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Marazzi, Grande_marble Look - M71C - Statuario, Lux, 120x278cm, 6.00mm, Rett.De Grande_marble Look tegels van Marazzi zijn de ideale keuze om een vleugje elegantie en stijl aan uw kamers te geven. Bedankt voor de oppervlak lux, mat, satijnato, stuoiato, stuoiato lux, stuoiato satijn, deze tegel met marmereffect geeft een luxueuze en verfijnde uitstraling en past zich perfect aan elk type ontwerp aan. Met een selectie in verfijnde kleuren, waaronder altissimo, bianco arni, brera grijs, calacatta zwart, calacatta extra,
De Grande_marble Look tegels van Marazzi zijn de ideale keuze om een vleugje elegantie en stijl aan uw kamers te geven.Bedankt voor de oppervlak lux, mat, satijnato, stuoiato, stuoiato lux, stuoiato satijn, deze tegel met marmereffect geeft een luxueuze en verfijnde uitstraling en past zich perfect aan elk type ontwerp aan.
Met een selectie in verfijnde kleuren, waaronder altissimo, bianco arni, brera grijs, calacatta zwart, calacatta extra, calacatta superwhite, calacatta vena vecchia, capraia, crema marfil, elegant zwart, emperador, fior di pesco carnico, frappuccino, ghiara calcina fumo, ghiara calcina polvere, ghiara minuta bicolor, ghiara minuta mix, ghiara minuta mono, ghiara palladiana, goudwit, grigio carnico, imperiale, lasa, eens avorio, eens beige, eens bianco, eens zwart, eens giada, eens nero, quarzo blauwgrijs, raffaello, sahara zwart, saint lauren, sodalite blu, statuario, tafu, terrazzo grijs, verde aver, verde borgogna, verde cipollino, de tegel Grande_marble Look is verkrijgbaar in verschillende formaten, zoals 60x120cm, 120x120cm, 120x240cm, 120x278cm, 160x320cm, en aanbiedingen flexibiliteit en veelzijdigheid voor het creëren van uw ruimtes.
Dankzij de dikte van 6,00 mm garanderen de tegels Grande_marble Look weerstand en duurzaamheid in de loop van de tijd, waardoor hun schoonheid intact blijft, zelfs na meerdere jaren gebruik.
De Grande_marble Look tegels van Marazzi zijn gemaakt van hoogwaardige materialen en met aandacht voor elk detail en zijn de perfecte keuze voor degenen die op zoek zijn naar een hoogwaardige oplossing.
Kies de tijdloze schoonheid en elegantie van Grande_marble Look tegels van Marazzi om uw ruimtes om te toveren in een echt design meesterwerken.
| Merk | Marazzi |
| Collectie | Grande_marmerlook |
| Categorie | Tegels |
| Kleur | Altissimo, Bianco Arni, Brera Grey, Calacatta Black, Calacatta Extra, Calacatta Superwhite, Calacatta Vena Vecchia, Capraia, Crema Marfil, Elegant Black, Emperador, Fior Di Pesco Carnico, Frappuccino, Ghiara Calcina Fumo, Ghiara Calcina Polvere, Ghiara Minuta Bicolor, Ghiara Minuta Mix, Ghiara Minuta Mono, Ghiara Palladiana, Golden White, Grigio Carnico, Imperiale, Lasa, Onice Avorio, Onice Beige, Onice Bianco, Onice Black, Onice Giada, Onice Nero, Quarzo Bluegrey, Raffaello, Sahara Noir, Saint Lauren, Sodalite Blu, Statuario, Tafu, Terrazzo Grey, Verde Aver, Verde Borgogna, Verde Cipollino |
| Oppervlakte | Lux, Matt, Satinato, Stuoiato, Stuoiato Lux, Stuoiato Satin |
| Afmetingen | 60x120cm, 120x120cm, 120x240cm, 120x278cm, 160x320cm |
| Dikte | 6,00 mm |
| Gerectificeerd | Gerectificeerd |
| Effect | Marmer |
| Gebruik | Binnen, Muur |
| Materiaal | Porcellanato |
| Antislipbescherming | R9 |
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4.3 ★★★★★
Based on 25 reviews
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Product Reviews
★★★★★ 5
Excellent Tool for Approaching Homer via English
Format: Hardcover
I love the Loeb editions of Homer. I've already ready the Odyssey, now moving on to the Iliad.
What I've especially started to enjoy with this volume of the Iliad is the editors decision to "call out" which lines were rejected by which ancient commentators (Aristarchus, etc.). This adds some fun to the reading because you get to review the line in Greek and try to surmise why they rejected it, or how the passage would work without the line.
The translation is reasonably modern but still "lordly" and has the tone of a war epic. It was enjoyable to read aloud in both English and Greek.
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Reviewed in the United States on September 25, 2025
★★★★★ 5
2,800 years worth of people have heard/read Homer
Format: Hardcover
I just finished reading volume 1 of Homer's Iliad published by The LOEB Classical Library in conjunction with Harvard University Press. The translation is by A.T. Murray with revisions made by William F. Wyatt. The LOEB Classical Library is a academically trusted collection of Greek and Latin publications. The translations are normally more literal than those you might find at your local Barnes and Noble, therefore they read more like an archaic form of English.
Homer's Iliad can be found on nearly every great works of literature list. Harold Bloom considered Homer to be in the same family with Cervantes, Dante, and Shakespeare. The Iliad has been read for thousands of years, and every reputable honors program includes his works in their required readings lists. His writings influenced Tolkien and George R.R. Martin. His descriptions of war are grotesque and inspiring. The pantheon of deities he created in his stories set the stage for the Greek mythology that followed him. This is the understanding I had when approaching the book. The bar was set rather high and unlike most expectations these ones were surpassed.
As I finished reading volume 1, I asked myself, "how could a writer from the 8th century B.C. have achieved so much, when so many from our era have achieved so little?" Homer had no paper trail of literary criticism to follow. He had no classes in writing style and technique, and yet the Iliad is of such a high caliber that we still read him today. Wayne C. Booth brought to our attention Homer's "leave nothing up to the reader" style of reading. If Homer wants you to favor one group over another, he is going to come out and say it. He can tell you every thought and intent of each character. Homer doesn't care that it would be impossible for anyone to know the thoughts of Agamemnon or Hector. He knows what they thought and that's enough. Many writers today shy away from such literary techniques in favor of modes that demand "reader response." This is not necessarily bad, it's just a different approach but many of their works, if not all, will not demand the attention of 2,800 years worth of readers.
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Reviewed in the United States on August 4, 2012
★★★★★ 5
Excellent for learning Homeric Greek
Format: Hardcover
The book is bilingual Homeric Greek-English. It is a Word to word translation of the wonderful ancient text... Reading Iliad is a must for all modern man. With this book, with the help of the opposite page English translation, you can read it in its original too. Homeric Greek is not biblical Greek. It's even older and more beautiful.. So, It may not be the best book for biblical greek readers or learners. But if you are serious about learning ancient Greek and want to do it by reading it word by word with the help of English translation, this book is the right one to start with. Homeric Greek is a dead language, therefore people don't know how to pronounce it. There are many theories about it but there is an interesting guy on YouTube with the nickname "kleber kosta", and he is the best reader of Iliad when it comes to pronouncing it.
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Reviewed in the United States on April 28, 2012
★★★★★ 5
Homer's Iliad, Books 1-12
Format: Hardcover
This is a wonderful adjunct to any text for anyone interested in Homeric Greek.
It reads well in and of itself and seems to be highly accurate.
Of course I recommend it.
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Reviewed in the United States on January 24, 2014
★★★★★ 5
Good standard pony
Format: Hardcover
I recommend this book for scholars who want to read the original Greek but don't want the burden of translating. I like the small size of the book that can be toted around to the doctor's and on an airplane. There are enough notes on difficult passages to make the casual reader aware of the specialist's debate.
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Reviewed in the United States on February 2, 2014