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Description
Interaction - c1349730305515 (#INTERACTION_02)About: A series of highly visual designs by digital artist and programmer Robert Allison. "Interaction: A set of random colours, and a set of similar colours, produce plumes of interaction as they are crossed pairwise in each generation. 9 results arranged on each piece" In Robert's work individual colours are defined as 'genetic sequences', realised digitally as a string of 1s and 0s. Each is a kind of 'creature', encoded by a binary DNA, but then
About: A series of highly visual designs by digital artist and programmer Robert Allison. "Interaction: A set of random colours, and a set of similar colours, produce plumes of interaction as they are crossed pairwise in each generation. 9 results arranged on each piece" In Robert's work individual colours are defined as 'genetic sequences', realised digitally as a string of 1s and 0s. Each is a kind of 'creature', encoded by a binary DNA, but then expressed as the usual RGB or HSV colour-map values. Because of this representation, colours can be mutated and crossed with each other within the computer to form new variations. Oversized pixels, rastered onto the image plane, are used to record these colours as they are created.
Visualising these operations shows how richness and complexity can emerge from simple processes iterated to a massive scale. The potential of the purely computational, the mechanistic, is explored as it approaches the boundary with the natural, the tactile, the 'real'.
Each series investigates a different combination of techniques, rendered for effect. The pieces are randomly seeded, and are a unique result from the process they express. They are titled by their 'Unix timestamp' - the exact time of creation recorded as the number of milliseconds since 00:00:00 UTC 1st January 1970.
Medium: A range of designs printed onto a canvas and stretched over a chunky box frame
Visualising these operations shows how richness and complexity can emerge from simple processes iterated to a massive scale. The potential of the purely computational, the mechanistic, is explored as it approaches the boundary with the natural, the tactile, the 'real'.
Each series investigates a different combination of techniques, rendered for effect. The pieces are randomly seeded, and are a unique result from the process they express. They are titled by their 'Unix timestamp' - the exact time of creation recorded as the number of milliseconds since 00:00:00 UTC 1st January 1970.
Medium: A range of designs printed onto a canvas and stretched over a chunky box frame
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4.5 ★★★★★
Based on 21 reviews
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Product Reviews
★★★★★ 1
Worthless junk
Number of Items: 1, Number of Items: 1
Total absolute worthless crap. Does nothing to faded plastic. Looks nice wet after application, but bext day there is NO DIFFERENCE on the plastic apearance. See photo
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Reviewed in the United States on June 1, 2026
★★★★★ 5
Good
Number of Items: 1
Make car look much better.
Sponge is too small and hard.
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Reviewed in the United States on May 17, 2026
★★★★★ 3
Trial and error !
Number of Items: 1
Just used and had to apply a second coat
And still some sun bleached spots still bless through !
I don’t recommend !
P.S.
my vehicle is only five years old ! So it’s not like it’s been sun bleached for ten or fifteen years
But having said that ,
For the rubber gaskets around the windows and inside track on the bottom that is black as well
And gets dirty all the time , this product works great !
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Reviewed in the United States on September 7, 2025
★★★★★ 5
Works great!!!
If you are a car enthusiast, you need this product. It's works as described and gives any vehicle a great appearance.
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Reviewed in the United States on April 22, 2026
★★★★★ 5
Product review
Good product.
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Reviewed in the United States on April 17, 2026