SKU: 46744580214

Gonzalez Come and Take It Garment-dyed heavyweight long-sleeve shirt

Sale price$28.35 Regular price$31.50
Save 10%

Pay in installments of $7.88 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Aug 2 - Aug 7

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

Gonzalez Come and Take It Garment-dyed heavyweight long-sleeve shirtThe Gonzales "come and take it" cannon was a Spanish made, bronze artillery piece of six pound caliber. The gun was the object of contention in late September and early October 1835 between a Mexican military detachment from Bexar and Anglo Celtic colonists. The disagreement produced the battle of Gonzales, considered to be the first battle of the Texas Revolution. On January 1, 1831, Green DeWitt initiated the new year by writing Ramn Msquiz, the

The Gonzales "come and take it" cannon was a Spanish-made, bronze artillery piece of six-pound caliber. The gun was the object of contention in late September and early October 1835 between a Mexican military detachment from Bexar and Anglo-Celtic colonists. The disagreement produced the battle of Gonzales, considered to be the first battle of the Texas Revolution. On January 1, 1831, Green DeWitt initiated the new year by writing Ramón Músquiz, the political chief of Bexar, asking him to make arrangements for a cannon to be furnished to the Gonzales colonists for protection against hostile Indians. On March 10, 1831, after some delay, James Tumlinson, Jr., a DeWitt colonist at Bexar, received one bronze cannon to be turned over to Green DeWitt at Gonzales. The fact that the gun was not carriage mounted until about September 28, 1835, suggests that in 1831 it was probably swivel mounted in one of the two blockhouses that had been constructed at Gonzales in 1827. Thus mounted it would have served as a visual deterrent to hostile Indians.

The cannon is lost to history until September 1835, when Col. Domingo de Ugartechea, the military commander at Bexar, sent Corporal Casimiro De León and five soldiers of the Second Flying Company of San Carlos de Parras to retrieve the cannon. The Gonzales colonists notified Ugartechea they were keeping the gun and took the soldiers prisoner. The cannon was then buried in George W. Davis's peach orchard and couriers sent to the Anglo-Celtic settlements on the Colorado River to obtain armed assistance. Ugartechea responded by sending 100 troops under Lt. Francisco de Castañeda to make a more serious request for the return of the gun. On September 29, Capt. Robert M. Coleman arrived at Gonzales with a militia company of thirty mounted Indian fighters. The gun was retrieved from its shallow grave, taken to John Sowell's blacksmith shop, and mounted on a pair of cart wheels. After the organization of the Texian "Army of the People" under Gen. Stephen F. Austin, the cannon was assigned to Capt. James C. Neill's artillery company and hauled to San Antonio. After the capture of Bexar in December 1835, the cannon remained at the Alamo, where it was one of twenty-one artillery pieces commandeered by the Mexican army upon the recapture of Bexar on March 6, 1836.

The name "Come and Take It" refers to the motto adopted by the Texian rebels. On the morning of October 2, 1835, Lieutenant Castañeda requested the cannon be returned to the Mexican military-a condition on which it had been loaned to DeWitt's Colony-but the Texians pointed to the gun which stood about 200 yards to their rear, and said, "there it is-come and take it." Soon after the conflict began, at the request of the Anglo-Celtic leaders, the ladies of the settlement hastily made a flag to fly over the cannon. The flag featured a white ground with a black cannon in the center, and the motto "Come and take it!" above and below. Much has been made of an account that appears in Noah Smithwick's The Evolution of a State or Recollections of Old Texas Days (1900), in which Smithwick identifies the cannon as an iron six-pounder. This is the only account, however, of events at Gonzales in October 1835 that identifies the Gonzales gun as being made of iron. Primary documents indicate that the gun probably was a cannon belonging to George Huff, a blacksmith, and gunsmith from San Felipe. Another discovery claim concerning the Gonzales cannon came into being after a major flood in July 1936, when a small iron salute cannon was discovered downstream from Hardy's Bluff on Sandies creek. Many individuals believe the small salute gun is the Gonzales cannon because it was found at a location that appears to match the information in the Smithwick book. The gun, however, matches none of the characteristics attributed to the Gonzales cannon by reliable primary sources. The Smithwick account incorrectly identifies the Gonzales cannon, but the Sandies salute gun does not even conform to Smithwick's description of the cannon he believed to be the Gonzales gun. Although what happened to the "Come and Take It" cannon is not known, still another, and probably more likely scenario, resulted from actions of the Mexican army after the fall of the Alamo, when Antonio López de Santa Anna's troops melted down an unknown number of bronze guns. The Gonzales cannon may have been one of these. 

Enjoy ultimate comfort with this unisex garment-dyed shirt, crafted from durable heavyweight fabric and dyed for a lived-in look. The dyeing technique ensures the shirt is pre-shrunk to maintain its shape no matter how many times you wash it.

• 100% soft ring-spun cotton
• Fabric weight: 6.1 oz./yd.² (206.8 g/m²)
• Relaxed fit
• Garment-dyed, pre-shrunk fabric
• Topstitched, classic width collar
• Twill-taped neck and shoulders for comfort and durability
• Rib cuffs
• Shoulder-to-shoulder twill tape
• Signature twill label

Size guide

  LENGTH (inches) CHEST (inches) SLEEVE LENGTH (inches)
S 26 ⅝ 31-34 31 ⅞
M 28 34-37 33 ¾
L 29 ¾ 38-41 36 ⅞
XL 30 ¾ 42-45 37 ¼
2XL 31 ⅝ 46-49 38 ¾
3XL 32 ½ 50-53 39 ¾
  LENGTH (cm) CHEST (cm) SLEEVE LENGTH (cm)
S 67.6 78.7-86.4 81
M 71.1 86.4-94 85.7
L 75.6 96.5-104.1 93.7
XL 78.1 106.7-114.3 94.6
2XL 80.3 116.8-124.5 98.4
3XL 82.6 127-134.6 101
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 46744580214

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.7 ★★★★★
Based on 11 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
F
Verified Purchase
Frank Gino
Whiting, US
★★★★★ 5
Star Wars embraces fantasy
Format: Paperback
This is Star Wars at its' strangest, and that's a very good thing. Luke and co. fighting through what could easily be Dracula's castle is a truly unique experience. I don't wish to say more for fear of spoilers. As a note though you will get more out of this if you've been following the Star Wars and Dr. Aphra comics. However you can get by without that knowledge as well.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 26, 2017
D
Verified Purchase
Doc Watson
Phoenix, US
★★★★★ 3
Gothic Star Wars
Format: Paperback
This trade paperback collects all the issues for the Screaming Citadel story spread over several titles, including the main stay Star Wars series and the Dr Aphra book. As one might expect from a story spread over different titles with different artists and writers, the presentation varies. The art is all over the place. In the Marco Checchetto-drawn initial issue, everyone’s favorite amoral artifact hunter, Dr Aphra, is a striking space vixen. But in the following issues she’s hardly recognizable as the same character--mousier, if still menacing, in her trademark Russian tanker’s hat. To a lesser degree, the same is true for the other characters, including the main SW group. It’s understandable, but a bit disconcerting. The story centers on Dr Aphra, who, in need of a Jedi for one of her typically nefarious purposes, recruits Luke into her scheme. Unfortunately for Aphra, she’s up against a more ruthless foe in the harlequin-looking vampire-like Queen of the Screaming Citadel. Before long, the rest of the group has to show up to rescue them. It’s a gothic story, set in scary castle—not the usual Star Wars fare. There are some good points. Dr Aphra’s almost sociopathic outlook is always good for a few choice lines, the “murderous machines” Bee Tee and Triple Zero are on hand for their own gruesome commentary and some of the Queens hench-people, while not given much to do, are interestingly designed. But overall, the horror movies plotline didn’t seem much like Star Wars to me. Recommended for those who enjoy that type of story, or completists.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 27, 2018
P
Verified Purchase
PWDecker
Grantham, US
★★★★★ 4
Luke and Doctor Aphra team up!
Format: Paperback
This is the second crossover event in the Marvel Star Wars comics. It brings the ongoing Doctor Aphra and Star Wars series together. I liked the pairing of Luke with Aphra. They play well off of each other with Luke's naive goodness and Aphra's experienced gray morality. I liked when she called him a wannabe padawan. There are some well designed characters in this comic. The residents of the Screaming Citadel have a goth bdsm vibe. Luke even gets to dress up. I liked seeing him in something different. I want to know more about Sana and Aphra's past!!! Please, Marvel, make a queer love story prequel!!! The murder droids are wonderful. Having them on the same side as the "good guys" for at least the time being led to some funny situations. The last panel intrigued me. I give this graphic novel a 4/5. I am always here for more Doctor Aphra!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 29, 2017
K
Verified Purchase
Kindle Customer
Port Orchard, US
★★★★★ 5
Excellent mini series.
Format: Kindle
This is an excellent follow up to Vader Down. Luke Skywalker and friends take on a bigger threat than The Empire and Darth Vader that is connected to the Jedi. Luke and Dr. Aphra join forces to find the answers Like is seeking. Truly worth reading and entertaining.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 23, 2019
R
Verified Purchase
Ryan of the East Coast
Port Orchard, US
★★★★★ 5
Source material for Nolan's trilogy is powerful writing and art...
Format: Paperback
The Long Halloween is great, but I actually had more fun reading through Dark Victory. It's a crime mystery that consistently had me guessing through to the conclusion about who The Hangman's true identity was. What I really loved most was the evolution of the characters' personalities--from Jim Gordon to Harvey Dent to Bruce (who really is more in his iconic "Batman" persona here)--that began in Batman: Year One to Batman: The Long Halloween and into Batman: Dark Victory. It really does work like a trilogy. It's also notable to include Gotham city's underworld itself as a character of its own. Batman begins (pardon the pun) in Year One with a quest to sort of rid the city of the mafia, which is and has been the main criminal body up until this point. In The Long Halloween, the mafia begins to lose power because of the rise of the Batman's presence. During that time, some of the most insane and dangerous criminals escape Arkham Asylum and begin quietly terrorizing the city anew, spreading like a virus. Slowly, the "freaks"--as the mafia calls them--start to gain more and more power by simply being a more unorganized crime source (as opposed to organized crime). Characters like Pamela Isley, Solomon Grundy, Mr. Freeze, the Penguin, Scarecrow, the Joker, and others, establish and strengthen their grips on Gotham's criminal underworld. It's nice that these villains--these "freaks"--also aren't the main conflict in Dark Victory (or The Long Halloween or Year One, for that matter); they appear when it is effective for them to appear, slowly taking more prominence in the setting of the story as it progresses. The main conflict has to deal with the solving of the mysteries behind The Hangman killings. The Long Halloween and Dark Victory are, primarily, crime mysteries, which is what makes them interesting. What makes them great literature, however, is the creative team that is Jeph Loeb and Tim Sale. Loeb's writing is really well-crafted here: the entire arc unfolds at a consistent pace and he balances out dialogue with Batman's internal narration very smoothly. And, as I mentioned previously, personality and narrative arcs of the main characters (Gordon, Batman, and Dent) have fully matured by this point in the trilogy, leaving the supporting characters a chance to evolve and come into their own. Much of these progressions are not just depicted by the writing, however; Tim Sale (who worked previously with Loeb on The Long Halloween) elevates and perfects his artwork in this story. There's not a change in the look of the characters, so you know it's definitely his style, but you sense immediately (especially if reading Dark Victory right after finishing The Long Halloween) the new level of attention paid to composition of the drawings. Shadows and silhouettes, contrasts between setting and characters, everything adds to the mood and atmosphere of the characters and the scenes they're a part of. In terms of the print itself, the paperback is excellent. This and The Long Halloween have really nice paper, which I'll catch myself sometimes randomly sniffing in the middle of a read to enjoy the new paper smell. The ink is really crisp, the colors pop, and the design of the book itself is laid out very clearly. There aren't page numbers or a contents page, but every issue is separated by chapter pages that include gorgeous, high-contrast artwork to help distinguish which issue you're on. Additionally, the print comes with an introduction by David S. Goyer, who co-wrote the Nolan film trilogy. Overall, I can't stress enough how gorgeous this trade paperback is and how excellent and top-tier this story arc is. I really enjoyed it just as much, if not more so, then The Long Halloween. No other Batman story arc has topped my enjoyment of this particular trilogy. Highly recommended in addition to Batman: Year One and Batman: The Long Halloween.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 9, 2019

recommand products