SKU: 9034473458

Hercules DS513BB 2 Trumpets or Cornets + 1 Flugelhorn Stand

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Description

Hercules DS513BB 2 Trumpets or Cornets + 1 Flugelhorn StandHercules DS513BB Trumpet Cornet Flugelhorn Stand Overview The Hercules DS513BB is a multi instrument stand designed to hold two trumpets or cornets plus one flugelhorn on three velvet covered pegs, with a height adjustable center post and swivel legs for stable placement on crowded stages, in pits, or in teaching studios. This stand is brand new in original packaging and includes a carrying bag for transport and storage. Hercules DS513BB Trumpet

Hercules DS513BB Trumpet/Cornet/Flugelhorn Stand Overview

The Hercules DS513BB is a multi-instrument stand designed to hold two trumpets or cornets plus one flugelhorn on three velvet-covered pegs, with a height-adjustable center post and swivel legs for stable placement on crowded stages, in pits, or in teaching studios. This stand is brand new in original packaging and includes a carrying bag for transport and storage.

Hercules DS513BB Trumpet/Cornet/Flugelhorn Stand Specifications

  • Instrument capacity: 2 Trumpets or Cornets + 1 Flugelhorn
  • Pegs: 3 detachable velvet-covered instrument pegs
  • Height adjustment: Height adjustment lever
  • Leg design: Solid swivel legs; folds compactly
  • Height: 350 mm (13.8 in.)
  • Base radius: 260 mm (10.2 in.)
  • Folded size: 138 mm x 96 mm x 338 mm (5.4 in. x 3.8 in. x 13.3 in.)
  • Load capacity: 15 kg (33.1 lbs.)
  • Weight: 1.18 kg (2.6 lbs.)
  • Case: Carrying bag included

Condition 

Brand new in original packaging

Who the DS513BB Trumpet/Cornet/Flugelhorn Stand is For

The DS513BB is a height-adjustable, multi-horn floor stand for players who need secure, organized access to two trumpets or cornets and one flugelhorn in a compact footprint. It is designed for working musicians, educators, and doublers who move between instruments during rehearsals, services, and gigs and want a stable stand that fits around other equipment.

Three velvet-covered pegs help protect instrument finishes at contact points, while swivel legs provide placement flexibility on tight stages and fold down for compact transport. The detachable peg design supports easier packing, storage, and display when space and setup time matter.

Common Questions about the Hercules DS513BB

How many instruments does the Hercules DS513BB hold?

The DS513BB holds three instruments total: two trumpets or cornets plus one flugelhorn on three velvet-covered pegs.

Is the DS513BB stable enough for professional stage use?

Yes. The DS513BB uses solid swivel legs and a wide 260 mm base radius for stability, and it is rated for a 15 kg (33.1 lbs.) load capacity.

Is it easy to transport?

Yes. The pegs detach from the base, the legs fold compactly, and a carrying bag is included. Folded size is 138 mm x 96 mm x 338 mm (5.4 in. x 3.8 in. x 13.3 in.).

We are proud to be an authorized Hercules dealer

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SKU: 9034473458

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4.7 ★★★★★
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Verified Purchase
David R. Papke
Natrona Heights, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Grantham, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Omaha, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Fort Morgan, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
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Verified Purchase
Classics professor
Boise, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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