tracks 01 Short Symphony 02 Of course, Beyond the River for flute and ten instruments 03 Ter for soprano voice, violin, viola, cello and clarinet: No. 1, For centuries I've endured 04 Ter for soprano voice, violin, viola, cello and clarinet: No. 2, I think of my rest 05 Ter for soprano voice, violin, viola, cello and clarinet: No. 3, Here I come

GASLINI SINFONICO 3 (CVLD197)

AuthorGIORGIO GASLINI
PerformerGIORGIO GASLINI

Available on: CD, File CD

Tracks

01 - Short Symphony
02 - Of course, Beyond the River for flute and ten instruments
03 - Ter for soprano voice, violin, viola, cello and clarinet: No. 1, For centuries I've endured
04 - Ter for soprano voice, violin, viola, cello and clarinet: No. 2, I think of my rest
05 - Ter for soprano voice, violin, viola, cello and clarinet: No. 3, Here I come to the woods
06 - Beuys's Wood for baritone voice, small female choir, clarinet, cello, piano...
07 - Silver Concert for baritone saxophone and orchestra
08 - Elizabethan Suite for traverso, voice and piano: No. 1, Come Again
09 - Elizabethan Suite for traverso, voice and piano: No. 2, Sweetkate
10 - Elizabethan Suite for traverso, voice and piano: No. 3, Out Have / Sighted for him
11 - Elizabethan Suite for traverso, voice and piano: No. 4, Sweet Nymph, Come to Thy Lover
12 - Elizabethan Suite for traverso, voice and piano: No. 5, When Laura Smiles
13 - Adagio Is Beautiful for 16 strings


Notes

Classical: original compositions by Giorgio Gaslini, lyrics by D. Margheriti, M. Bagnoli, W. Shakespeare. 01: Russian National Philharmonic Orchestra of Tomsk; 02 Icarus Ensemble, G. Gaslini Conductor, G. Mareggini flute solo; 03-05 A. Caiello soprano, A. Braga violin,, J. Imperial viola, S. Scotto cello, A. Teora clarinet, G. Gaslini conductor; 06 V. Jansons baritone, G. Ubaldi chorus conductor, Oak Ensemble, R. Bonati conductor; 07 International Orchestra of Italy conductor L. Jia, M. Mazzoni solo sax; 08-12 C. Cely flute and song, G. Gaslini piano; 13 International Symphony Orchestra “F. Fenaroli”, G. Gaslini conductor.

We leave it to the words of the renowned musicologist Quirino Principe, taken from his more detailed critical introduction in the booklet, to musically present this stimulating latest work by Giorgio Gaslini:

"The compositions presented in this CD are an exhilarating confirmation of Maestro Gaslini's qualities, always recognized in an artist whose style is beyond any critical reservation, and whose catalog contains no "minor" works. But the works heard here are also something more: they are great intellectual conceptions, aspiring to the construction of a "macro-form." In Short Symphony for orchestra, which opens the CD, the incipit is already a trauma: the raw irruption of sound, the oxymoron between the fanfare's blast and the mysterious aura whose sonority Gaslini seems to possess the exclusive secret, lead to a path full of twists and unexpected turns, through the unfolding of 12 sequentiae from which the composer asks for the deepest meaning of that scanning of time and nature which are the four seasons. They are explicitly declared not on the front of a section (as happens in other works of the great tradition too well known to need citing), but in internal areas: spring in the third sequence, summer in the seventh, autumn in the tenth, winter in the twelfth and last, perhaps with the enunciation of a subtle and resistant link between Gaslini's Largo (preceded by a cadenza full of tension) and the slow tempo of Vivaldi's Winter.
Naturally, it is a triptych that unites (effortlessly, indeed, "naturaliter" and "iuxta naturam") three works close in time, created within a short two-year period. Beyond the river (2007), a score for flute and 10 instruments that strikes us with the composer's miraculous ability to analyze and merge sounds, themes, and motifs through fast and elusive metamorphoses, opens with a fascinating archaism: the enunciation of the late-medieval melody known in Italy as Lamento di Tristano, immediately clad in iridescent colors, brought back to its nudity, then re-enveloped in polychrome garments. The central section of the triptych, Ter (2008), for soprano voice, violin, viola, and clarinet, develops, in an atmosphere comparable to the poetry of a Hellenistic idyll, along three lyrics on the classically clear verses of the Umbrian poetess Daniela Margheriti: "For centuries I have endured," "And I think of my rest," "Here I come to the woods." The concluding section, Beuys's Wood (2008), prepared, in the composer's strategy and métis, by the third and last of the Ter lyrics, has a sung text, taken from an interview by Marco Bagnoli with the sculptor and painter Joseph Beuys (Krefeld, Thursday, May 12, 1921 – Düsseldorf, Thursday, January 23, 1986). Beuys's figure is, among other things, one of the symbolic experiences of art and thought that motivated the research on Gaslini's music carried out over the years by the aforementioned Lucrezia De Domizio Durini, the scholar who, as we know, dedicated a fundamental book to the Milanese composer. The ensemble chosen for Beuys's Wood is: baritone voice, small female choir, clarinet, cello, piano, percussion. The degree of transfiguration of the word achieved by Gaslini through highly original sonorities in his work explains the great emotion this composition has aroused since its first performance.
The absolute premiere of Silver Concert (1992), which took place at the Rossini Theater in Pesaro on Sunday, September 6, 1992, as part of the 10th World Saxophone Festival, offers us in this CD the singular "concerto for saxophone, baritone, and orchestra," where the dialectic between jazz tradition and classical-romantic tradition is approached according to Gaslini's compositional criteria and poetic style: through a sublimation of their respective connotations, in a peak encounter. The Elizabethan Suite, for traverso, voice, and piano, is a tribute, in the "Brittenesque" manner, to music by British Court composers of the Tudor era (16th century). The CD concludes with a very luminous piece for 16 string instruments: Adagio is beautiful, recorded live here and conducted by Gaslini himself, in Lanciano, on Sunday, August 22, 1999."

The recordings were made in different Italian theaters and historical venues over the last 20 years, and Marco Lincetto, who is also the author of one of these recordings, "Beuys's Wood," carried out a long and painstaking work of remixing and mastering to assemble all these different works into this album.

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SKU: 97307882254

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roys_fishing
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Poor quality switches
Main power switch didn’t work and since I didn’t get a chance to install when I ordered it, I can’t return it! Once again Amazon gets my money.
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Reviewed in the United States on November 28, 2025
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Jeff krevsAmazon Customer
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Highly recommended
This is the BEST harness for side shooters lights . I just wish the switch would light up but Awsome harness
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Reviewed in the United States on January 8, 2023
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SpartanGrad
Charlottesville, US
★★★★★ 5
Can't ask for more from a 7.1 or 5.1.2 receiver
Style: Receiver, Style: Receiver
My previous Yamaha receiver was 10 ys old, and was an entry level 5.1 model (RX-V373). I accidentally fried it by putting my phone's USB connector in. I have been wanting to upgrade for a while the last few yrs but waited it out until receivers have 8k pass through (so whenever 8k becomes more of a thing I can keep this new one a bit longer). The 3773 had 4k pass through when I got it 10 yrs ago, well before 4k became as available as it is now for example, which was one reason I held out on replacing as long as I did. This time around I decided to step up into the premium Aventage line of Yamaha. It was between this & the A4A, not a huge price difference, but I would have needed to replace my entertainment center since the A4A is too deep to fit. Didn't seem worth it & now I'm really happy with my choice. My living room set up (in a condo) has 2 surrounds, to add 2 more would require building mounts on the wall (couch is against the wall with 2 surrounds on side tables) which I don't want. This has 7 channels to allow for 2 Atmos front firing speakers which I got & love how immersive it sounds. Bi-amping the front towers is an option, but that uses 2 extra channels so the Atmos front speakers can't be connected at the same time as bi-amping. I experimented with biamping & biwiring & couldn't hear any difference so I have the fronts biwired, allowing for the 2 Atmos front connections. New features/improvements from my old receiver include more power/watts, lower THD & better sound, streaming music directly from the receiver with Music Cast, and it processes Atmos & DTS audio. One key feature all the Aventage models have that the RX ones don't is the 5th foot in the middle, which was designed & tested to improve the sound with more stabilization. Aventage also has a 3 yr warranty (vs 2 for RX). The top of the line RX model looks identical in specs which I also considered but it just sounds like this 1st Aventage model is slightly better with it its parts & sound quality, and not that much more. Especially since I got the A2A on sale for 999.95 (vs the 1200 price). I actually bought this for 1150 which was a teeny mark down, and then saw Amazon put it on sale for 999.95 shortly after (about 2 weeks). Amazon customer service was great when I called about that, and they credited the difference. Back to the receiver...2 subwoofers can be connected, and an amplifier for the 2 front speakers can be connected as well through pre outs. Probably more improvements but those are the main ones. Along with this receiver upgrade, I also upgraded my subwoofer & added a Nvidia Shield Pro streamer (due to it handling Atmos & 4k upscaling of lower hd content, which my Roku Ultra cannot do). My system now includes Polk TSI 400 front towers Polk CS20 center, Polk T15 surrounds (all of these Polk speakers are from 10 yrs ago as well & still work great for me, they sound better too with this receiver). I added Klipsch R-41SA Atmos front firing speakers, and upgraded from a Polk PSW505 subwoofer to an SVS SB3000 (night & day difference with that upgrade!). Have a Roku Ultra from a few yrs ago, and the Nvidia as well now. The TV also will be upgraded at some point, but I'm perfectly content with it now (is a 7 yrs old 55 inch 4K Sony Bravia). This receiver also processes Dolby Vision which I'd need a new TV for, as well as eArc which this receiver also has. Over time I will continue adding to my set up. A decent record player is next, and a current blu ray player (the one I have is rather old & only has 1080p). Then a new TV & A 2nd sub (will get another SVS SB3000). The last & most expensive upgrade will be the rest of the speakers. From Polk to B&W most likely, but when I get to this I will compare both at the same price point as I am still very impressed with the quality of my Polks for their price point. I also plan to add an amp (Emotiva most likely) to power the fronts. Another reason I was ok with the A2A watts per channel for now (100 with 2 channels driven for music, unsure what it is at 5.1.2 but it's plenty especially with the thunder the SVS sub provides even at low volumes, and the ability to boost dialogue in addition to the center channel. I'd rather get a dedicated amp for more music power than a higher priced receiver just due to more watts. Very pricey to do all of this at once (in particular the speakers & amp), but for now I am thrilled with how much better everything sounds with these phase 1 upgrades. Highly recommend it, if you are coming from an entry level budget receiver this can pump more life into your current speakers.
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Reviewed in the United States on February 17, 2023
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Pawtucket, US
★★★★★ 5
Sounds fantastic and easy to operate
Style: Receiver
I used to sell home audio equipment a long time ago and I love this unit! Nice & clean look, the layout for inputs/output is standard and easy to see and the remote makes sense...well, to me it does lol. I had purchased an O***o unit because it's been good brand for a while...returned it because it was defective but I didn't care for it (you had to be a real audiophile to get into the setup and who has time for that?). The Yamaha is easy to work with and sounds fantastic. Make sure you don't go cheap on the speakers!
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Reviewed in the United States on March 30, 2026
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N. Franke
San Leandro, US
★★★★★ 5
Great when on sale
Style: Receiver
Update: I got a new Sony X90L TV and this receiver just doesn't like that TV or something. I've had at least 4 instances where the TV said there was no signal. The receiver was on and the proper input was selected. If I hit the menu button on the receiver, I could see that. No inputs on the receiver would work. Unplugging the power from the receiver and plugging it back in fixes the problem in every case. Based on my googling, many others have similar problems. Yamaha receivers are generally over priced I've noticed. And they seem to skimp on features, e.g. a receiver with an MSRP of $1000 doesn't have a single analog video input. I got this on sale for $650 and for that I'm quite happy. I had a Denon that I got pretty inexpensively, but I hated the Denon. Things didn't work, it was confusing, didn't sound all that good and didn't do HDMI input switching well. The Yamaha is a far better reliever in every way. It does cost quite a bit more but it's just so much nicer.
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Reviewed in the United States on June 14, 2024

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