SKU: 95268721838

IN PERSON CLASS: Plants + Shapes: Applique and Embroidery

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Description

IN PERSON CLASS: Plants + Shapes: Applique and EmbroideryLets mix and match fabric and embroidery! Learn how to applique abstract fabric shapes and plants with fiber artist Melissa Galbraith of MCreativeJ. This two hour, hands on workshop will cover basic applique and beginner friendly embroidery stitches like the running stitch, satin stitch, back stitch, and button hole stitch. Each participant will receive a full class kit that includes an embroidery hoop, cotton fabrics, full skeins of embroidery

Let’s mix and match fabric and embroidery! Learn how to applique abstract fabric shapes and plants with fiber artist Melissa Galbraith of MCreativeJ. This two-hour, hands-on workshop will cover basic applique and beginner-friendly embroidery stitches like the running stitch, satin stitch, back stitch, and button hole stitch.

Each participant will receive a full class kit that includes an embroidery hoop, cotton fabrics, full skeins of embroidery thread, embroidery needle, sewing pins, backing materials, and printed instructions.

 

About the Instructor

Melissa Galbraith is the fiber artist behind MCreativeJ. She was born and raised in the desert of Washington state, where her mother instilled a love of making things by hand at an early age. Drawing on her love of nature, Melissa creates whimsical and modern embroidery patterns and kits. She loves sharing how anyone can embroider with her embroidery kits, patterns, and virtual workshops.

Melissa was reintroduced to hand embroidery after finding her desk job monotonous and needing a creative outlet. She loves that embroidery allows her to play with texture and color and is also a portable craft. Along the way, many crafty minded makers also wanted to learn how to embroider too but were daunted by where to start. So Melissa began to share her embroidery knowledge.

Melissa's embroidery kits and patterns make it easy to learn a new craft for makers of all skill levels. She loves seeing makers fall in love with the needle arts and seeing that magical ah-ha moment of learning something new.

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SKU: 95268721838

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4.5 ★★★★★
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Verified Purchase
Wilbur F. Pierce
Lake Worth, US
★★★★★ 5
An Excellent Choice
Format: Paperback
Excellent introduction, notes and translation.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 8, 2017
D
Verified Purchase
David Lemberg
Bozeman, US
★★★★★ 5
Five Stars
Format: Paperback
Professor Cornford's translation with running commentary is definitive.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 5, 2015
J
Jordan Bell
Phoenix, US
★★★★★ 5
Plato's dialogue about the physical world
Format: Paperback
The two biggest topics in the Timaeus are astronomy and the elements of bodies, which are constructed using triangles and the tetrahedron, octahedron, icosahedron, and cube. I would like to see a translation of the Timaeus that uses it as a way to introduce all the astronomy that appears in the dialogue. Introducing the astronomy does not mean just talking in words about spheres or the zodiac or the ecliptic, but actually explaining how these were used by astronomers. Cornford has much to say, but to someone who has not learned any Greek astronomy his commentary will be opaque and hard to use. I didn't know the astronomy well enough to readily understand Cornford's explanations. I plan to learn more classical Greek astronomy, perhaps using Evans' , and then read Waterfield's translation of the Timaeus . Before reading this you should have read the Republic and know some classical Greek natural philosophy, mathematics, and astronomy. Although Cornford's commentary makes the dialogue staccato, I am glad for it because I wouldn't otherwise have understood much of what Plato says. The Timaeus and the Parmenides are the two dialogues of Plato that one needs commentary to understand; the Parmenides demands the commentary because so much of what is happening depends on the original language, and the Timaeus demands the commentary because of all the things the reader is supposed to be familiar with. The following is a list of topics I kept while reading the dialogue: theory of Forms 27d-28a, 51a-52a; harmonics 35b-36b; time 37c-38e, 39b-e; vision 45b-46c, 67c-68d; space 52b; surfaces 53c; weight 62d-63e; sound 67a-67c; physiology 70c-79e, 80d-86a; antiperistasis 79e-80c.
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Reviewed in the United States on December 12, 2015
S
Steve Lookner
Louisville, US
★★★★★ 4
Helpful, but Waterfield is better for an intro
Format: Paperback
This is basically a scholarly paragraph-by-paragraph commentary on the Timaeus. It's really good for what it is, but I don't recommend it as your first introduction to the Timaeus -- rather, I recommend Waterfield: http://www.amazon.com/Timaeus-Critias-Oxford-Worlds-Classics-ebook/dp/B006NTMD16 A problem with using Cornford as an introduction is that he comments on everything, and it's hard to figure out what the main themes are. I tried reading Cornford as an intro and gave it up, but once I'd read Waterfield I found Cornford extremely helpful both in elucidating passages further than Waterfield does, and in interpreting passages Waterfield doesn't cover. So if you're looking to learn about the Timaeus, I'd suggest Waterfield first and Cornford second (or Cornford alongside Waterfield).
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Reviewed in the United States on February 24, 2014
B
Brian Chrzastek
Houston, US
★★★★★ 5
Cornford's running commentary is arguably the best suited to fulfill this desire
Readers of any of Plato's works are bound to feel they might profit from various commentaries. His Timaeus, in particular, may be said to elicit such a hope because of number and intricacy of its details. Cornford's running commentary is arguably the best suited to fulfill this desire: it helps make clear the integrity of the dialogue as a whole and illumines the specific points along the way. Although this work is certainly dated, originally published in 1937, it is certainly one of the best full commentaries on the Timaeus.
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Reviewed in the United States on November 4, 2014

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