The Art of the Two-Handed Sword

The Art of the Two-Handed SwordThe Art of the Two Handed Sword translates one of the latest surviving works on the use of the two handed sword, a Renaissance descendant of the medieval knightly weapon that was equally at home on the battlefield, at tournaments, in the fencing academy, or on the street. The second half of the book provides a clear, practical, detailed guide to its use, as well as to the theory and practice of historical fencing. Francesco Alfieris 1653 Lo Spadone

The Art of the Two-Handed Sword translates one of the latest surviving works on the use of the two-handed sword, a Renaissance descendant of the medieval knightly weapon that was equally at home on the battlefield, at tournaments, in the fencing academy, or on the street. The second half of the book provides a clear, practical, detailed guide to its use, as well as to the theory and practice of historical fencing.

Francesco AlfieriÕs 1653 Lo Spadone (The Two-Handed Sword) provides a Òmissing linkÓ between medieval and modern martial arts. It displays clear continuity with both medieval swordsmanship and the still living still-living traditions of sabre and great stick.

Beginning in the fourteenth century, swords became more sharply pointed in order to pierce the plate armor of the day, and the grip became longer to allow two-handed use for greater power. By the end of the fifteenth Century, the two-hander, as long as a man is tall, had become a fearsome infantry weapon used to break up pike formations and in honor guards defending the standard or banner. It was also used in tournaments, on the field of honor, and for civilian self-defense. This long two-hander was known in Italy as the spadone. Its basic methods have continued to the present day in staff technique.

This is the second printing of the 2012 SKA Swordplay Books first complete English translation of AlfieriÕs book, supplemented by related materials: the MS Riccardiano (c. 1550) and works by Camillo Agrippa (1553), Giacomo di Grassi (1570), and finally Guieseppe Colombani (1711), who provides our last textual reference to the weapon.

AlfieriÕs work is supplemented by Ken MondscheinÕs painstaking reconstruction and adaptation of longsword practice for the present day. He draws on primary sources, martial arts traditions, classical and modern fencing theory, and extensive practical experience to create a practical and enjoyable method for learning and practic-ing the spadone under modern conditions. Numerous photographs illustrate the techniques.