SKU: 52290948343

Gibson Hummingbird Studio Rosewood Acoustic-Electric Guitar, Gloss Top, Natural

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Description

Gibson Hummingbird Studio Rosewood Acoustic-Electric Guitar, Gloss Top, NaturalAlways singing a sweet song, the Gibson Hummingbird is a classic among acoustics yet another version of this classic is hatched today with the Gibson Hummingbird Studio Rosewood. The Hummingbird, one of Gibson's standby acoustics comes together in this model as a seamlessly playable and effortlessly musical instrument. Gibson's long history with square shoulder bodies is lined with plenty of icons the Hummingbird, the Dove, the Songwriter and with

Always singing a sweet song, the Gibson Hummingbird is a classic among acoustics – yet another version of this classic is hatched today with the Gibson Hummingbird Studio Rosewood. The Hummingbird, one of Gibson's standby acoustics comes together in this model as a seamlessly playable and effortlessly musical instrument.

Gibson's long history with square-shoulder bodies is lined with plenty of icons – the Hummingbird, the Dove, the Songwriter – and with this history, comes decades of innovation. This history manifests in today's Hummingbird Studio Rosewood handcrafted in Gibson's Bozeman, Montana acoustic factory. All-solid tonewood construction and a gloss nitrocellulose top finish puts this Hummingbird to a high rank. Traditional hand-scalloped X-bracing appears within this Hummingbird's body for a consistent and balanced acoustic voice.

The Hummingbird Studio Rosewood starts out with a Sitka spruce top and a rosewood back and sides. This construction allows for a balanced, bright, and focused tonal palette. Sitka spruce, a long-standing pick for acoustic tops, matches rosewood's rich bass response with sparkling treble overtones, differing from the traditional mahogany-bodied Hummingbird models. The Hummingbird Studio Rosewood's full-depth body shape ensures a deep tone and excellent projection.

Alongside an exciting spectrum of sounds brought on by its rosewood and Sitka spruce construction, the Hummingbird Studio Rosewood plays with a satin-finished utile neck. This utile neck shapes up with an Advanced Response profile that inspires long playing sessions. Sitting somewhere between other Gibson neck profiles, the Advance Response profile is effortlessly held as not too thick and not too thin.

Rosewood makes yet another appearance on this acoustic through its fingerboard. This Hummingbird's rosewood board is lined with twenty standard-sized frets that facilitate smooth fretting for campfire chords and nimble fingerpicked licks alike. Mother-of-pearl parallelogram inlays land as one of the visual hallmarks of the Hummingbird's design. A sixteen-inch radius assists in playability.

If you were looking for those smaller appointments that bring it all together, just take a look at this Gibson's multi-ply body binding, Graph Tech TUSQ nut and saddle and Grover Rotomatic tuning machines. Balancing fine aesthetics with a sturdy hardware setup, the Hummingbird Studio Rosewood is everything you could ask for. Onboard, an L.R. Baggs Element Bronze under saddle pickup system enables plugging in and bringing the sweet voices of the Hummingbird to the stage. Traveling from stage to stage, a Gibson hardshell case is included for players to play and move with confidence.

Gibson's lineage of Hummingbird acoustic guitars is a dynasty unto itself. This latest addition to that lineage is a graceful bird all its own while embodying the much of what made the model famous.

  • All-solid tonewood construction from Bozeman, Montana
  • Square shoulder Gibson Hummingbird full-depth body
  • Solid Sitka spruce top with hand-scalloped X-Bracing pattern
  • Multi-ply top and single-ply back body binding
  • Satin-finished solid rosewood back and sides construction
  • Gloss nitrocellulose lacquer top finish
  • Satin-finished utile neck in Advance Response profile
  • Rosewood fingerboard with twenty-frets and Mother-of-Pearl parallelogram inlays
  • Sixteen-inch fingerboard radius
  • GraphTech TUSQ nut and TUSQ saddle
  • Grover Rotomatic tuning machines
  • Onboard L.R. Baggs Element Bronze electronics system
  • Gibson hardshell case included
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SKU: 52290948343

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Eddie Cook
Massapequa, US
★★★★★ 5
Will Dispell The Idea That There Are 400 Silent Years.
Format: Hardcover
This was a great read, covering the period from 500 BC to the 1st century CE. It's solidly rooted in the Bible and presents a clear, easy-to-follow narrative of a historically complex era. Thanks to this book, I now see the Gospels as a natural continuation of that time. The insights into the power struggles among various sects are particularly compelling, as is the exploration of how compromises were made in the pursuit of influence. A truly worthwhile read!
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Reviewed in the United States on May 22, 2025
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R. R. Lunn
Belleville, US
★★★★★ 5
Impossible to put down.
Format: Hardcover
Possibly the best book written on this mostly neglected period In religious history.
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Reviewed in the United States on December 30, 2024
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jeannine
Alexandria, US
★★★★★ 5
awesome
Format: Kindle
awesome coverage of the period from post-exile to the NT. I really like the focus on the Davidic kingdom.
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Reviewed in the United States on January 1, 2025
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Michael A. Kelley
Louisville, US
★★★★★ 5
Great Research
Format: Hardcover
Excellent book. Great research and easy to read. Highly recommended.
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Reviewed in the United States on January 11, 2024
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Adam
Lake Worth, US
★★★★★ 3
Knowledgeable History; Uncharitable Theological Commentary
Format: Kindle
The author seems incredibly knowledgeable about the topic. I am learning a tremendous amount about the period bridging the Old and New Testament periods by reading this book. However, it is incredibly frustrating to me that the author compares modern day fellow-Christian cessationists with the unbelieving Sanhedrin whom Stephen excoriated in Acts chapter 7. "The insinuation is that the Holy Spirit, which had inspired the Torah, was the very same spirit who had been prophetically active down to the time of Jesus but whom the Jewish leaders were now railing against. One wonders what words Stephen would have for modern readers who perpetuate the notion of prophetic silence." At first this passage irritated me as an unnecessary and uncharitable jab. But I decided to write a review to let readers know to be prepared: if you do not have a Grudem-style view of ongoing prophecy, you should expect the author of this book to take cheap and uncharitable jabs, and to compare you to unbelieving Jews who rejected God's word. It actually colors my ability to take the author seriously, though I paid far too much for this book not to persevere through it. The author could have chosen to take an objective and charitable stance and simply report the facts. I'm surprised an editor didn't encourage the author to restrain his criticisms.
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Reviewed in the United States on January 13, 2024

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