SKU: 62139228028

叫不動!? 不催不趕,養出主動小孩

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Description

叫不動!? 不催不趕,養出主動小孩Carolyn Crowder, Ph. D. Backtalk Dr. Oscar Christensen, Ed. D Carolyn Crowder, Ph. D. BacktalkWhining

作者:Carolyn Crowder, Ph.D.|譯者:呂素美


爸媽不爆走,孩子行為更正向
全美暢銷書《Backtalk》作者精采力作
阿德勒個體心理學在親職教育上的最佳運用
讓每天上演的親子大戰劃下休止符!

  大多數父母在孩子出現不當行為時,就會落入既定的反應模式裡,往往缺乏對策,只是單純做出回應,而且還常是不一致的,不是處罰就是讓孩子我行我素,不然就用賄賂的方式來處理。

  本書讓爸媽學會洞察:
  ◎為何嘮叨、提醒、哄騙、賄賂,對孩子都起不了作用?
  ◎如何打破爭辯、威脅和處罰的惡性循環?
  ◎建立一個嶄新的、更有執行成效的作息和互動模式。
  ◎結束親子戰爭需要的應變技巧和正確觀念。

名家專業推薦

  本書強調的是在日常情境中以及用非懲罰的方式,父母可以如何教育孩子,使孩子成為勇於負責、付出的人。──Dr. Oscar Christensen, Ed.D 阿德勒派家庭諮商專家

  我深信這本書所提出的親子相處之道是有效的,要做一個對孩子有鼓勵與影響力的父母,有時光有愛心是不夠的。營造孩子對家的歸屬感,孩子才有機會學會勇敢與自信地面對生活中的挑戰。──高淑貞 彰化師範大輔導與諮商學系教授

  作者幫助父母考量自己與孩子的性格特質,試著用多元的方式與孩子互動,避開衝突的發生點。親子互動是一門藝術,父母不要忘了提醒自己,孩子並不是唯一的衝突製造者,請改變一下自己,不再用情緒來教育我們的孩子。──吳佑佑 長庚兒童醫院心智科兼任主治醫師、宇寧身心診所院長

  書中的例子,活脫脫的就是家中寶貝的翻版。閱讀時除了噗哧一笑,你能更掌握自己在面對孩子不聽話或吵鬧時,如何平心靜氣的處理和面對。──廖筱君 資深媒體人

 
 

作者介紹

作者簡介

Carolyn Crowder, Ph.D.


  擁有諮商輔導博士學位的親職教育專家,她給父母的建議因合情合理、切合實際而深獲好評。

  她觀察到親子之間最根本的僵局,常圍繞在吃飯、睡覺和起床這類事情上面,因此致力幫助父母找到最有效的方式以避免親子戰爭。

  她同時帶領特殊教育系的學生,在亞利桑納州立小學輔導特殊孩子。著有全美暢銷書《頂嘴》(Backtalk),也是《愛哭》(Whining)一書的共同作者。
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SKU: 62139228028

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4.1 ★★★★★
Based on 11 reviews
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Verified Purchase
william mont
Charlottesville, US
★★★★★ 5
Superman stories from the fifties
Format: Paperback
A collection of Superman stories, I haven’t seen in decades. Wonderful.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 16, 2021
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Troy A. Garcia
Chelsea, US
★★★★★ 5
Excellent superman action
Format: Paperback
Good stuff from end of the golden.age to silver age
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 5, 2021
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Ryan of the East Coast
Lexington, US
★★★★★ 5
Source material for Nolan's trilogy is powerful writing and art...
Format: Paperback
The Long Halloween is great, but I actually had more fun reading through Dark Victory. It's a crime mystery that consistently had me guessing through to the conclusion about who The Hangman's true identity was. What I really loved most was the evolution of the characters' personalities--from Jim Gordon to Harvey Dent to Bruce (who really is more in his iconic "Batman" persona here)--that began in Batman: Year One to Batman: The Long Halloween and into Batman: Dark Victory. It really does work like a trilogy. It's also notable to include Gotham city's underworld itself as a character of its own. Batman begins (pardon the pun) in Year One with a quest to sort of rid the city of the mafia, which is and has been the main criminal body up until this point. In The Long Halloween, the mafia begins to lose power because of the rise of the Batman's presence. During that time, some of the most insane and dangerous criminals escape Arkham Asylum and begin quietly terrorizing the city anew, spreading like a virus. Slowly, the "freaks"--as the mafia calls them--start to gain more and more power by simply being a more unorganized crime source (as opposed to organized crime). Characters like Pamela Isley, Solomon Grundy, Mr. Freeze, the Penguin, Scarecrow, the Joker, and others, establish and strengthen their grips on Gotham's criminal underworld. It's nice that these villains--these "freaks"--also aren't the main conflict in Dark Victory (or The Long Halloween or Year One, for that matter); they appear when it is effective for them to appear, slowly taking more prominence in the setting of the story as it progresses. The main conflict has to deal with the solving of the mysteries behind The Hangman killings. The Long Halloween and Dark Victory are, primarily, crime mysteries, which is what makes them interesting. What makes them great literature, however, is the creative team that is Jeph Loeb and Tim Sale. Loeb's writing is really well-crafted here: the entire arc unfolds at a consistent pace and he balances out dialogue with Batman's internal narration very smoothly. And, as I mentioned previously, personality and narrative arcs of the main characters (Gordon, Batman, and Dent) have fully matured by this point in the trilogy, leaving the supporting characters a chance to evolve and come into their own. Much of these progressions are not just depicted by the writing, however; Tim Sale (who worked previously with Loeb on The Long Halloween) elevates and perfects his artwork in this story. There's not a change in the look of the characters, so you know it's definitely his style, but you sense immediately (especially if reading Dark Victory right after finishing The Long Halloween) the new level of attention paid to composition of the drawings. Shadows and silhouettes, contrasts between setting and characters, everything adds to the mood and atmosphere of the characters and the scenes they're a part of. In terms of the print itself, the paperback is excellent. This and The Long Halloween have really nice paper, which I'll catch myself sometimes randomly sniffing in the middle of a read to enjoy the new paper smell. The ink is really crisp, the colors pop, and the design of the book itself is laid out very clearly. There aren't page numbers or a contents page, but every issue is separated by chapter pages that include gorgeous, high-contrast artwork to help distinguish which issue you're on. Additionally, the print comes with an introduction by David S. Goyer, who co-wrote the Nolan film trilogy. Overall, I can't stress enough how gorgeous this trade paperback is and how excellent and top-tier this story arc is. I really enjoyed it just as much, if not more so, then The Long Halloween. No other Batman story arc has topped my enjoyment of this particular trilogy. Highly recommended in addition to Batman: Year One and Batman: The Long Halloween.
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Reviewed in the United States on June 9, 2019
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Kris
New York, US
★★★★★ 5
I love this comic book!
Format: Paperback, Format: Paperback
I love DC comics and obviously the Batfam are some of the most well known and loved characters within the DC universe. I love the art style and story in this comic. If you are debating whether or not to purchase this comic, DO IT!
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Reviewed in the United States on December 23, 2025
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Alex Lamberd
Louisville, US
★★★★★ 5
One of the best Bat stories that I've read.
Format: Paperback
Coming off from The Long Halloween, Jeff Loeb and Tim Sale give us the sequel to their popular story tale in which we see Batman go at it with another year long mystery, while also giving us an origin story for the first Robin, Dick Grayson. After reading this book, I have come away having with even more love of the Dark Knight's mythology, while coming to see this as my favorite Batman story that I have read, even if it doesn't stand as well on its own. ON the narrative side of things, Loeb delivers a story fairly similar to the one he gave in The Long Halloween, though I feel this one is a bit more polished than Halloween was. Some have said that the retreading of plot structure have limited the way Loeb's later works are read, but I myself have no problem with it (for the most part), Loeb manages to do enough differently that you don't feel like you're reading the exact same story. The real big negative I'd have to give this graphic novel is that it really doesn't stand as well by itself than if you had read The Long Halloween. While I myself read that story before coming in to this one, I did see many connections that I would assume would through off any newcomers who hadn't read the prior story. But I will say that this is the story that had me invested the most emotionally. Without giving away any spoilers, that last page in the novel gave me such a cathartic experience that I really came to appreciate certain aspects of the Dark Knight's mythology, and how themes of loneliness were touched upon in a very genuine way. Looking at the art for the novel, Sale's work has improved much from The Long Halloween. I always mention in reviews concerning Sale that I was originally not a fan of his art, but after going through his work, you can't help but admire the level skill he manages to put in his drawings. There is a very big noir feeling in this novel (a plus for ) that is just delivered so well that any preferences in art I may have against Sale are put away in admiring the way he plays with lighting in the story. My biggest complaint for the art, which is a more of a personal thing really, is that I do not like the "pixie" costume they gave Robin (which is his default costume that many would associate him with). I have never really liked this costume, probably never will, but again, this is just me. Overall, I would say I really enjoyed the novel and would have to recommend it to any fans of the Batman (although I'd make sure you have read The Long Halloween first). This has come to be one of my most favorited Batman stories I've read, and I hope others will receive the same level of satisfaction that I have.
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Reviewed in the United States on April 22, 2014

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