SKU: 21459682701

Angola Soundtrack 2: 1969-1978 (Vinyl)

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Angola Soundtrack 2: 1969-1978 (Vinyl)This compilation is a dedication to the short lived recording industry in Angola, a brief moment of history between 1969 and 1978 in which three recording companies produced approximately 800 records, mostly singles. They are rare jewels, each song with a significant story and feel behind it. You will hear exciting music blazed with the anticipation of emancipation, tracks fuelled with a sense of unity, community, importance and immediacy. In 2010,

This compilation is a dedication to the short lived recording industry in Angola, a brief moment of history between 1969 and 1978 in which three recording companies produced approximately 800 records, mostly singles. They are rare jewels, each song with a significant story and feel behind it. You will hear exciting music blazed with the anticipation of emancipation, tracks fuelled with a sense of unity, community, importance and immediacy.

In 2010, against all odds, Angola Soundtrack Vol.1 was awarded the German Record Critics' Prize in the category 'Black music'. This victory was all the sweeter for its triumph over the predicted winner, Aloe Blacc ́s multi platinium record, 'Good Things'.

Many were surprised that the award was handed to a compilation that covered obscure music, but it didn't surprise the team behind Analog Africa who believed such acclaim should have come much earlier. Since discovering the music of Angola 15 years ago, styles such Kazucuta, Rebita and Semba have become an addiction for Samy Ben Redjeb, the compiler, who proclaimed a serious warning in the first edition liner notes: 'Listening to these tracks may cause addiction and provoke heavy rotation!'

The unique blend of incomparable musicianship, passionate delivery and regional rhythms that make these tracks so combustible are no accident. An exceptional set of circumstances existed in the history of Angola before Independence that created the giant leap in the style and standard of bands and recordings of the time.

When Portuguese repressive measures prevented the small Turmas, street musician groups, from being able to perform in Carnaval celebrations in 1961, a Portuguese civil servant, entrepreneur and Angolan music fan named Luis Montês was already in a position to capitalise on Luanda's need for a live music scene. His self- designed 'Kutonocas', Sunday afternoon live music festivals, delighted a Luandan population hungry for a communication between the city and musseques (townships). It also forced groups to adapt to a different style of playing that would accommodate large stages and broader audiences. They equipped themselves with electric guitars, and fed on the musical influences from Cape Verde, Congo and the Dominican Republic, while staying patriotically true to their own musical legacy and unique rhythms.

The intimacy of those participating in this musical revolution meant they playfully and professionally wanted to trump each other's style; communication between the groups was frequent as everyone studied each other's records and concerts and players were under a lot of pressure to outdo each other due to the limited recording and performing opportunities. Development of skill and ingenuity was a must, as well as addressing the highly politicised climate. The optimism of Independence can be heard in these recordings; a common goal between the audience and musicians.

Upon reading the characteristically generous liner notes of this new Analog Africa release, you will be given more hints of the crucial melting pot that allowed this short period to have such an outstanding productivity. Featuring 44 pages acquired in coordination with the National Library of Luanda and the art magazine 'Note E Dia', Analog Africa head honcho Samy Ben Redjeb has managed to collect newspaper clips, extremely rare pictures of the bands on stage and printed interviews from the 70s.

The stunning pages of passionate photography and artistic design also include interviews with many of the original artists and their families, biographies of the three labels that made it all possible, and of Luis Montês, who was the pulse of the live music scene in Luanda. This compilation is a dedication to the short lived recording industry in Angola, a brief moment of history between 1969 and 1978 in which three recording companies produced approximately 800 records, mostly singles. They are rare jewels, each song with a significant story and feel behind it. You will hear exciting music blazed with the anticipation of emancipation, tracks fuelled with a sense of unity, community, importance and immediacy.

This addictive, outlawed music from Angola shakes and grooves with the smoothness of staccato machine gun fire. Do yourself a favor and submerge yourself into some of the most addictive music created by mankind!

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SKU: 21459682701

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lusCiousLoop
Charlottesville, US
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Tennis balls save the day
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Good price and good quality of tennis balls
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Jill
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We received the balls 5 days ago and so far our dog has destroyed a ball per day. At this rate, all the balls will be destroyed in 80 days. Not a good value for this product. We have other brand tennis balls that our dog has chewed on for months that have held up. We will not buy again.
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Haven’t used them yet but they appear to be good.
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salllie
Grantham, US
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good for light chewers
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Decent number of balls for the price! Unfortunately, my dog obliterated half of the tennis balls within an hour, but I'm sure part of that is because he likes to carry more than one ball at a time and chew on them a little before dropping for someone to throw. Otherwise, they are super bright, making them easy to see in the dark or dark places. They have some bounce to them, which makes playing fetch a little more exciting. My dog loves balls, so he has no complaints other than they don't squeak.
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