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Grazyna Bacewicz - HardcoverReport copyright infringement by Joanna Sendlak (Author), Halina Maria Boniszewska (Translator) Grayna Bacewicz (1909 1969) was a composer with an individual, expressive style. She was also an excellent violinist, a very fine pianist, and a talented author. She studied composition at the Conservatory in Warsaw with Kazimierz Sikorski, violin with J? zef Jarzbski, and piano with J? zef Turczy nski. Graduating in 1932, she travelled to Paris to study
by Joanna Sendlak (Author), Halina Maria Boniszewska (Translator)
Grażyna Bacewicz (1909-1969) was a composer with an individual, expressive style. She was also an excellent violinist, a very fine pianist, and a talented author. She studied composition at the Conservatory in Warsaw with Kazimierz Sikorski, violin with J?zef Jarzębski, and piano with J?zef Turczy nski. Graduating in 1932, she travelled to Paris to study composition with Nadia Boulanger, later returning there to work with Carl Flesch. Her compositional output covered many genres, including ballets, songs, and choral works, while her instrumental writing ranged from symphonies and concertos to chamber works and pieces for solo piano. In 1936 she became principal violinist in the Polish Radio Orchestra. She then toured Europe as a soloist in the two years leading to World War II, later resuming her career as a concert violinist and pianist after the war. For many years, Grażyna Bacewicz held the post of Vice-President of the Union of Polish Composers. She also served as a judge in many prestigious international music competitions. Strong and sensitive, and exceptionally family oriented, Grażyna Bacewicz was also blessed with unusual charm, phenomenal energy, and huge creative power.
Grażyna Bacewicz became world famous and won numerous prizes for her compositions, which were regularly performed by the best musicians, and picked up for publication. She received enthusiastic reviews from music critics, among them Stefan Kisielewski, who noted the 'passionate ferocity' of her playing and described her concerto for string orchestra as 'a rare piece of healthy and tasty music'.
This unique biographical story, based on letters and other family documents, has been brought to us first hand by the composer's grand-daughter, the writer Joanna Sendlak.
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