SKU: 76039995296

Hi Fi Racks Omnium8 Per Tier (567 x 460mm) - 32mm Bolted Leg

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Description

Hi Fi Racks Omnium8 Per Tier (567 x 460mm) - 32mm Bolted LegHi Fi Racks Omnium8 Per Tier (567 x 460mm) 32mm Bolted Leg Like all Hi Fi Racks products, the Omnium8 is manufactured from the finest solid oak, to give the best possible audio performance. With each item individually handcrafted in our workshop. The Hi Fi rack offers soft, rounded edges and optional hexagonal openings for cable management system. Each tier is made of 27mm thick wood, putting the new rack in between the companys existing tiers of 22mm

Hi Fi Racks Omnium8 Per Tier (567 x 460mm) - 32mm Bolted Leg

Like all Hi Fi Racks products, the Omnium8 is manufactured from the finest solid oak, to give the best possible audio performance. With each item individually handcrafted in our workshop. The Hi Fi rack offers soft, rounded edges and optional hexagonal openings for cable management system. Each tier is made of 27mm-thick wood, putting the new rack in between the company’s existing tiers of 22mm and 40mm thickness.

Omnium8 standard size is 567mm wide by 460mm deep. As with any Hi Fi Racks product, the Omnium8 can also be built to any size and any number of tiers to match your precise specifications, with any leg length available at no extra cost.

Construction

Each Level is manufactured with 27mm solid oak hardwood offering a very stable hi-fi stand. Using solid hardwood helps with absorbing vibrations to give the best possible performance from your hi fi equipment. The Hi Fi Rack comes with a choice of solid hardwood legs 32mm & 46mm square legs and 31mm & 45mm Round Legs, which are removable for future upgrading, these legs can be made to any height, and this enables you to have the rack Taylor made to fit your equipment and environment perfectly, Also allowing the right amount of clearance for heat ventilation. Changeable legs allows you to update and change your rack with longer or shorter legs if your equipment changes or you need to add extra tiers in the future.

Modular

The Omnium8 is manufactured with a modular construction to add new legs or tiers easily as your equipment grows.

Standard Sizes

567x460mm

Customisable

As with most of our Hi Fi Racks, the Omnium8 can be customised to any width depth or height to accommodate your equipment or the specific space you have. You can also have the rack with or without the cable management on any combination of tiers

Hardwood

Manufactured from 27mm Solid Oak

Finish

Choose from the following finishes, Natural Oak, Cherry, Mahogany, Walnut, Satin Black, Gloss Black, Satin White and Gloss White

Weight Capacity

90kg per tier

Leg Thicknesses and Lengths

31mm Round Legs (Bolted)

32mm Square Legs (Bolted)

Standard Heights 65mm 85mm 100mm 120mm 150mm 200mm 250mm 300mm, the leg height specified is the clearance (opening) between the two tiers, this doesn’t include the thickness of the plinths. Please note that the base legs come with spikes, the 15mm spike will be included in the total height specified.

Cable Management

Cable management is available on the Omnium8 at no extra cost. We can do this on as many or as little tiers as you require. This is built into the plinths are the rear of the rack which looks like a diamond cut out.

Isolations The isolation plinths on the Omnium8 can be manufactured from 22mm or 27mm thickness solid oak.

Ideal for

Naim, Linn, Rotel, Arcam, Musical fidelity, Audio Lab, Cambridge Audio, Marantz, Luxman, T&G

*please check internal measurements of rack and external measurements of equipment

 


Shipping Notes
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Exchange/Return Notes
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SKU: 76039995296

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Lovechunk
Fort Morgan, US
★★★★★ 5
The Best Gift Ever!
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Easy Peasy! Who doesn't like to get an Amazon eGift Card!
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Reviewed in the United States on May 17, 2026
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Tim M.
Pawtucket, US
★★★★★ 5
Great gift idea!
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Always a great gift for anyone and easy to purchase and redeem.
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Reviewed in the United States on May 12, 2026
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Madison
Birmingham, US
★★★★★ 5
Quick delivery, Naturally a great and easy gift.
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Always a great way to say thank you.
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Reviewed in the United States on June 6, 2026
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Daniel Myers
Lexington, US
★★★★★ 5
A Foundling's Felicity
This book or novel or whatever you may deem fit to call it has so many points in its favour that it's difficult to know where to begin. I think a rundown of a few of the myriad of characters that delight me personally might do for starters: Tom Jones - A young fellow with many "imperfections" if so they may be called, but a robust fellow with a "good heart." Prudence and what is commonly called virtue are not his strong suit - But may I remind the reader that virtue comes from the Latin word for "manliness"- Tom is certainly possessed of the word's etymological origins, if not of its modern usage (particularly in amorous matters)--And a good thing too, or we should have no story here to delight us! Squire Western- Another rambunctious character, who, for me, typifies all that is Eighteenth Century England. Every time he appeared in this book, whether it was to comment on wenching, wine, or riding to hounds a smirk would immediately cross my face followed invariably by chuckling by the end of the chapter. Henry Fielding - The author plays as much a part of the book as any of the characters with many prologues and prefaces and etc. For these, and for much of the rest of the book, I might add, the reader who has not had four years of Latin inculcated into him at an English boarding school would do well to buy the Oxford edition, which fully explains all the learned quotes - Also, as one who was thus inculcated but is inclined to laziness, the Oxford edition's notes prove extremely helpful also. Fielding also gives us a lively picture of the literary life of his time, which the Oxford footnotes do a deft job of explaining- In short, buy the Oxford edition. This review can not be comprehensive. There are simply too many characters to even make a go at encompassing them all. I'm merely describing some of the, to me, more delightful ones. The book as a whole is simply a joy to read, in its comic descriptions of all who will deign to admit that they are human, and of some priggish sorts who will not so deign. I can put it no better than Fielding Himself at the beginning of Book XV: "There are a set of religious, or rather moral writers, who teach that virtue is the certain road to happiness, and vice to misery, in this world. A very wholesome and comfortable doctrine, and to which we have but one objection, namely, that is not true." In short, this is a delightful ramble of a book which, while entertaining the reader not too attached to Sunday School, sheds light on how unvirtuous the virtuous can be, and how kind and good-natured the roguish can be as well as giving us as good a history lesson on the state of affairs in Eighteenth century England (with attention given to the Jacobite Rebellion etc.) as many a "proper" history does. Who, I ask myself, would not delight in this book? ---Well...for the priggish, there's always Jane Austen.
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Reviewed in the United States on January 24, 2007
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Alexander Kobulnicky
Birmingham, US
★★★★★ 4
The Sidekick in Early-Modern Literature.
Tom Jones is probably the most influential novel in English history, pioneering elements like complex characterization, social criticism and authorial interjection. But you already knew that. What you want to know is, is this a good book for us in the 21st century. And here, it's not so clear. The dialogue is pretty brisk, and some of the exchanges (the stereotypical Whig Mrs. Western arguing with her Jacobite brother is a particular treat) are actually funny. The latter part of the novel evolves into a farce, with a dozen characters engaged in scheming against one another, while Tom and Sophia helplessly go along. Farce works better in drama, where it has a faster pace, but it's always a welcome mode of comedy. You don't see enough farces. Some of the characters are evocative (why do I picture Blifil as looking like Ted Cruz?) but some are not: Dowling is just a lawyer, and Mrs. Miller is a good woman, like thousands who have come since, and that's all there is to it. It's not as if every character needs to, or can, be a fully realized person, but the parts of the novel spent with these human plot devices do feel mechanical. But Mr. Partridge, Tom's traveling companion, is in a different category altogether, and he just poisons the parts of the novel that he features in (chiefly the middle third). Eighteenth Century literature has a depressing reliance on goofy loose-lipped sidekicks: Mr. Partridge, Hugh Strap, Humphrey Clinker, Andrew Fairservice, Friday. Sometimes they're servants, but sometimes they're just stupid friends. Part of this must be practical: It's difficult to follow a wandering hero (and why are the heroes of these novels always wandering? But that's a different question altogether) without giving him a friend to talk to. Maybe early novelists had a hard time sketching characters who didn't have a way to discuss the ongoing action. But mostly, I think this is the bad influence of Don Quixote, which was becoming increasingly popular in England during this period. Sancho Panza is OK, and he's certainly the funniest element of that leaden tome. But Mr. Partridge *is* Sancho Panza, cowardice, superstition and all, and one Sancho Panza was more than enough. You know? There's a limited number of things that a silly, selfless, lazy pal can do, and it's hard to read about the same old doofus, yet again.
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Reviewed in the United States on April 28, 2016

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