SKU: 17389590393

Ibanez AZ2402TFF AZ Prestige Electric Guitar (Tri Fade Burst Flat)

Sale price$1439.99 Regular price$1599.99
Save 10%

Pay in installments of $400.00 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Aug 17 - Aug 22

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

Ibanez AZ2402TFF AZ Prestige Electric Guitar (Tri Fade Burst Flat)The Ibanez AZ2402 has a lot to offer its comfort, tone, and playability are off the charts. Its balanced sounding alder body boasts comfortable, shallow rear and larger forearm contours. Twin Seymour Duncan Hyperion humbuckers preserve your clarity when youre using distortion, while its dyna MIX10 switching system provides 10 different pickup combinations for an endless array of tones. As far as comfort and stability go, the AZ2402s S Tech wood

The Ibanez AZ2402 has a lot to offer — its comfort, tone, and playability are off the charts. Its balanced-sounding alder body boasts comfortable, shallow rear and larger forearm contours. Twin Seymour Duncan Hyperion humbuckers preserve your clarity when you’re using distortion, while its dyna-MIX10 switching system provides 10 different pickup combinations for an endless array of tones. As far as comfort and stability go, the AZ2402’s S-Tech wood roasted maple neck and fingerboard are second to none. And its Gotoh T1802 tremolo allows you to bend, twist, and dive-bomb with perfect intonation. Complete with luminescent side dots for the ultimate in stage visibility, the Ibanez AZ2402 is a top-shelf instrument.

S-Tech wood roasted maple neck offers stability and durability

The AZ2402’s roasted maple neck was subjected to Ibanez’s S-Tech wood nitrogen-heating treatment, which increases its stability, durability, water resistance, and tolerance to temperature changes. The neck is then sealed with oil, resulting in a well-played feel. And it’s supremely comfortable — its fingerboard edge was finished with a smooth curve that extends through the border between the fingerboard and the neck to the fingerboard itself. Beyond that, this guitar’s AZ oval C-shaped neck fills your hand nicely at the lower frets, while providing a more modern feel when playing up high.

Seymour Duncan Hyperion humbuckers yield an endless array of tones

The Ibanez AZ2402’s Seymour Duncan Hyperion humbuckers are among the most balanced-sounding pickups we’ve heard. These passive humbuckers yield a moderate output and sport Alnico V magnets, which preserve the clarity of your fundamental tone in high-gain situations. You’ll also benefit from a dynamic and clear pick attack. Beyond that, Ibanez’s dyna-MIX10 switching system provides 10 different pickup combinations via a mini toggle and 5-way blade switch. Whatever tone you’re hearing in your head, the AZ2402 can achieve it.

Gotoh T1802 tremolo provides excellent tuning stability

Developed in collaboration with Gotoh, the AZ2402’s T1802 bridge features machined titanium saddles and a solid-steel tremolo block, ensuring quick response and amazing articulation. String skipping and hybrid picking is effortless thanks to narrow string spacing. Loading the guitar’s tremolo arm is a breeze by virtue of the T1802’s snap-and-hold socket, and its arm torque adjuster allows for fine adjustments without any tools. The T1802’s stud lock screws lock the stud bolts in place, enhancing the instrument’s resonance and providing excellent tuning stability. Beyond that, the T1802’s 2-point floating tremolo system achieves an astoundingly smooth tremolo motion in either direction.

Features

  • Balanced-sounding alder body with comfortable, shallow rear and larger forearm contours
  • Seymour Duncan Hyperion humbuckers preserve your clarity in high-gain situations
  • dyna-MIX10 switching system provides 10 different pickup combinations
  • S-Tech wood roasted maple neck and fingerboard offer stability and durability
  • 24 stainless steel frets for extra durability
  • AZ oval “C” neck profile fills your hand nicely down low while providing a more modern feel up high
  • Luminescent side dots give you a great point of reference on dark stages
  • Gotoh T1802 tremolo provides excellent tuning stability

Specifications

  • Number of Strings6
  • Left-/Right-handedRight-handed
Body
  • Body TypeSolidbody
  • Body ShapeAZ Prestige
  • Body MaterialAlder
  • Body FinishFlat Polyester
  • ColorTri-Fade Burst
Neck
  • Neck MaterialS-Tech Roasted Maple
  • Neck ShapeOval C
  • Neck JointBolt-on
  • Radius12"
  • Fingerboard MaterialS-Tech Roasted Maple
  • Fingerboard InlayBlack Dots, Side Dots Luminescent
  • Number of Frets24, Jumbo, Stainless Steel
  • Scale Length25.5"
  • Nut Width1.653"
  • Nut MaterialBone
Hardware
  • Bridge/TailpieceGotoh T1802 Tremolo
  • TunersGotoh Magnum Locking, Height Adjustable Posts
Electronics
  • Neck PickupDuncan Hyperion Humbucker
  • Bridge PickupDuncan Hyperion Humbucker
  • Controls1 x master volume, 1 x master tone
  • Switching1 x Alter mini-switch (dyna-MIX10 switching system), 5-way blade pickup switch
Miscellaneous
  • StringsD'Addario, .010-.046
  • Case/Gig BagHardshell Case
  • Manufacturer Part Number:AZ2402TFF
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 17389590393

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.2 ★★★★★
Based on 29 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
W
Verified Purchase
william mont
Lexington, US
★★★★★ 5
Superman stories from the fifties
Format: Paperback
A collection of Superman stories, I haven’t seen in decades. Wonderful.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 16, 2021
T
Verified Purchase
Troy A. Garcia
Louisville, US
★★★★★ 5
Excellent superman action
Format: Paperback
Good stuff from end of the golden.age to silver age
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 5, 2021
R
Verified Purchase
Ryan of the East Coast
Grantham, US
★★★★★ 5
Source material for Nolan's trilogy is powerful writing and art...
Format: Paperback
The Long Halloween is great, but I actually had more fun reading through Dark Victory. It's a crime mystery that consistently had me guessing through to the conclusion about who The Hangman's true identity was. What I really loved most was the evolution of the characters' personalities--from Jim Gordon to Harvey Dent to Bruce (who really is more in his iconic "Batman" persona here)--that began in Batman: Year One to Batman: The Long Halloween and into Batman: Dark Victory. It really does work like a trilogy. It's also notable to include Gotham city's underworld itself as a character of its own. Batman begins (pardon the pun) in Year One with a quest to sort of rid the city of the mafia, which is and has been the main criminal body up until this point. In The Long Halloween, the mafia begins to lose power because of the rise of the Batman's presence. During that time, some of the most insane and dangerous criminals escape Arkham Asylum and begin quietly terrorizing the city anew, spreading like a virus. Slowly, the "freaks"--as the mafia calls them--start to gain more and more power by simply being a more unorganized crime source (as opposed to organized crime). Characters like Pamela Isley, Solomon Grundy, Mr. Freeze, the Penguin, Scarecrow, the Joker, and others, establish and strengthen their grips on Gotham's criminal underworld. It's nice that these villains--these "freaks"--also aren't the main conflict in Dark Victory (or The Long Halloween or Year One, for that matter); they appear when it is effective for them to appear, slowly taking more prominence in the setting of the story as it progresses. The main conflict has to deal with the solving of the mysteries behind The Hangman killings. The Long Halloween and Dark Victory are, primarily, crime mysteries, which is what makes them interesting. What makes them great literature, however, is the creative team that is Jeph Loeb and Tim Sale. Loeb's writing is really well-crafted here: the entire arc unfolds at a consistent pace and he balances out dialogue with Batman's internal narration very smoothly. And, as I mentioned previously, personality and narrative arcs of the main characters (Gordon, Batman, and Dent) have fully matured by this point in the trilogy, leaving the supporting characters a chance to evolve and come into their own. Much of these progressions are not just depicted by the writing, however; Tim Sale (who worked previously with Loeb on The Long Halloween) elevates and perfects his artwork in this story. There's not a change in the look of the characters, so you know it's definitely his style, but you sense immediately (especially if reading Dark Victory right after finishing The Long Halloween) the new level of attention paid to composition of the drawings. Shadows and silhouettes, contrasts between setting and characters, everything adds to the mood and atmosphere of the characters and the scenes they're a part of. In terms of the print itself, the paperback is excellent. This and The Long Halloween have really nice paper, which I'll catch myself sometimes randomly sniffing in the middle of a read to enjoy the new paper smell. The ink is really crisp, the colors pop, and the design of the book itself is laid out very clearly. There aren't page numbers or a contents page, but every issue is separated by chapter pages that include gorgeous, high-contrast artwork to help distinguish which issue you're on. Additionally, the print comes with an introduction by David S. Goyer, who co-wrote the Nolan film trilogy. Overall, I can't stress enough how gorgeous this trade paperback is and how excellent and top-tier this story arc is. I really enjoyed it just as much, if not more so, then The Long Halloween. No other Batman story arc has topped my enjoyment of this particular trilogy. Highly recommended in addition to Batman: Year One and Batman: The Long Halloween.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 9, 2019
K
Verified Purchase
Kris
Battle Creek, US
★★★★★ 5
I love this comic book!
Format: Paperback, Format: Paperback
I love DC comics and obviously the Batfam are some of the most well known and loved characters within the DC universe. I love the art style and story in this comic. If you are debating whether or not to purchase this comic, DO IT!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 23, 2025
A
Verified Purchase
Alex Lamberd
Dallas, US
★★★★★ 5
One of the best Bat stories that I've read.
Format: Paperback
Coming off from The Long Halloween, Jeff Loeb and Tim Sale give us the sequel to their popular story tale in which we see Batman go at it with another year long mystery, while also giving us an origin story for the first Robin, Dick Grayson. After reading this book, I have come away having with even more love of the Dark Knight's mythology, while coming to see this as my favorite Batman story that I have read, even if it doesn't stand as well on its own. ON the narrative side of things, Loeb delivers a story fairly similar to the one he gave in The Long Halloween, though I feel this one is a bit more polished than Halloween was. Some have said that the retreading of plot structure have limited the way Loeb's later works are read, but I myself have no problem with it (for the most part), Loeb manages to do enough differently that you don't feel like you're reading the exact same story. The real big negative I'd have to give this graphic novel is that it really doesn't stand as well by itself than if you had read The Long Halloween. While I myself read that story before coming in to this one, I did see many connections that I would assume would through off any newcomers who hadn't read the prior story. But I will say that this is the story that had me invested the most emotionally. Without giving away any spoilers, that last page in the novel gave me such a cathartic experience that I really came to appreciate certain aspects of the Dark Knight's mythology, and how themes of loneliness were touched upon in a very genuine way. Looking at the art for the novel, Sale's work has improved much from The Long Halloween. I always mention in reviews concerning Sale that I was originally not a fan of his art, but after going through his work, you can't help but admire the level skill he manages to put in his drawings. There is a very big noir feeling in this novel (a plus for ) that is just delivered so well that any preferences in art I may have against Sale are put away in admiring the way he plays with lighting in the story. My biggest complaint for the art, which is a more of a personal thing really, is that I do not like the "pixie" costume they gave Robin (which is his default costume that many would associate him with). I have never really liked this costume, probably never will, but again, this is just me. Overall, I would say I really enjoyed the novel and would have to recommend it to any fans of the Batman (although I'd make sure you have read The Long Halloween first). This has come to be one of my most favorited Batman stories I've read, and I hope others will receive the same level of satisfaction that I have.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 22, 2014

recommand products