SKU: 81575687742

Kraus, Joseph Martin: Pantomime in G major (VB 38) (AE345)

Sale price$25.20 Regular price$28.00
Save 10%

Pay in installments of $7.00 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Aug 17 - Aug 22

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

Kraus, Joseph Martin: Pantomime in G major (VB 38) (AE345)Description Kraus, Joseph Martin (1756 1792) Product Code: AE345 Description: Pantomime in G major (VB 38) Edited by: Bertil van Boer Year of Publication: 2002 Instrumentation: fl 2ob 2cor 2vn va vc b Binding: Score: Stapled Parts: Unbound Duration: 7 min(s) Key: G major ISMN: M 67451 003 5 Audio sample Details The Pantomime in G (VB 38) is the more expansive of these last two works, consisting of four movements. It was most likely composed for some

Description

Kraus, Joseph Martin (1756-1792)

Product Code: AE345
Description: Pantomime in G major (VB 38)
Edited by: Bertil van Boer
Year of Publication: 2002
Instrumentation: fl 2ob 2cor 2vn va vc/b
Binding: Score: Stapled / Parts: Unbound
Duration: 7 min(s)
Key: G major
ISMN: M-67451-003-5

Audio sample

Details

The Pantomime in G (VB 38) is the more expansive of these last two works, consisting of four movements. It was most likely composed for some celebration at the Jesuit Gymnasium and Music Seminar in Mannheim during the years 1769-1772, a period when the composer was beginning to learn his craft from the official teachers such as Pater Alexander Keck, as well as those composers of the famed Mannheim Court Orchestra. From all the evidence, Kraus was an active participant in the varied cultural life of the Palatinate capital, singing roles in various student operettas, performing on the violin, enthusiastically promoting German literature, and showing an aptitude for musical composition. Keck noted with pride that, when he was too busy to complete a "Musik- Spiel" (a sort of student operetta), he gave the nod to his prize pupil Kraus, who completed the work with great skill. Although the circumstances of the two pantomimes that survive from this period are not known, it is likely that they represent efforts to provide music for the annual pantomime scenes that occur during the Carnival season. The four movements of the work include a rather bombastic march and a brief Adagio interlude in rounded binary form. Any programme for the work, however, has not survived.

There exists only one source for both Pantomimes, a score in the Silverstolpe Collection at Uppsala, Sweden in the Universitetsbibliotek (Capsula 24). A note on the cover indicates that the copy, in the hand of a Viennese professional, was done in 1802 at the behest of Fredrik Silverstolpe, Kraus's first biographer. From evidence provided by an extensive correspondence between the Swedish diplomat and Kraus's sister Marianne, who provided either a copy or the autograph parts themselves, these pieces are some of the few from Kraus's early years to have survived. The copy is incomplete, the pantomime lacks a bass line in the final movement and the violas throughout. According to a note penned by Silverstolpe on the last page of the copy, this was not an unusual circumstance with this early music. For this edition, new parts have been added based upon style, harmony, and similar parts in other Kraus works.While they may not reflect the missing parts as Kraus originally wrote them, they nonetheless provide a means whereby these compositions can be performed with minimal intervention. There are very few articulation markings in the work, and where they do exist, they are sporadic and inconsistent. These have been incorporated where there is a clear indication such are reasonable. Slurs, also extremely inconsistent, have been cautiously regularized where there are clear indications in the source of the composer's intent; they have omitted where they occur as singular instances. All appoggiaturas have been linked to their principal note with a slur. The few patently wrong notes, the mistakes clearly of the copyist who may not have been a musician himself, have been tacitly corrected as have inconsistencies in the placement of the few dynamic markings. Ornamentation of the work is extremely sparse; no additional ornaments have been added, although there may be places where trills might be appropriate. Their addition is left to the discretion of the performer. The horn parts in the second movement march are likely in C basso, although a case for alto horns, noted by Heinrich Domminch as "toujours usité en Allemagne [always used in Germany]" in his 1802 treatise on horn playing, can be made on account of Kraus's deliberate avoidance of the appoggiatura a'' in bar 24 in the horn part, which would have been too high. Against this and in favour of the lower horn pitch, however, is the overall high tessitura of the horn parts. Bertil van Boer

Performance

29 May 2013 Conductor: Yuki Kasai Kammerorchester Basel Residenz - Wuerzburg - Germany
______________________________

27 May 2013 Conductor: Yuki Kasai Kammerorchester Basel St. Martinskirche - Basel - Switzerland
______________________________

24 May 2013 Conductor: Julia Schroeder Kammerorchester Basel Wigmore Hall - London - United Kingdom
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 81575687742

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.4 ★★★★★
Based on 26 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
O
Verified Purchase
Oc
Massapequa, US
★★★★★ 5
Works as created.
Have been using for a few weeks and have noticed 15% improvement in skin and issues. I did notice a difference in the first 24 hours as advertised. It is suggested need a full month I think to see the true results. At 50 I have pre menopausal skin issues- the redness & inflammation, acne, tightness and sensitivity. It is helping in addition to the other Avene skin products that come in the trial box for sensitive or SOS skin box trial size I think ot is called. This has made a difference. It is easy to apply. I use morning and night. It is different from the Cicalfate + Cream. I use that also as needed. I am happy and recommend it. The price is higher than what I spend. But I wanted to try it to see of i need more than just what was in the Avene sensitive skin trial size box they have. My skin is really red and irritated so the $40 for the bottle is was willing to try because it's painful on my face.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 23, 2026
T
Verified Purchase
Taylor Ashley
West Palm Beach, US
★★★★★ 4
Okay serum, not as good as the cream though
I am obsessed with the cream version of this so I thought I’d give this a try. The dropper top allows for easy application. The formula is light and non greasy and absorbs easily. No harsh fragrances. I would use it when I had eczema flares on my face and feel like it didn’t work near as well in helping with skin irritation as the cream does. As of now I don’t use it as part of my regular skin care. Do I think it’s a bad product? No, but it didn’t really work wonders for me. Not sure I would purchase again.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 21, 2026
E
Verified Purchase
Elizabeth from Houston
Natrona Heights, US
★★★★★ 5
Helps with redness and softens skin
I have sensitive, mild rosacea skin. Had a facial recently and the aesthetician suggested I get a serum to help with moisturizer as I am almost 40. I’ve tried a lot of serums and either they are sticky and not really hydrating or break my skin out in a rash. This serum is amazing. Helps calm the redness in my cheeks and my skin is moisturized and soft all day. It feels a little sticky at first but it goes away. I apply in this order OSEA sea mineral mist toner to prep the skin, this serum and top off with Chanel La Solution 10 for sensitive skin.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 27, 2025
C
Verified Purchase
carolyn
Belleville, US
★★★★★ 5
Sensitive skin
Such a good product. I use after micro needling when skin is sensitive. Also a great product to use as a barrier serum when starting tretinoin cream.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 24, 2026
L
Verified Purchase
Lindsay
Cuba, US
★★★★★ 5
Saved my skin during an eczema flare up
This saved my skin! I had an eczema flare on my face, and my usual products weren’t working. A friend recommended the Avene brand and within 3 days of using this rescue barrier serum, my flare was almost completely gone! This saved my face!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 11, 2026

recommand products