SKU: 50034949000

Iron anniversary, railroad spike, bottle opener, industrial, beer bottle opener, birthday, anniversary, daddy, wedding, groomsmen, corkscrew

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Description

Iron anniversary, railroad spike, bottle opener, industrial, beer bottle opener, birthday, anniversary, daddy, wedding, groomsmen, corkscrewIron anniversary, railroad spike, bottle opener, industrial, beer bottle opener, birthday, anniversary, daddy, wedding, groomsmen, corkscrew Are you looking for an unusual bottle opener? Here is a hand forged bottle opener made of a railroad spike with a nice texture on a handle. Size: length: 17. 5 cm (6. 89") Colour: not painted, finished with lacquering, it has a color of natural iron. Forged metal bottle openers make your kitchen home unique and

Iron anniversary, railroad spike, bottle opener, industrial, beer bottle opener, birthday, anniversary, daddy, wedding, groomsmen, corkscrew

Are you looking for an unusual bottle opener?

Here is a hand forged bottle opener made of a railroad spike with a nice texture on a handle.

Size:
length: 17.5 cm (6.89")

Colour: not painted, finished with lacquering, it has a color of natural iron.

Forged metal bottle openers make your kitchen/home unique and decorative. Made with passion and amazing blacksmith’s skills, they look very elegant with aristocratic style. Touching the surface of the bottle opener a hand feels a special charm. In my shop you will find bottle openers of different style and one is better than the others. Using different paints creates a wide range of shades imitating the noble gold, bronze, silver, copper. Of particular interest is the effect of "aging" of the surface with using patina. A special feature of bottle openers is their strength and durability. Massive and expensive looking bottle openers increase the status of the house and its owner create additional refinement of your home.

Colors may vary slightly from screen to screen. There might be slight differences in sizes since each piece is hand made.

Add charm to your house with one of these cute crafts! It is very decorative and it is really high quality work!

I keep usually 1 piece always available. If on the moment of your order it will not be available, please allow 12 - 16 days for its making.

GIFTING OCCASION
It is a nice gift for wedding, wedding anniversaries (6th - iron, 11th - steel), birthday, Father's Day, Mother's day and for many other gifting occasions.

CUSTOMIZATION
There can be any customization. The customization can be limited only by your imagination.

WAY OF PRODUCTION
The way how it was created: we combine traditional blacksmith techniques, perfected over hundreds of years of experimentation and development , with modern forms and methods to produce beautifully distinct pieces of functional art. Each piece is forged at extremely high temperature and hammered by hand. Pliable when glowing hot, the iron is shaped into graceful, flowing forms. In our world of high technology, there is a distinct place for organic forms and hand-wrought metal design elements.

SPECIAL DISCOUNTS FOR YOU
If you order two any items from my shop in one order, you will have 10% discount off the order price. If you order three any items from my shop in one order, you will have 15% discount off the order price.
If you liked this item in my shop and you are about to order only one item from my shop but you are not sure about the price, please drop me an e-mail and I will try to arrange a special discount for the chosen by you item. I would want you to buy an item you liked in my shop.

MANY THANKS FOR VISITING MY SHOP:
https://www.etsy.com/shop/forgedcommodities WHERE YOU WILL FIND MORE INTERESTING THINGS FOR YOU!

All materials, content, designs, photos, polices, item descriptions and logos appearing within ForgedCommodities listings, products, policies, descriptions, and materials are the intellectual property of Forged Commodities and may not be copied, reproduced, distributed or displayed without express written consent by ForgedCommodities or an Authorized party.

Iron anniversary, railroad spike, bottle opener, industrial, beer bottle opener, birthday, anniversary, daddy, wedding, groomsmen, corkscrew

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Exchange/Return Notes
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SKU: 50034949000

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4.4 ★★★★★
Based on 12 reviews
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Product Reviews
D
Verified Purchase
David R. Papke
Fort Morgan, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Birmingham, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Waukegan, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Alexandria, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Birmingham, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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