SKU: 87289473964

SUMO

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Description

SUMOIn SUMO, you try to use card play to push your opponent from the game. To set up, place the sumo wrestlers card in the center of the sumo ring. (The sumo ring has only three positions: left, center, and right.) One player sits on the left of the ring, the other on the right. Deal each player a hand of eight cards from a deck that contains 20 cards: 1 5 in four suits. Each player plays and reveals a card, with the high card playing first in the first

In SUMO, you try to use card play to push your opponent from the game.

To set up, place the sumo wrestlers card in the center of the sumo ring. (The sumo ring has only three positions: left, center, and right.) One player sits on the left of the ring, the other on the right. Deal each player a hand of eight cards from a deck that contains 20 cards: 1-5 in four suits.

Each player plays and reveals a card, with the high card playing first in the first trick; if the cards are tied, repeat this action until one player wins or all eight cards have been revealed, in which case you shuffle and re-deal.

The first player plays a card, then the other player must follow suit, if possible. If the second player is off suit, the first player wins; if not, whoever played the higher card wins. In either case, the winner pushes the sumo wrestlers card away from them, then leads to the next trick.

If the sumo wrestlers are ever pushed out of the ring, the pusher wins the game. If this doesn't happen, the winner of the final trick wins the game. However, a player can win earlier through one of three "sumo moves":

Abise-taoshi: Crushing the opponent with your weight, which in game terms means playing a 4 in the same color after a lead 1. Hikiotoshi: Using the opponent's momentum to knock them down, which in game terms means playing a 1 in the same color after a lead 5. Wucchari: Throwing your opponent out of the ring, which happens should you play an off-color 2 when the sumo wrestlers card is on the edge of the ring near you.
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SKU: 87289473964

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4.6 ★★★★★
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Verified Purchase
Denise Williams
Fort Morgan, US
★★★★★ 5
Five Stars
Format: Paperback
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Reviewed in the United States on April 10, 2018
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Verified Purchase
luvgrdane
Belleville, US
★★★★★ 4
Magic City poetry series
Format: Paperback
This book was recommended to me to add to my poetry collection. It is a book that you can pick up and read a few poems and then put down to try to think of the meaning. It is written very well. Just takes a bit of thinking to understand.
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Reviewed in the United States on February 25, 2013
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Lee Ann Roripaugh
San Leandro, US
★★★★★ 5
Down Home Blues
Format: Paperback
Magic City remains, perhaps, my favorite volume out of Yusef Komunyakaa's distinguished body of work. With his characteristic blues and jazz-inflected lyricism, Komunyakaa revisits the harrowing violence and racism of the deep south as viewed through a piercingly translucent prism of personal memory. The poems making up this volume are in many respects a poetry of witness, and the eyes through which which this gritty psychic landscape is revealed to the reader penetrate various scenes of troubled family life, poverty, violence and racism with a razor-sharp clarity rife with anger, sorrow, and beauty. Ranging in age from childhood to young adulthood, the speakers, or witnesses, in these poems see through eyes that are simultaneously innocent and jaded, naive and urbane, unflinchingly tough and lyrically sensitive. These are unforgettable poems. Like good blues, they cut right down to the bone.
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Reviewed in the United States on April 21, 2002
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Silvia
Lexington, US
★★★★★ 4
Four Stars
Format: Paperback
took a little longer than I expected but overall good quality for a used book .
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Reviewed in the United States on September 24, 2014
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R. H. White
Los Angeles, US
★★★★★ 4
Unblinking portrait of a childhood in the Jim Crow South
Format: Paperback
Komunyakaa, who won the Pulitzer Prize for his Neon Vernacular, here writes about his childhood in a Louisiana town. The poems are poignant but unsentimental: the child's world has a certain kind of innocence but is saturated with violence, from the Klan to his father's abuse of his mother to the pragmatic violence of slaughtering a hog. One of the more exciting elements of this book is Komunyakaa's skill in combining realistic description with startling and even puzzlingly abstract language.
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Reviewed in the United States on February 26, 2000

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