SKU: 40341136362

Emporio Armani Virgin Wool Geribbelde Halfzip Trui Zwart

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Emporio Armani Virgin Wool Geribbelde Halfzip Trui ZwartEmporio Armani Halfzip Wollen Trui Deze Emporio Armani halfzip trui is gebreid uit scheerwol, een fijne, lichtgewicht wolkwaliteit die het merk vaker gebruikt voor zijn geribbelde knitwear vanwege de zachte handfeel zonder dat de stof prikt. De halsafwerking is een opstaande kraag met een halfzip sluiting, waardoor de hoogte van de kraag zelf is aan te passen: volledig dichtgeritst oogt de trui bijna als een coltrui, terwijl een open rits meer ruimte

Emporio Armani Halfzip Wollen Trui

Deze Emporio Armani halfzip trui is gebreid uit scheerwol, een fijne, lichtgewicht wolkwaliteit die het merk vaker gebruikt voor zijn geribbelde knitwear vanwege de zachte handfeel zonder dat de stof prikt. De halsafwerking is een opstaande kraag met een halfzip-sluiting, waardoor de hoogte van de kraag zelf is aan te passen: volledig dichtgeritst oogt de trui bijna als een coltrui, terwijl een open rits meer ruimte rond de hals geeft. Het hele model is in een fijne rib gebreid, een textuur die zowel over het lijf als bij de manchetten en de onderzoom doorloopt en de trui zijn herkenbare, structuurrijke uitstraling geeft. De lange mouwen sluiten af met geribbelde manchetten die nauw om de pols vallen, terwijl de onderzoom diezelfde ribstructuur gebruikt om de trui op zijn plek te houden zonder een extra elastische band. Deze Emporio Armani trui onderscheidt zich van een gewone coltrui doordat de halfzip-sluiting een graad aan flexibiliteit toevoegt die een vaste rolkraag niet heeft, vooral praktisch op dagen waarop een volledig dichte kraag te warm aanvoelt. De diepzwarte kleur is egaal door het breiwerk gevoerd, zonder kleurverschil tussen de ribbels en de vlakkere delen van de trui. Emporio Armani gebruikt dit soort scheerwol vaak in zijn herfst-wintercollecties, waar de stof voldoende isoleert als middellaag onder een jas zonder log aan te voelen. Wie een trui zoekt die net wat formeler oogt dan een hoodie maar losser dan een klassieke coltrui, vindt in deze Emporio Armani halfzip trui een tussenoplossing.

Qua maattabel valt deze Emporio Armani trui normaal, in lijn met de slank-tot-regular snit die het merk voor zijn geribbelde knitwear aanhoudt. Over de schouders en de borst ligt de wol close tegen het lichaam zonder te knellen, een silhouet dat de rib-structuur optisch laat uitkomen in plaats van te verdwijnen in een ruimere snit. Scheerwol van deze kwaliteit heeft beperkte rek, dus de trui veert niet sterk mee bij beweging, maar de fijne rib compenseert dat deels door zijn elastische breistructuur bij hals, manchetten en zoom. Bij twijfel tussen twee maten is een maat groter aan te raden als je de trui liever iets losser over een overhemd draagt, want de slanke snit kan anders snel strak aanvoelen op de borst. Was de trui op een laag programma of bij voorkeur met de hand, omdat scheerwol bij hogere temperaturen kan vervilten en de ribstructuur blijvend kan vervormen.

Onder een donkere overjas met een rechte broek in antraciet en suède chelsea boots werkt deze Emporio Armani trui net zo verzorgd als een overhemd, maar met meer warmte voor de koudere maanden. De halfzip-kraag is het detail waarmee je de trui in een paar seconden van casual naar net iets gekleder aanpast. Een trui die zich aanpast aan de temperatuur van de dag is precies waarom dit model nu een logische keuze is.

Giorgio Armani brak in 1980 internationaal door met de kostuums voor de film American Gigolo, waarin Richard Gere de ongestructureerde, losvallende kleding van het merk droeg en daarmee de Italiaanse vertaling van elegantie wereldwijd op de kaart zette. Diezelfde nadruk op silhouet boven stijfheid vormt de basis van Emporio Armani, het toegankelijkere zusterlabel dat sinds 1981 dezelfde filosofie vertaalt naar dagelijkse stukken zoals deze halfzip trui.

Shop de nieuwste items uit de Emporio Armani-collectie bij The Gentlemen's Vault.

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Tim M.
Phoenix, US
★★★★★ 5
Great gift idea!
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Always a great gift for anyone and easy to purchase and redeem.
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Reviewed in the United States on May 12, 2026
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Madison
Lowell, US
★★★★★ 5
Quick delivery, Naturally a great and easy gift.
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Always a great way to say thank you.
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Reviewed in the United States on June 6, 2026
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Daniel Myers
Battle Creek, US
★★★★★ 5
A Foundling's Felicity
This book or novel or whatever you may deem fit to call it has so many points in its favour that it's difficult to know where to begin. I think a rundown of a few of the myriad of characters that delight me personally might do for starters: Tom Jones - A young fellow with many "imperfections" if so they may be called, but a robust fellow with a "good heart." Prudence and what is commonly called virtue are not his strong suit - But may I remind the reader that virtue comes from the Latin word for "manliness"- Tom is certainly possessed of the word's etymological origins, if not of its modern usage (particularly in amorous matters)--And a good thing too, or we should have no story here to delight us! Squire Western- Another rambunctious character, who, for me, typifies all that is Eighteenth Century England. Every time he appeared in this book, whether it was to comment on wenching, wine, or riding to hounds a smirk would immediately cross my face followed invariably by chuckling by the end of the chapter. Henry Fielding - The author plays as much a part of the book as any of the characters with many prologues and prefaces and etc. For these, and for much of the rest of the book, I might add, the reader who has not had four years of Latin inculcated into him at an English boarding school would do well to buy the Oxford edition, which fully explains all the learned quotes - Also, as one who was thus inculcated but is inclined to laziness, the Oxford edition's notes prove extremely helpful also. Fielding also gives us a lively picture of the literary life of his time, which the Oxford footnotes do a deft job of explaining- In short, buy the Oxford edition. This review can not be comprehensive. There are simply too many characters to even make a go at encompassing them all. I'm merely describing some of the, to me, more delightful ones. The book as a whole is simply a joy to read, in its comic descriptions of all who will deign to admit that they are human, and of some priggish sorts who will not so deign. I can put it no better than Fielding Himself at the beginning of Book XV: "There are a set of religious, or rather moral writers, who teach that virtue is the certain road to happiness, and vice to misery, in this world. A very wholesome and comfortable doctrine, and to which we have but one objection, namely, that is not true." In short, this is a delightful ramble of a book which, while entertaining the reader not too attached to Sunday School, sheds light on how unvirtuous the virtuous can be, and how kind and good-natured the roguish can be as well as giving us as good a history lesson on the state of affairs in Eighteenth century England (with attention given to the Jacobite Rebellion etc.) as many a "proper" history does. Who, I ask myself, would not delight in this book? ---Well...for the priggish, there's always Jane Austen.
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Reviewed in the United States on January 24, 2007
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Alexander Kobulnicky
Lake Worth, US
★★★★★ 4
The Sidekick in Early-Modern Literature.
Tom Jones is probably the most influential novel in English history, pioneering elements like complex characterization, social criticism and authorial interjection. But you already knew that. What you want to know is, is this a good book for us in the 21st century. And here, it's not so clear. The dialogue is pretty brisk, and some of the exchanges (the stereotypical Whig Mrs. Western arguing with her Jacobite brother is a particular treat) are actually funny. The latter part of the novel evolves into a farce, with a dozen characters engaged in scheming against one another, while Tom and Sophia helplessly go along. Farce works better in drama, where it has a faster pace, but it's always a welcome mode of comedy. You don't see enough farces. Some of the characters are evocative (why do I picture Blifil as looking like Ted Cruz?) but some are not: Dowling is just a lawyer, and Mrs. Miller is a good woman, like thousands who have come since, and that's all there is to it. It's not as if every character needs to, or can, be a fully realized person, but the parts of the novel spent with these human plot devices do feel mechanical. But Mr. Partridge, Tom's traveling companion, is in a different category altogether, and he just poisons the parts of the novel that he features in (chiefly the middle third). Eighteenth Century literature has a depressing reliance on goofy loose-lipped sidekicks: Mr. Partridge, Hugh Strap, Humphrey Clinker, Andrew Fairservice, Friday. Sometimes they're servants, but sometimes they're just stupid friends. Part of this must be practical: It's difficult to follow a wandering hero (and why are the heroes of these novels always wandering? But that's a different question altogether) without giving him a friend to talk to. Maybe early novelists had a hard time sketching characters who didn't have a way to discuss the ongoing action. But mostly, I think this is the bad influence of Don Quixote, which was becoming increasingly popular in England during this period. Sancho Panza is OK, and he's certainly the funniest element of that leaden tome. But Mr. Partridge *is* Sancho Panza, cowardice, superstition and all, and one Sancho Panza was more than enough. You know? There's a limited number of things that a silly, selfless, lazy pal can do, and it's hard to read about the same old doofus, yet again.
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Reviewed in the United States on April 28, 2016
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Diana S. Long
Birmingham, US
★★★★★ 5
Delightful and entertaining
Format: Kindle
314. The History of Tom Jones: a foundling by Henry Fielding (Novel-Audible/E Book-Fiction) 5* I read along with the Audible of the novel which I found a highly delightful and entertaining experience. The narrator, Bill Homewood, who performed the audio version of the work was excellent doing the various characters as well as the invisible narrator (author) of the story. The Synopsis is as follows: A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire—though he sometimes succumbs to the charms of the local girls. When Tom is banished to make his own fortune and Sophia follows him to London to escape an arranged marriage, the adventure begins. A vivid Hogarthian panorama of eighteenth-century life, spiced with danger and intrigue, bawdy exuberance and good-natured authorial interjections, Tom Jones is one of the greatest and most ambitious comic novels in English literature. It is rather brilliant, and there is no lack of shenanigans as we follow Jones through his history and the reader never knows when and where the author will abruptly go off on a tangent, told in a most eloquent manner, end with a flourish and no doubt tossed his quill down and took a bow. I am either taken in by some farce or thoroughly enchanted by this author. As Fielding is rather the loquacious writer this read comes in Audible time at almost 38 hours or roughly 1,000 pages but worth every minute spent on it.
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Reviewed in the United States on December 19, 2017

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